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    "name": "Fjord",
    "description": "After moving from Romania to a remote Norwegian village to rebuild their lives, a family finds hope in their welcoming neighbors, but their fragile new beginning is threatened when their young daughter arrives at school covered in bruises.",
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        "name": "Fjord",
        "description": "From two-time Palme d’Or winner Cristian Mungiu, a Norwegian woman and her devout Romanian husband relocate with their five children to a remote, close-knit, coastal town. Their teenage children form a fast bond with a neighboring family as unease begins to simmer around their rigid beliefs. When allegations of abuse emerge, they are forced to confront a system of judgment that blurs the line between concern and prejudice.",
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    "name": "Halloween",
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        "name": "Halloween",
        "description": "Preceded by animated short, SEASON'S GREETINGS, by Michael Dougherty\n\nIn 1978, legendary New Yorker film critic Pauline Kael reviewed John Carpenter's HALLOWEEN. She didn’t like it.\n\n\"HALLOWEEN has a pitiful, amateurish script (by Carpenter and his producer, Debra Hill). An escaped lunatic wielding a kitchen knife stalks people in a small Midwestern town (Haddonfield, Illinois), and that's about it. Maybe when a horror film is stripped of everything but dumb scariness – when it isn't ashamed to revive the stalest device of the genre (the escaped lunatic) – it satisfies part of the audience in a more basic, childish way than sophisticated horror pictures do.\"\n\nEternal respect to Ms. Kael, but what she disdained more than 40 years ago are the very elements that have made this film endure for over four decades.\n\nHALLOWEEN might not have resembled the “sophisticated” horror films of the 1970s, but the simplicity of the film’s story and production values allowed Carpenter to focus on staying one step ahead of the audience. From Dean Cundey's flowing, blue-hued photography to Carpenter's minimalist score to the blank, ominous mask of Michael Myers, nothing in this moody, terrifying film is misplaced.\n\nJust as BLAZING SADDLES, DIE HARD, and THE MATRIX reinvigorated their genres by satisfying in “basic, childish ways,” Carpenter created a pitch-perfect prototype in HALLOWEEN that changed an entire genre forever.",
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    "name": "Once Upon a Time in Harlem",
    "description": "A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance.",
    "release_year": "2026",
    "runtime_minutes": 100,
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        "description": "A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance. For four hours, this extraordinary group – many of whom had not seen each other in fifty years – reminisced, critiqued, argued, laughed and drank while wrestling with their place in a rapidly shifting cultural landscape. Shot on 16mm film, newly restored and now directed by Greaves’ son David, this landmark film is at once a self-exploration and an inquiry into the heart of the critical mass of energy called the Harlem Renaissance. William Greaves’ intent was not only to document these artists and intellectuals as they spoke about their lives and work but also to plumb the meaning of the extraordinary creative period in which they lived to help us better understand how culture has been passed on from one generation to another and the role that the artist plays in keeping it alive.",
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    "name": "The Devils",
    "description": "In 1634 France, charismatic Father Urbain Grandier becomes the target of sexually depraved Sister Jeanne's accusations of witchcraft, which corrupt officials of church and state are all too happy to exploit.​​​​​​​​​​​​​​​​",
    "release_year": "1971",
    "runtime_minutes": 112,
    "poster_url": "https://image.tmdb.org/t/p/w500/y1k7eiOFc6fzm8XeTa1kNGx6JIs.jpg",
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        "name": "Ken Russell's The Devils",
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    "name": "The Rocky Horror Picture Show",
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    "release_year": "1975",
    "runtime_minutes": 100,
    "poster_url": "https://image.tmdb.org/t/p/w500/3pyE6ZqDbuJi7zrNzzQzcKTWdmN.jpg",
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        "description": "Originally produced for the London stage in 1973, THE ROCKY HORROR SHOW was Richard O'Brien's musical tribute to B-movies, sci-fi, ‘50s rock, and Hammer Horror, as filtered through the transgressive and camp attitudes of rock-opera and punk. A huge success, the play caught the attention of 20th Century Fox, who fast-tracked a low-budget theatrical adaptation. Featuring most of the creative team and cast of the original production – including Tim Curry reviving his much-acclaimed performance – THE ROCKY HORROR PICTURE SHOW was a flop when originally released in September 1975. Now one of the most beloved and enduring camp classics of all time, ROCKY HORROR is still shown in theaters across the country and has become a cultural phenomenon that is a unique and unforgettable experience for all patrons. Patrons are encouraged to engage with the film and performance by coming to the show dressed up. Come be a part of the longest-running midnight movie phenomenon in history!",
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    "name": "Trick or Treat",
    "description": "Eddie Weinbauer, a metalhead teen who is bullied at school, looks to his heavy metal superstar idol, Sammi Curr, for guidance. When Curr is killed in a hotel fire, Eddie becomes the recipient of the only copy of his unreleased album, which, when played backwards, brings the rocker back to life. As Halloween approaches, Eddie begins to realize that this isn't only rock 'n roll...It's life and death.",
    "release_year": "1986",
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    "poster_url": "https://image.tmdb.org/t/p/w500/ycCrGbfuOEcKSCwxQeKA1VEPs7O.jpg",
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    "name": "Your Mother Your Mother Your Mother",
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    "release_year": "2026",
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    "name": "Little Odessa",
    "description": "Long separated from his family, hitman Joshua returns to Brighton Beach for a contract killing for the Russian Mafia. His abusive father, Arkady, banned him from returning after Joshua committed his first murder. He takes up residence in a hotel, and soon everyone knows he has returned. He goes home to visit his dying mother, Irina, and prepares for the assassination, getting drawn back into the criminal community he left behind.",
    "release_year": "1994",
    "runtime_minutes": 98,
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        "description": "\"LITTLE ODESSA was my first movie, and it was made really on the basis of a dare from a wonderful producer named Paul Webster. After I’d pitched him a free ideas he’d rejected, he looked at me square in the face and asked, ‘can YOU make a personal movie?’ So I went off and wrote the picture in something like a month. It’s very much the work of a young man in a hurry, and though I see some loose threads in its tapestry now, I can’t help but admit I’ve been crafting variations on this my whole life.\" - James Gray\n\nA Dostoevskian family tragedy in the form of a gangster drama, the darkly elegant debut feature by James Gray heralded the arrival of a singular voice in contemporary American cinema. Cloaked in the shadows of New York’s underworld, Little Odessa follows Joshua (Tim Roth), a volatile hit man whose latest assignment takes him back to the Brooklyn neighborhood where he grew up. After his return home, his criminal life collides with the grim domestic world of his abusive father (Maximilian Schell), ailing mother (Vanessa Redgrave), and loyal teenage brother (Edward Furlong). Channeling the brooding fatalism of classic noir, Gray—who won the Venice Film Festival’s Silver Lion at just twenty-five—composes a haunting reflection on violence that begins at home and ripples ever outward. (The Criterion Collection)\n\n4k DCP courtesy of Lionsgate",
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  {
    "name": "We Own the Night",
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    "runtime_minutes": 118,
    "poster_url": "https://image.tmdb.org/t/p/w500/rsKhSr3UNjG2DhVj2KPj0ARujez.jpg",
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        "description": "\"I’d been trying to do something with cops as the subject—but I’d wanted the idea to have nothing to do with the procedural. I kept asking myself, ‘what’s in it for these people, emotionally? What is the true cost to their souls?’ WE OWN THE NIGHT was born out of the desire to focus on the sincere and honest picture of a family at war with itself.\" - James Gray\n\nWhat if your own family stood in the way of everything you worked for? Bobby Green (Joaquin Phoenix) has forsaken his name to escape his family and their tradition in law enforcement to pursue his ambitions as a Brooklyn nightclub owner. As he turns a blind eye to the drug dealers around him, he comes face to face with the family he abandoned when his brother (Mark Wahlberg) and father (Robert Duvall) crack down on the club. Now Bobby must choose a side. Is he going to turn informant or will he help run the biggest crime ring in New York history? (Sony Pictures Entertainment)",
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    "name": "Southland Tales",
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    "release_year": "2007",
    "runtime_minutes": 145,
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    "name": "The Magnificent Ambersons",
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    "release_year": "1942",
    "runtime_minutes": 88,
    "poster_url": "https://image.tmdb.org/t/p/w500/g5EosvM0delNPkgBDGYYZvJl46n.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=ylPT4SV8WDE",
    "tmdb_id": 965,
    "tmdb_rating": 7.3,
    "tmdb_url": "https://www.themoviedb.org/movie/965",
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    "release_year": "2026",
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    "name": "Women on the Verge of a Nervous Breakdown",
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        "name": "Women on the Verge of a Nervous Breakdown",
        "description": "Even in his darkest films, Pedro Almodóvar never shies away from peppering whimsy and fun into his explorations of the fringes of the human psyche. With his 1988 classic WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN, he delightfully flips that equation, resulting in a hugely funny and whimsical film that lightly peppers human insight throughout.\n\nActress Pepa Marcos (Carmen Maura, MATADOR) is, well, on the verge of a nervous breakdown. Having been abandoned by her lover, she embarks on a quest to reestablish contact with him, all the while navigating the stresses of live animals, answering machines, apartment fires, a girlfriend with accidental ties to terrorism, her ex-lover’s son (Antonio Banderas, PAIN AND GLORY), sleeping pills, and inquisitive detectives.\n\nWith his trademark color palette, dynamic camerawork, and a virtuoso performance from Carmen Maura in the lead role, WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN takes the pain of heartbreak and wrings every last laugh out of it.",
        "auditorium": null,
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        "source_url": "https://drafthouse.com/sf/show/women-on-the-verge-of-a-nervous-breakdown",
        "region": {
          "sacid": "san-francisco",
          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
        },
        "theater": {
          "sacid": "san-francisco/alamo",
          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
        },
        "series": null,
        "showtimes": [
          {
            "start_on": "2026-11-12",
            "start_at": "2026-11-12T18:40:00",
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            "first_seen_at": "2026-10-30T18:28:54"
          }
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        "first_seen_at": "2026-10-30T18:28:54",
        "last_seen_at": "2026-10-31T02:18:31"
      }
    ]
  },
  {
    "name": "All About My Mother",
    "description": "Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.",
    "release_year": "1999",
    "runtime_minutes": 101,
    "poster_url": "https://image.tmdb.org/t/p/w500/hjQhzhkGYXPNM96k0mOgob6HMmn.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=0Ki8qXRBIFI",
    "tmdb_id": 99,
    "tmdb_rating": 7.6,
    "tmdb_url": "https://www.themoviedb.org/movie/99",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-99-all-about-my-mother",
    "showings": [
      {
        "name": "All About My Mother",
        "description": "Presented in Spanish with English subtitles\n\nThough Pedro Almodóvar’s films have pushed the boundaries of cinema as far back as the mid-1970s, it wasn’t until 1999’s ALL ABOUT MY MOTHER that the Academy Awards finally took notice, naming it the Best Foreign Language Film of the year. And it serves as a perfect encapsulation of his enduring power as an artist: it’s colorful, dynamic, emotional, darkly funny, and imbued with profound empathy.\n\nWhen tragedy strikes, Manuela (Cecilia Roth, PEPI, LUCI, BOM) travels to Barcelona for the first time in years in search of someone from her past. But she is waylaid by her old friend Agrado (Antonia San Juan), a transgender sex worker, as well as new friends, such as Hermana (Penélope Cruz, PAIN AND GLORY), a nun with a secret, and Huma (Marisa Paredes, THE SKIN I LIVE IN), an actress performing in town. Together, the women form a unique bond that carries them through the challenges that life throws at them.\n\nDriven by the powerhouse performances of each actress in the film, ALL ABOUT MY MOTHER showcases the humanity of these women at their best and worst, their highest and lowest, resulting in a portrait of friendship, family, and love that is singularly Almodóvar.",
        "auditorium": null,
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        "quirks": [],
        "source_url": "https://drafthouse.com/sf/show/all-about-my-mother",
        "region": {
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          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
        },
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          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
        },
        "series": null,
        "showtimes": [
          {
            "start_on": "2026-11-13",
            "start_at": "2026-11-13T18:30:00",
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            "first_seen_at": "2026-10-30T18:28:54"
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        "first_seen_at": "2026-10-30T18:28:54",
        "last_seen_at": "2026-10-31T02:18:31"
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  },
  {
    "name": "Volver",
    "description": "Three generations of women deal with family secrets while surviving the east wind, fire, insanity, superstition, lies and even death.",
    "release_year": "2006",
    "runtime_minutes": 121,
    "poster_url": "https://image.tmdb.org/t/p/w500/ljRPzuI1xybiFUGU1uCRdx68h0K.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=ABSvppyQGdE",
    "tmdb_id": 219,
    "tmdb_rating": 7.5,
    "tmdb_url": "https://www.themoviedb.org/movie/219",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-219-volver",
    "showings": [
      {
        "name": "Volver",
        "description": "VOLVER is a tale of three generations of women in Spain: sisters Sole (Lola Dueñas) and Raimunda (Pénelope Cruz); the mother of the two women (Carmen Maura), who passed away in a fire alongside her husband; and Raimunda’s teenage daughter, Paula (Yohana Cobo). When Sole, Raimunda, and Paula return to their village to take care of their parents’ graves, they are forced to face a past they were trying to outrun.\n\nDirector Pedro Almodóvar’s zany and heartfelt film that tackles love, loss, and forgiveness is one of a kind. He showcases his ability to bring levity to even the darkest of tales, and with Cruz at his helm, VOLVER is a special film that’s feminine and bright.\n\nAfter her death, a mother returns to her hometown in order to fix the situations she couldn't resolve during her life.",
        "auditorium": null,
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        "source_url": "https://drafthouse.com/sf/show/sad-girl-cinema-club-volver",
        "region": {
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          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
        },
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          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
        },
        "series": {
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          "name": "Sad Girl Cinema Club",
          "description": "Sad Girl Cinema Club is a monthly screening series that’s for the film enthusiast who loves to get lost in their feelings. This series dives into epic romances, melodramatic plot twists, love that is lost, the pains of growing up, but ultimately films that fill you with a well of emotion. These are the kinds of films for the ones who take a “Hot Girl Walk” while listening to the saddest songs ever written, or the ones who burn candles and turn on a melancholy movie or TV series when it’s raining outside.\n\nWork through your feels and pick yourself back up on Sunday before the weekend is over with Sad Girl Cinema Club.",
          "source_url": null,
          "url": "https://www.stuffsac.com/san-francisco/alamo/series/sad-girl-cinema-club/",
          "film_description": null
        },
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          {
            "start_on": "2026-11-14",
            "start_at": "2026-11-14T15:00:00",
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            "first_seen_at": "2026-10-30T18:28:53"
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        "first_seen_at": "2026-10-30T18:28:53",
        "last_seen_at": "2026-10-31T02:18:31"
      }
    ]
  },
  {
    "name": "The Skin I Live In",
    "description": "A brilliant plastic surgeon creates a synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.",
    "release_year": "2011",
    "runtime_minutes": 120,
    "poster_url": "https://image.tmdb.org/t/p/w500/xa7uCwGYykrf8MMI8iF5dZvNlrG.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=PavJUoZNT7g",
    "tmdb_id": 63311,
    "tmdb_rating": 7.5,
    "tmdb_url": "https://www.themoviedb.org/movie/63311",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-63311-the-skin-i-live-in",
    "showings": [
      {
        "name": "The Skin I Live In",
        "description": "Dr. Robert Ledgard (Antonio Banderas) is a driven plastic surgeon haunted by personal tragedies. After many years of trial and error, he finally perfects a new skin – a shield that could have prevented the death of his wife in an accident years earlier. His latest “guinea pig” is a mysterious captive whose true identity masks a shocking mystery. THE SKIN I LIVE IN is a masterful tale of secrets, obsession, and revenge from Oscar-winning (Best Writing and Original Screenplay for TALK TO HER) writer/director Pedro Almodóvar.",
        "auditorium": null,
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        "source_url": "https://drafthouse.com/sf/show/the-skin-i-live-in",
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          "url": "https://www.stuffsac.com/san-francisco/"
        },
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          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
        },
        "series": null,
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          {
            "start_on": "2026-11-15",
            "start_at": "2026-11-15T15:00:00",
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        "last_seen_at": "2026-10-31T02:18:31"
      }
    ]
  },
  {
    "name": "Dive in Wonderland",
    "description": "Presented in Japanese with English subtitles\n\nThe world-famous classic Alice in Wonderland receives its first Japanese theatrical animated adaptation!\n\nRise Azumino is a university student who feels lost in her life. One day, guided by an invitation letter left behind by her late grandmother, she enters “Wonderland”. She meets a girl named Alice there and they travel together. The Queen of Hearts, the Mad Hatter, Cheshire Cat…the residents of Wonderland appear before Rise one after another and crazy commotion ensues! What kind of future will Rise choose in this crazy adventure with Alice?",
    "release_year": "2026",
    "runtime_minutes": null,
    "poster_url": "https://img-assets.drafthouse.com/images/shows/dive-in-wonderland/DIVE-IN-WONDERLAND_sp-poster.jpg?auto=compress&fit=clip&h=1620&q=80&w=1080",
    "trailer_url": null,
    "tmdb_id": null,
    "tmdb_rating": null,
    "tmdb_url": null,
    "url": "https://www.stuffsac.com/san-francisco/alamo/#san-francisco/alamo-dive-in-wonderland",
    "showings": [
      {
        "name": "Dive in Wonderland",
        "description": "Presented in Japanese with English subtitles\n\nThe world-famous classic Alice in Wonderland receives its first Japanese theatrical animated adaptation!\n\nRise Azumino is a university student who feels lost in her life. One day, guided by an invitation letter left behind by her late grandmother, she enters “Wonderland”. She meets a girl named Alice there and they travel together. The Queen of Hearts, the Mad Hatter, Cheshire Cat…the residents of Wonderland appear before Rise one after another and crazy commotion ensues! What kind of future will Rise choose in this crazy adventure with Alice?",
        "auditorium": null,
        "formats": [],
        "quirks": [],
        "source_url": "https://drafthouse.com/sf/show/dive-in-wonderland",
        "region": {
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          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
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          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
        },
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            "start_on": "2026-11-16",
            "start_at": "2026-11-16T19:00:00",
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      }
    ]
  },
  {
    "name": "In Transit",
    "description": "When a complacent young bartender living in small-town Maine agrees to model for a existentially floundering painter on an artist's retreat, both women must confront their preconceptions of what makes a good life.",
    "release_year": "2025",
    "runtime_minutes": 82,
    "poster_url": "https://image.tmdb.org/t/p/w500/pwLQA4dir1QY3RzPOWb89yXsWNv.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=FeJD9y7eSx4",
    "tmdb_id": 1219507,
    "tmdb_rating": null,
    "tmdb_url": "https://www.themoviedb.org/movie/1219507",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-1219507-in-transit",
    "showings": [
      {
        "name": "In Transit with Live Q&A",
        "description": "With Q&As in the following cities: 11/7 - Los Angeles - with actors Francois Arnaud and Alex Sarrigeorgiou, and director Jaclyn Bethany 11/17 - San Francisco - with actor Alex Sarrigeorgiou 11/23 - Manhattan - with actors Francois Arnaud, Alex Sarrigeorgiou, Jennifer Ehle and director Jaclyn Bethany\n\nIn a small town in Maine, Lucy tends bar at the local dive where she’s worked for years, content in the rhythms of her quiet life with her longtime boyfriend, Tom. But when Ilse, a mysterious older artist adrift in her own life, asks Lucy to model for her, each woman stirs in the other the possibility of a different kind of meaning. Just as Lucy learns the bar is being sold and the life she’s built may be slipping away, she has to reckon with what she truly wants. A Factory25 release.\n\nWith Q&As in the following cities: 11/7 - Los Angeles - with actors Francois Arnaud and Alex Sarrigeorgiou, and director Jaclyn Bethany 11/17 - San Francisco - with actor Alex Sarrigeorgiou 11/23 - Manhattan - with actors Francois Arnaud, Alex Sarrigeorgiou, Jennifer Ehle and director Jaclyn Bethany\n\nIn a small town in Maine, Lucy tends bar at the local dive where she’s worked for years, content in the rhythms of her quiet life with her longtime boyfriend, Tom. But when Ilse, a mysterious older artist adrift in her own life, asks Lucy to model for her, each woman stirs in the other the possibility of a different kind of meaning. Just as Lucy learns the bar is being sold and the life she’s built may be slipping away, she has to reckon with what she truly wants. A Factory25 release.",
        "auditorium": null,
        "formats": [],
        "quirks": [
          "Q&A"
        ],
        "source_url": "https://drafthouse.com/sf/show/live-q-a-in-transit",
        "region": {
          "sacid": "san-francisco",
          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
        },
        "theater": {
          "sacid": "san-francisco/alamo",
          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
        },
        "series": null,
        "showtimes": [
          {
            "start_on": "2026-11-17",
            "start_at": "2026-11-17T19:00:00",
            "formats": [],
            "quirks": [
              "Q&A"
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            "first_seen_at": "2026-10-30T18:28:53"
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        "first_seen_at": "2026-10-30T18:28:53",
        "last_seen_at": "2026-10-31T02:18:31"
      }
    ]
  },
  {
    "name": "The Exorcist",
    "description": "When a mysterious entity possesses a young girl, her mother seeks the help of two Catholic priests to save her life.",
    "release_year": "1973",
    "runtime_minutes": 122,
    "poster_url": "https://image.tmdb.org/t/p/w500/5x0CeVHJI8tcDx8tUUwYHQSNILq.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=jyW5YXDcIGs",
    "tmdb_id": 9552,
    "tmdb_rating": 7.7,
    "tmdb_url": "https://www.themoviedb.org/movie/9552",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-9552-the-exorcist",
    "showings": [
      {
        "name": "The Exorcist on 35mm",
        "description": "Long unavailable to screen in theaters, the original theatrical cut of THE EXORCIST returns to the big screen in 35mm. Positioned by late director William Friedkin as “a realistic film about inexplicable events,” the story follows a young girl named Regan (the iconic Linda Blair) as she’s inhabited by a Satanic entity. THE EXORCIST remains a deeply unsettling and riveting exploration of faith, humanity, and unequivocal terror. No one sleeps tonight.\n\nScreening an archival 35mm print of the original theatrical cut\n\nPrior to becoming a staple of after-school specials (BORN INNOCENT, SARAH T: PORTRAIT OF A TEENAGE ALCOHOLIC) and B-movie box office bombs (SAVAGE STREETS, ROLLER BOOGIE) the pudgy-faced Linda Blair had earned her place in the cinematic pantheon as Regan MacNeil – the possessed little girl who became an inspiration to holy rollers and juvenile delinquents everywhere. Her head could spin. She found obscene uses for religious iconography. She could levitate, vomit green, beat a priest – what a teen! When scientific technology proves useless, her mother (Ellen Burstyn) calls in the big guns, namely retired Exorcist Father Marron (Max Von Sydow) and his bewildered assistant Damien Karras (Jason Miller), who prove no match for the scabby, trucker-mouthed hellcat. See Pazuzu’s pre-teen putti as she was meant to be seen – on the big screen! (writeup freely adapted from Alice Donut song lyrics).",
        "auditorium": null,
        "formats": [
          "35mm"
        ],
        "quirks": [],
        "source_url": "https://drafthouse.com/sf/show/terror-tuesday-the-exorcist-on-35mm",
        "region": {
          "sacid": "san-francisco",
          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
        },
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          "sacid": "san-francisco/alamo",
          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
        },
        "series": {
          "sacid": "san-francisco/alamo:terror-tuesday",
          "name": "Terror Tuesday",
          "description": "We don't just watch horror movies – we live for them. And at every Terror Tuesday, we join hands to worship at the gore-soaked altar of slash, trash, thrash, and FUN! This eclectic series spans all decades, covering everything from seminal horror treasures to undiscovered DIY monster blasts. Terror Tuesday is the new ground zero for warming your black heart.",
          "source_url": null,
          "url": "https://www.stuffsac.com/san-francisco/alamo/series/terror-tuesday/",
          "film_description": null
        },
        "showtimes": [
          {
            "start_on": "2026-11-17",
            "start_at": "2026-11-17T21:30:00",
            "formats": [
              "35mm"
            ],
            "quirks": [],
            "first_seen_at": "2026-10-30T18:28:53"
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        ],
        "first_seen_at": "2026-10-30T18:28:53",
        "last_seen_at": "2026-10-31T02:18:31"
      }
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  },
  {
    "name": "Dr. Goldfoot and the Bikini Machine",
    "description": "Mad scientist Dr. Goldfoot has invented an army of bikini-clad robots programmed to seek out wealthy men and charm them into signing over their assets. Secret agent Craig Gamble and millionaire Todd Armstrong set out to foil his fiendish plot.",
    "release_year": "1965",
    "runtime_minutes": 88,
    "poster_url": "https://image.tmdb.org/t/p/w500/v1NPmkAgQ85fTJAD7cmZ2EcFCvh.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=e6kC3nNR4Zg",
    "tmdb_id": 26573,
    "tmdb_rating": 5.3,
    "tmdb_url": "https://www.themoviedb.org/movie/26573",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-26573-dr-goldfoot-and-the-bikini-machine",
    "showings": [
      {
        "name": "Dr. Goldfoot and the Bikini Machine on 35mm",
        "description": "Mad scientist Dr. Goldfoot (Vincent Price, in a deliciously camp performance) has invented an army of bikini-clad robots programmed to seek out wealthy men and charm them into signing over their assets. Secret agent Craig Gamble and millionaire Todd Armstrong set out to foil his fiendish plot - AUSTIN POWERS who?\n\n35mm print courtesy of Park Circus.\n\nMad scientist Dr. Goldfoot (Vincent Price, in a deliciously camp performance) has invented an army of bikini-clad robots programmed to seek out wealthy men and charm them into signing over their assets. Secret agent Craig Gamble and millionaire Todd Armstrong set out to foil his fiendish plot - AUSTIN POWERS who?\n\n35mm print courtesy of Park Circus.",
        "auditorium": null,
        "formats": [
          "35mm"
        ],
        "quirks": [],
        "source_url": "https://drafthouse.com/sf/show/weird-wednesday-dr-goldfoot-and-the-bikini-machine",
        "region": {
          "sacid": "san-francisco",
          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
        },
        "theater": {
          "sacid": "san-francisco/alamo",
          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
        },
        "series": {
          "sacid": "san-francisco/alamo:weird-wednesday",
          "name": "Weird Wednesday",
          "description": "Weird Wednesday is a weekly celebration of genre movies that are too outrageous for prime time. This is a one-way ticket to the fringes of the unknown, where imagination and ambition dance on the graves of logic and reality. From outlaw exploitation classics to inexplicable Hollywood excess, Weird Wednesday showcases mind-blowing genre discoveries that are unlike anything else you’ve ever seen.\n\nSome daring. Some controversial. All weird. WARPED & FADED: Weird Wednesday and the Birth of the American Genre Film Archive, by Lars Nilsen and Friends and Edited by Kier-la Janisse, is available to order now from the Alamo Gift Shop.",
          "source_url": null,
          "url": "https://www.stuffsac.com/san-francisco/alamo/series/weird-wednesday/",
          "film_description": null
        },
        "showtimes": [
          {
            "start_on": "2026-11-18",
            "start_at": "2026-11-18T21:30:00",
            "formats": [
              "35mm"
            ],
            "quirks": [],
            "first_seen_at": "2026-10-30T18:28:54"
          }
        ],
        "first_seen_at": "2026-10-30T18:28:54",
        "last_seen_at": "2026-10-31T02:18:31"
      }
    ]
  },
  {
    "name": "The Cook, the Thief, His Wife & Her Lover",
    "description": "When churlish mobster Albert Spica acquires an upscale French restaurant in London, he dines there nightly, effectively scaring off the clientele with his bad manners. His wife, Georgina, is especially disgusted by him, and soon begins an affair with regular guest Michael. Despite their best efforts to keep it secret, Spica learns about their trysts, and he plots a terrible revenge.",
    "release_year": "1989",
    "runtime_minutes": 124,
    "poster_url": "https://image.tmdb.org/t/p/w500/15xMqAnFsROopAT66zdRyu2Dtek.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=gxpQomMfvIM",
    "tmdb_id": 7452,
    "tmdb_rating": 7.3,
    "tmdb_url": "https://www.themoviedb.org/movie/7452",
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        "name": "The Cook, The Thief, His Wife, & Her Lover",
        "description": "Peter Greenaway's 1989 magnum opus THE COOK, THE THIEF, HIS WIFE & HER LOVER is neo-noir for the hungry, devious soul. Released at a time when crime cinema was growing increasingly perverse with the likes of ANGEL HEART (1987), BLUE VELVET (1986), and BODY DOUBLE (1984), Greenaway's film out-shocks the buch by intertwining two of human nature's favorite pastimes: food and sex. Like Marco Ferreri's LA GRAND BOUFFE (1973) and Paul Bartel's EATING RAOUL (1982) before it, food and sex quickly turn into a recipe for something decidedly more sinister and... cannibalistic. Shocking audiences at the time of its release, time has not tamed Greenaway's film at all, and you'll never look at Helen Mirren or Michael Gambon the same way again. (Justin LaLiberty)\n\nDCP courtesy of Universal Pictures",
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            "start_on": "2026-11-20",
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  {
    "name": "Pearl",
    "description": "Trapped on her family’s isolated farm, Pearl must tend to her ailing father under the bitter and overbearing watch of her devout mother. Lusting for a glamorous life like she’s seen in the movies, Pearl’s ambitions, temptations, and repressions collide.",
    "release_year": "2022",
    "runtime_minutes": 102,
    "poster_url": "https://image.tmdb.org/t/p/w500/z5uIG81pXyHKg7cUFIu84Wjn4NS.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=L5PW5r3pEOg",
    "tmdb_id": 949423,
    "tmdb_rating": 7.2,
    "tmdb_url": "https://www.themoviedb.org/movie/949423",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-949423-pearl",
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      {
        "name": "Alamo Drafthouse x A24 Cinema Club: Pearl",
        "description": "Ti West’s PEARL takes us back to 1918, where Mia Goth’s farm girl dreams of movie stardom take a dark turn. Now, you can take home a little piece of Pearl’s world. Your ticket to PEARL through the Alamo Drafthouse x A24 Cinema Club includes an exclusive, limited-edition 16 oz. pint glass featuring striking artwork by Chris Bilheimer, depicting Pearl’s iconic axe and intimate encounter with a scarecrow. See the movie on the big screen. Take home the pint.\n\nThe allure of stardom on the big screen proves to be a road to some very dark places for Mia Goth’s titular PEARL in this stylish and gruesome prequel to Ti West’s X. With her husband away at war, Pearl finds herself dreaming of a way to escape from her boring life on the farm. She sees the silver screen as her way to find stardom and the love she so desperately needs, but her overbearing mother and her own dark impulses might hold her back from the fame she craves.\n\nPEARL proves to be a delightfully perverse study on a standout character from writer/director Ti West’s tribute to ‘70s grindhouse, X. Its vibrant, candy-coated veneer plays wonderfully against the depraved desires of the main character bubbling just below the surface. Co-writer/star Mia Goth gives another deliciously unhinged performance as Pearl, a not-quite-innocent farm girl looking for love in all the wrong places. As much a love letter to the Golden Age of Hollywood as it is a demented look at the darkness bubbling just below the surface of rural America, PEARL is colorful, unnerving, and twisted in all the right ways.",
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            "start_on": "2026-11-22",
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  {
    "name": "Point Blank",
    "description": "After being double-crossed and left for dead, a mysterious man named Walker single-mindedly tries to retrieve the rather inconsequential sum of money that was stolen from him.",
    "release_year": "1967",
    "runtime_minutes": 92,
    "poster_url": "https://image.tmdb.org/t/p/w500/xvZc8EvB7tNPHM9VdmNA19EiwqU.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=b3gj5_6DHRY",
    "tmdb_id": 26039,
    "tmdb_rating": 7.1,
    "tmdb_url": "https://www.themoviedb.org/movie/26039",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-26039-point-blank",
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      {
        "name": "Point Blank",
        "description": "\"You're a pathetic sight, Walker, from where I'm standing. Chasing shadows. You're played out.\"\n\nBREATHLESS. TOKYO DRIFTER. POINT BLANK. The 1960s saw a shift in crime films, where the grit and grime of American Noir began to blend with the artistic flourishes of New Wave filmmakers. Style became paramount, narratives shifted in psychedelic directions, and for American directors, the Hays Code's restrictions became somewhat more permeable.\n\nSometimes considered the first American neo-noir, POINT BLANK is a truly strange and thorny piece of cinema. Directed by John Boorman (DELIVERANCE, THE EXORCIST II, EXCALIBUR) and based on the Parker crime novels of Donald E. Westlake, POINT BLANK tells the sensitive story of professional criminal and all-around tough guy, Walker (Lee Marvin), who embarks on a revenge-fueled rampage after being double-crossed and left for dead by his “partner,” Mal (John Vernon). Walker is uniquely fixated on Mal, and not unlike previous Queer Film Theory 101 entry BRANDED TO KILL, the macho man, manly, so-masculine-it-can’t-possibly-be-gay antics that ensue are loaded to the gills with subtext. Bizarre, fractured, and gorgeously rendered, POINT BLANK is a mythic tale of American disillusionment and brutality. A crime film born in a dreamlike liminal reality, a beautiful, emptying world of distrust and loneliness. (Does it sound weird yet?) Deeply influential, POINT BLANK is a must-see film for anyone who loves movies. It’s that important. But enough about its influence; is Angie Dickinson in it being cunty as all hell? You bet she is! Wait, is Archie Bunker (Carroll O’Connor) from All In The Family in this movie? YES! Put on your tailored suit and bring your clandestine briefcase full of secret documents and/or money to our special Noirvember screening of this classic film.\n\nBritish director John Boorman brought a European sensibility to a Los Angeles neo-noir: POINT BLANK is Antonioni plus violence, Francesco Rosi without politics. The title reverberates like a pun-point: blank. Lee Marvin is Walker, left for dead in an Alcatraz heist and now out to find the $93,000 he has coming. No more, no less, unless you count revenge. The trail leads to the City of Angels and the syndicate that runs it out of car lots and Santa Monica penthouses, the kind of places you know exist only with a little larceny. Picking up on the modern surface of his locale, Boorman takes a champagne-blonde color scheme to a hallucinatory degree, blonde on blond, like Angie Dickinson's bouffant and Marvin's silvery pate (here, we have the bad, the brunette, and the bald). Los Angeles is inherently horizontal. The payoff, visually and narratively, occurs in that storm drain affectionately known as the L.A. River, viewed from a bridge over imagined waters. (BAMPFA)\n\nDCP courtesy of Warner Bros.",
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          "sacid": "san-francisco/alamo:queer-film-theory-101",
          "name": "Queer Film Theory 101",
          "description": "Queer Film Theory 101 at Alamo Drafthouse takes an in-depth look at the queerest “straight” films ever produced. We’re outing all of your favorite films! Is TITANIC a genderqueer love story? Yeah! Does POINT BREAK explore latent homosexuality in extreme sports culture? Absolutely. Is JAWS about the violent fear of queer desire? Yes, yes, and we’ll tell you why. To this day, there are so few representations of LGBTQ+ people in film, so we improvise, we read between the lines, we make adjustments to our head cannon, and zero in on all the queer subtext available. Join us every month for a new entry in our screening and lecture series. All screenings curated by Micheal Foulk, with live introductions in San Francisco and pre-recorded introductions at all other locations.",
          "source_url": null,
          "url": "https://www.stuffsac.com/san-francisco/alamo/series/queer-film-theory-101/",
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            "start_at": "2026-11-23T18:45:00",
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  {
    "name": "September Songs: The Music of Kurt Weill",
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    "release_year": "2026",
    "runtime_minutes": null,
    "poster_url": "https://img-assets.drafthouse.com/images/shows/september-songs/poster-september_songs.webp?auto=compress&fit=clip&h=1620&q=80&w=1080",
    "trailer_url": null,
    "tmdb_id": null,
    "tmdb_rating": null,
    "tmdb_url": null,
    "url": "https://www.stuffsac.com/san-francisco/alamo/#san-francisco/alamo-september-songs",
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      {
        "name": "September Songs: The Music of Kurt Weill",
        "description": "September Songs: The Music of Kurt Weill is a fusion of film, theatre, and concert performance that reimagines the music of the German composer Kurt Weill whose songs bridged opera, cabaret, and popular music with piercing social and emotional insight.\n\nFeaturing an extraordinary ensemble — Teresa Stratas, Lou Reed, Nick Cave, PJ Harvey, Charlie Haden, Elvis Costello & The Brodsky Quartet, Betty Carter, Mary Margaret O’Hara, William S. Burroughs, and more — September Songs transforms Weill’s work into a haunting collage of performance, theatre, and cinema. Each artist reinvents Weill’s legacy through their own lens, creating a living dialogue between past and present, exile and belonging, beauty and decay. Blended throughout the film are stylized “documentaries”, evocative imagery, and cinematic transitions that transform Weill’s haunting melodies and biting social commentary into a contemporary meditation on art, exile, and the human condition. The film celebrates Weill’s enduring influence on 20th-century music and culture.\n\nThrough its visuals, its music and its original choreography, the film merges concert, cabaret, and expressionist cinema into a single dreamlike experience. The restoration — undertaken by Sphinx Productions with the generous support of Telefilm Canada — faithfully revives the film’s original textures, sound design, and the distinctive cinematography of celebrated German DOP Horst Zeidler, preserving a landmark of Canadian music cinema for new audiences worldwide.",
        "auditorium": null,
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        "quirks": [],
        "source_url": "https://drafthouse.com/sf/show/september-songs",
        "region": {
          "sacid": "san-francisco",
          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
        },
        "theater": {
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          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
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        "series": null,
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            "start_on": "2026-11-24",
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  {
    "name": "The Ninth Configuration",
    "description": "Army psychiatrist Colonel Kane is posted to a secluded gothic castle housing a military asylum. With a reserved calm, he indulges the inmates' delusions, allowing them free rein to express their fantasies.",
    "release_year": "1980",
    "runtime_minutes": 118,
    "poster_url": "https://image.tmdb.org/t/p/w500/jlQMBckfnLhiCusar62sJ7WCKBv.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=EUrI6wD3InA",
    "tmdb_id": 18910,
    "tmdb_rating": 6.4,
    "tmdb_url": "https://www.themoviedb.org/movie/18910",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-18910-the-ninth-configuration",
    "showings": [
      {
        "name": "The Ninth Configuration",
        "description": "William Peter Blatty’s 1980 film THE NINTH CONFIGURATION – one of his only two directorial efforts – boasts a truly impressive cast of nothing but hardline characters like Scott Wilson, Moses Gunn, Robert Loggia, Alejandro Rey, Neville Brand, Ed Flanders, Tom Atkins(!), Richard Lynch (!!), Joe Spinell (!!!), and even THE EXORCIST’s Jason Miller alongside Stacy Keach as a military psychiatrist with a taste for unusual therapy programs.\n\nAdjacent to Blatty’s EXORCIST trilogy in tone, ambition, and chutzpah, this hazy mind-shatterer intersects genre and arthouse in freaky ways. Overflowing with tangents covering “theology, morality, and the nature of human sanity and perception, it represents Blatty at full strength – something the world has learned not to take for granted.” (Nathaniel Thompson, TCM)\n\nWilliam Peter Blatty’s 1980 film THE NINTH CONFIGURATION – one of his only two directorial efforts – boasts a truly impressive cast of nothing but hardline characters like Scott Wilson, Moses Gunn, Robert Loggia, Alejandro Rey, Neville Brand, Ed Flanders, Tom Atkins(!), Richard Lynch (!!), Joe Spinell(!!!), and even THE EXORCIST’s Jason Miller alongside Stacy Keach as a military psychiatrist with a taste for unusual therapy programs.\n\nAdjacent to Blatty’s EXORCIST trilogy in tone, ambition, and chutzpah, this hazy mind-shatterer intersects genre and arthouse in freaky ways. Overflowing with tangents covering “theology, morality, and the nature of human sanity and perception, it represents Blatty at full strength – something the world has learned not to take for granted.” (Nathaniel Thompson, TCM)",
        "auditorium": null,
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        "source_url": "https://drafthouse.com/sf/show/terror-tuesday-the-ninth-configuration",
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          "sacid": "san-francisco",
          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
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          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
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        "series": {
          "sacid": "san-francisco/alamo:terror-tuesday",
          "name": "Terror Tuesday",
          "description": "We don't just watch horror movies – we live for them. And at every Terror Tuesday, we join hands to worship at the gore-soaked altar of slash, trash, thrash, and FUN! This eclectic series spans all decades, covering everything from seminal horror treasures to undiscovered DIY monster blasts. Terror Tuesday is the new ground zero for warming your black heart.",
          "source_url": null,
          "url": "https://www.stuffsac.com/san-francisco/alamo/series/terror-tuesday/",
          "film_description": null
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            "start_on": "2026-11-24",
            "start_at": "2026-11-24T21:30:00",
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  {
    "name": "Sudden Fury",
    "description": "Fred is a psychotic entrepreneur who hopes to convince his wife Janet to invest in a shady land deal. The wife refuses, and the couple continue their heated argument while driving through the Ontario backwoods. When their car crashes, Janet is seriously injured, but Fred leaves the scene, hoping that his wife won't last the night.",
    "release_year": "1975",
    "runtime_minutes": 92,
    "poster_url": "https://image.tmdb.org/t/p/w500/bUgpiB3kw07eV4qISo7udEvPDt4.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=SQe1G53HvL8",
    "tmdb_id": 106730,
    "tmdb_rating": 7.2,
    "tmdb_url": "https://www.themoviedb.org/movie/106730",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-106730-sudden-fury",
    "showings": [
      {
        "name": "Sudden Fury",
        "description": "Fred and his wife Janet have been experiencing problems in their marriage. But when she refuses to help him fund the building of a rural resort and, subsequently, reveals that she's had an affair, Fred snaps, staging a car accident on a country road and leaving Janet for dead. What seems like a perfect crime, disguised as an accident, is spoiled by the unexpected arrival of Al, an innocent passer-by who, in his attempt to save Janet, quickly finds himself fingered as the most likely suspect in her murder. A riveting and criminally under-seen Hitchcockian thriller, director Brian Damude's SUDDEN FURY arrived on the cusp of Canada's tax shelter era, and it ranks as one of the country's most enduring genre staples.\n\nFred and his wife Janet have been experiencing problems in their marriage. But when she refuses to help him fund the building of a rural resort and, subsequently, reveals that she's had an affair, Fred snaps, staging a car accident on a country road and leaving Janet for dead. What seems like a perfect crime, disguised as an accident, is spoiled by the unexpected arrival of Al, an innocent passer-by who, in his attempt to save Janet, quickly finds himself fingered as the most likely suspect in her murder. A riveting and criminally under-seen Hitchcockian thriller, director Brian Damude's SUDDEN FURY arrived on the cusp of Canada's tax shelter era, and it ranks as one of the country's most enduring genre staples.",
        "auditorium": null,
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          "short_name": "Alamo",
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          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
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        "series": {
          "sacid": "san-francisco/alamo:weird-wednesday",
          "name": "Weird Wednesday",
          "description": "Weird Wednesday is a weekly celebration of genre movies that are too outrageous for prime time. This is a one-way ticket to the fringes of the unknown, where imagination and ambition dance on the graves of logic and reality. From outlaw exploitation classics to inexplicable Hollywood excess, Weird Wednesday showcases mind-blowing genre discoveries that are unlike anything else you’ve ever seen.\n\nSome daring. Some controversial. All weird. WARPED & FADED: Weird Wednesday and the Birth of the American Genre Film Archive, by Lars Nilsen and Friends and Edited by Kier-la Janisse, is available to order now from the Alamo Gift Shop.",
          "source_url": null,
          "url": "https://www.stuffsac.com/san-francisco/alamo/series/weird-wednesday/",
          "film_description": null
        },
        "showtimes": [
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            "start_on": "2026-11-25",
            "start_at": "2026-11-25T21:30:00",
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  {
    "name": "The Room Returns",
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    "release_year": "2025",
    "runtime_minutes": null,
    "poster_url": "https://img-assets.drafthouse.com/images/shows/the-room-a-tribute/THE-ROOM-A-TRIBUTE_sp-poster.jpg?auto=compress&fit=clip&h=1620&q=80&w=1080",
    "trailer_url": null,
    "tmdb_id": null,
    "tmdb_rating": null,
    "tmdb_url": null,
    "url": "https://www.stuffsac.com/san-francisco/alamo/#san-francisco/alamo-the-room-a-tribute",
    "showings": [
      {
        "name": "The Room Returns",
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    "name": "Bitter Christmas",
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    "name": "Tokyo Godfathers",
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    "release_year": "2025",
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    "name": "The Exorcist III",
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        "description": "Seventeen years after the events in THE EXORCIST, Lieutenant Kinderman (George C. Scott) investigates Satanic slayings that have all the hallmarks of a killer named The Zodiac Killer—oops!—we mean, The Gemini Killer. Trouble is, Gemini died in an electric chair many years ago. Or did he? After years of development hell, John Carpenter was set to direct this sequel. But he convinced EXORCIST author William Peter Blatty to take the helm, resulting in the secret classic known as THE EXORCIST III. A cracking mix of doom-laden scares and capital “A” ACT-OFFS between George C. Scott and Brad Dourif (CHILD’S PLAY), this criminally overlooked nerve-shredder finds the perfect balance between big-budget sheen and pulpy thrills. Plus, where else can you see Fabio as an Angel of Death?\n\nScreening from a collector's 35mm print.\n\nSeventeen years after the events in THE EXORCIST, Lieutenant Kinderman (George C. Scott) investigates Satanic slayings that have all the hallmarks of a killer named The Zodiac Killer -- oops! -- we mean, The Gemini Killer. Trouble is, Gemini died in an electric chair many years ago. Or did he?! After years of development hell, John Carpenter was set to direct this sequel. But he convinced EXORCIST author William Peter Blatty to take the helm, resulting in the secret classic known as THE EXORCIST III. A cracking mix of doom-laden scares and capital “A” ACT-OFFS between George C. Scott and Brad Dourif (CHILD’S PLAY), this criminally overlooked nerve-shredder finds the perfect balance between big-budget sheen and pulpy thrills. Plus, where else can you see model Fabio and New York Knicks center Patrick Ewing as Angels of Death?\n\nScreening from a collector's 35mm print.",
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          "source_url": null,
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    "name": "Batman Returns",
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    "name": "THX 1138",
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    "release_year": "1971",
    "runtime_minutes": 86,
    "poster_url": "https://image.tmdb.org/t/p/w500/pPyEXW7h2SJRjTsHZqrIlXxOgW9.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=a64IVhSsjdQ",
    "tmdb_id": 636,
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        "name": "THX 1138",
        "description": "Before creating his space opera for the ages, George Lucas crafted a minimalist dystopia straight out of George Orwell's bleakest nightmares. A chilling exploration of a totalitarian future, THX 1138 stars Robert Duvall as a man whose mind and body are controlled by the government. He makes a harrowing attempt to escape from a world where thoughts are controlled, freedom is an impossibility, and love is the ultimate crime.\n\n35mm print courtesy of the Hollywood Film Company\n\nPart of our series Cinema Behind Star Wars, hosted by Lucasfilm's Matt Martin! Find the complete series here.\n\nBefore creating his space opera for the ages, George Lucas crafted a minimalist dystopia straight out of George Orwell's bleakest nightmares.A chilling exploration of a totalitarian future, THX 1138 stars Robert Duvall as a man whose mind and body are controlled by the government. He makes a harrowing attempt to escape from a world where thoughts are controlled, freedom is an impossibility, and love is the ultimate crime.",
        "auditorium": null,
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          "source_url": null,
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          "film_description": null
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  {
    "name": "The Polar Express",
    "description": "When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe.",
    "release_year": "2004",
    "runtime_minutes": 100,
    "poster_url": "https://image.tmdb.org/t/p/w500/eOoCzH0MqeGr2taUZO4SwG416PF.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=eHvSH2EoLLc",
    "tmdb_id": 5255,
    "tmdb_rating": 6.7,
    "tmdb_url": "https://www.themoviedb.org/movie/5255",
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      {
        "name": "The Polar Express Movie Party",
        "description": "Tickets, please. You can’t attend THE POLAR EXPRESS Movie Party without your ticket. And believe us when we tell you that the conductor (one of many Tom Hankses in this movie) is very particular about it.\n\nOnce you and the kiddos come aboard this special holiday movie party, we’ll have all sorts of fun surprises waiting for you, including kid-friendly props and some fun activity sheets for you to take home.\n\nWith fun props, tasty treats, and more Tom Hankses than you can shake a candy cane at, THE POLAR EXPRESS Movie Party is a delightful, interactive holiday activity the whole family will love.\n\nJoin us for a family adventure aboard THE POLAR EXPRESS! Tom Hanks and director Robert Zemeckis (FORREST GUMP, CAST AWAY) reunite for THE POLAR EXPRESS, an inspiring adventure based on the beloved children's book by Chris Van Allsburg. When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe.\n\nWe believe...do you?",
        "auditorium": null,
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        "quirks": [],
        "source_url": "https://drafthouse.com/sf/show/movie-party-the-polar-express",
        "region": {
          "sacid": "san-francisco",
          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
        },
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          "sacid": "san-francisco/alamo",
          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
        },
        "series": {
          "sacid": "san-francisco/alamo:movie-parties",
          "name": "Movie Parties",
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          "source_url": null,
          "url": "https://www.stuffsac.com/san-francisco/alamo/series/movie-parties/",
          "film_description": null
        },
        "showtimes": [
          {
            "start_on": "2026-12-05",
            "start_at": "2026-12-05T12:00:00",
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            "quirks": [],
            "first_seen_at": "2026-10-30T18:28:54"
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        "first_seen_at": "2026-10-30T18:28:54",
        "last_seen_at": "2026-10-31T02:18:31"
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  },
  {
    "name": "National Lampoon's Christmas Vacation",
    "description": "It's Christmastime, and the Griswolds are preparing for a family seasonal celebration. But things never run smoothly for Clark, his wife Ellen, and their two kids. Clark's continual bad luck is worsened by his obnoxious family guests, but he manages to keep going, knowing that his Christmas bonus is due soon.",
    "release_year": "1989",
    "runtime_minutes": 97,
    "poster_url": "https://image.tmdb.org/t/p/w500/oat42hUw8XzKYUmfy0YLAxYd484.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=tLVd4ipC5Lc",
    "tmdb_id": 5825,
    "tmdb_rating": 7.2,
    "tmdb_url": "https://www.themoviedb.org/movie/5825",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-5825-national-lampoon-s-christmas-vacation",
    "showings": [
      {
        "name": "National Lampoon's Christmas Vacation Movie Party",
        "description": "No one knows how to do vacations like the Griswolds. Sure, their holidays are wild, chaotic, and often fraught with peril, but everyone’s family gatherings are a little stressful, aren’t they? Fortunately, you can just let Clark and the gang shoulder all that stress while you enjoy the ride at our CHRISTMAS VACATION Movie Party. And this party is a real beaut. It’ll be more fun than a membership to the Jelly of the Month Club.\n\nMele-ki-liki-maka is Hawaii's way to say Merry Christmas to you.\n\nBad luck seems to follow Clark Griswold and his family no matter where they go or what they do. The perpetual optimist, Clark (the young and great Chevy Chase) tries to make the holidays a special family event by chopping down the biggest tree in the forest, hanging a million Christmas lights, and dealing with his obnoxious visiting family members. He does this all while banking on his holiday bonus – but will it come?\n\nIs NATIONAL LAMPOON'S CHRISTMAS VACATION a perfect Christmas movie? Yes.",
        "auditorium": null,
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        "source_url": "https://drafthouse.com/sf/show/movie-party-national-lampoons-christmas-vacation",
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          "source_url": null,
          "url": "https://www.stuffsac.com/san-francisco/alamo/series/movie-parties/",
          "film_description": null
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          {
            "start_on": "2026-12-07",
            "start_at": "2026-12-07T16:00:00",
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            "start_on": "2026-12-12",
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  {
    "name": "American Psycho",
    "description": "A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.",
    "release_year": "2000",
    "runtime_minutes": 102,
    "poster_url": "https://image.tmdb.org/t/p/w500/9uGHEgsiUXjCNq8wdq4r49YL8A1.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=5YnGhW4UEhc",
    "tmdb_id": 1359,
    "tmdb_rating": 7.4,
    "tmdb_url": "https://www.themoviedb.org/movie/1359",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-1359-american-psycho",
    "showings": [
      {
        "name": "American Psycho + THE KING OF THE FULL MOON NIGHT",
        "description": "About THE KING OF THE FULL MOON NIGHT 2026 | 20 mins.\n\nThe king has fallen ill. A young doctor is summoned to his aid in the dead of night. But his only hope of treating this volatile patient is to believe a story that’s getting quite long in the tooth.\n\nAbout AMERICAN PSYCHO 2000 | 102 mins.\n\n“Look at that subtle off-white coloring. The tasteful thickness of it. Oh, my God. It even has a watermark.”\n\nBefore Christian Bale was the savior of Gotham, he was the chainsaw-wielding, business card-slinging scourge of Manhattan. Caught during the height of American Yuppieism in the late '80s, Patrick Bateman finds himself surrounded by friends who he hates and a culture he can’t stand. Can anyone blame him for allowing his nightly bloodlust to overflow into the day?\n\nIt’s hard to imagine anyone aside from Bale lecturing a soon-to-be victim on the cultural undertones found within Huey Lewis and The News’ “Hip to be Square,” all while wearing a raincoat and holding an incredibly shiny axe. But, what now seems meant to be almost wasn’t! The role was originally offered to none other than Leonardo DiCaprio. However, due to his newfound fame within the teenaged female demographic, Leo’s managers felt that a stint as a sociopathic mass murderer might somehow taint his image. I guess a career in murders and executions isn’t for everyone.\n\nDCP courtesy of Lionsgate\n\n“Look at that subtle off-white coloring. The tasteful thickness of it. Oh, my God. It even has a watermark.”\n\nBefore Christian Bale was the savior of Gotham, he was the chainsaw-wielding, business card-slinging scourge of Manhattan. Caught during the height of American Yuppieism in the late '80s, Patrick Bateman finds himself surrounded by friends who he hates and a culture he can’t stand. Can anyone blame him for allowing his nightly bloodlust to overflow into the day?\n\nIt’s hard to imagine anyone aside from Bale lecturing a soon-to-be victim on the cultural undertones found within Huey Lewis and The News’ “Hip to be Square,” all while wearing a raincoat and holding an incredibly shiny axe. But, what now seems meant to be almost wasn’t! The role was originally offered to none other than Leonardo DiCaprio. However, due to his newfound fame within the teenaged female demographic, Leo’s managers felt that a stint as a sociopathic mass murderer might somehow taint his image. I guess a career in murders and executions isn’t for everyone.\n\nNow, if you’ll excuse me, I have to return some videotapes.",
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        "source_url": "https://drafthouse.com/sf/show/terror-tuesday-american-psycho-the-king-of-the-full-moon-night",
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          "url": "https://www.stuffsac.com/san-francisco/alamo/"
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          "sacid": "san-francisco/alamo:terror-tuesday",
          "name": "Terror Tuesday",
          "description": "We don't just watch horror movies – we live for them. And at every Terror Tuesday, we join hands to worship at the gore-soaked altar of slash, trash, thrash, and FUN! This eclectic series spans all decades, covering everything from seminal horror treasures to undiscovered DIY monster blasts. Terror Tuesday is the new ground zero for warming your black heart.",
          "source_url": null,
          "url": "https://www.stuffsac.com/san-francisco/alamo/series/terror-tuesday/",
          "film_description": null
        },
        "showtimes": [
          {
            "start_on": "2026-12-08",
            "start_at": "2026-12-08T21:30:00",
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  {
    "name": "Elf",
    "description": "When young Buddy falls into Santa's gift sack on Christmas Eve, he's transported back to the North Pole and raised as a toy-making elf by Santa's helpers. But as he grows into adulthood, he can't shake the nagging feeling that he doesn't belong. Buddy vows to visit Manhattan and find his real dad, a workaholic.",
    "release_year": "2003",
    "runtime_minutes": 97,
    "poster_url": "https://image.tmdb.org/t/p/w500/oOleziEempUPu96jkGs0Pj6tKxj.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=GA8EcNisRvA",
    "tmdb_id": 10719,
    "tmdb_rating": 6.7,
    "tmdb_url": "https://www.themoviedb.org/movie/10719",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-10719-elf",
    "showings": [
      {
        "name": "Elf Sing-Along Movie Party",
        "description": "\"Buddy the Elf, what's your favorite color?\"\n\nDon’t be a cotton-headed ninnymuggins this holiday season. Come out to Alamo Drafthouse and spread the cheer at this sugar-fueled, interactive holiday spectacular, packed with games, props, and, of course, singing loud for all to hear.\n\nBundle up for this celebration of one of the best holiday films ever made, period. Will Ferrell’s take on a North Pole elf trying to figure out Manhattan (“Watch out! The yellow ones don’t stop!”) just might be the funniest he’s ever been.\n\nDon’t think ELF is one of the best holiday films ever? You sit on a throne of lies!\n\nChristmas movies come and go, but few join the pantheon of the greats. You know the ones – A CHRISTMAS STORY, IT'S A WONDERFUL LIFE, and MIRACLE ON 34TH STREET. These are just a few that are invited to sit at the adult table of holiday movies. While the last couple of decades have been pretty sparse when it comes to quality Christmas movies, ELF, the 2003 Will Ferrell comedy, undoubtedly has taken a corner seat at this proverbial table of fame.\n\nDirected by Jon Favreau, ELF is one of those Christmas movies that's impossible to not love It's funny in all the right places, highly quotable, and surprisingly tender. It's Will Ferrell at his Ferrellist.\n\nDon't miss a full night of pointy-toed, jingle bell bliss – especially if you need a pick-me-up in the holiday cheer department – because attending ELF is the Christmas spirit equivalent of putting syrup on your spaghetti.",
        "auditorium": null,
        "formats": [],
        "quirks": [],
        "source_url": "https://drafthouse.com/sf/show/movie-party-elf-movie-party-sing-along",
        "region": {
          "sacid": "san-francisco",
          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
        },
        "theater": {
          "sacid": "san-francisco/alamo",
          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
        },
        "series": {
          "sacid": "san-francisco/alamo:movie-parties",
          "name": "Movie Parties",
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          "source_url": null,
          "url": "https://www.stuffsac.com/san-francisco/alamo/series/movie-parties/",
          "film_description": null
        },
        "showtimes": [
          {
            "start_on": "2026-12-09",
            "start_at": "2026-12-09T18:00:00",
            "formats": [],
            "quirks": [],
            "first_seen_at": "2026-10-30T18:28:53"
          },
          {
            "start_on": "2026-12-13",
            "start_at": "2026-12-13T12:30:00",
            "formats": [],
            "quirks": [],
            "first_seen_at": "2026-10-30T18:28:53"
          }
        ],
        "first_seen_at": "2026-10-30T18:28:53",
        "last_seen_at": "2026-10-31T02:18:31"
      }
    ]
  },
  {
    "name": "The Arrival",
    "description": "Primitive human Zan learns of his past and future lives when he discovers a spaceship.",
    "release_year": "1980",
    "runtime_minutes": 54,
    "poster_url": "https://image.tmdb.org/t/p/w500/hP4lOLSr35kkOsZNkL1v3DFqRI5.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=uo3qM8blzcM",
    "tmdb_id": 286362,
    "tmdb_rating": null,
    "tmdb_url": "https://www.themoviedb.org/movie/286362",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-286362-the-arrival",
    "showings": [
      {
        "name": "The Arrival + Unarius Mixtape",
        "description": "With the blessing of The Unarius Academy of Science, this is the first theatrical release of THE ARRIVAL, a truly spectacular DIY sci-fi lodestone. In the latter half of the 20th century, the Unariuns were on a radical mission to spread their “interdimensional science of life” and principles of past-life therapy via some of the most wildly inventive public access TV programming ever seen. The culmination of their philosophy is THE ARRIVAL, filmed on a shoestring budget with a time-bending plot, dazzling optical SFX, and a rousing synth score. THE ARRIVAL stands in luminous contrast to the overall darker, conspiratorial air of Eighties culture — and Unariuns claim the film serves as a catalyst to send viewers into transcended states of ecstasy. (AGFA)\n\nScreenings also include a 30-minute mixtape of rarely-seen iconic moments from the Unarius video archive.\n\nWith the blessing of The Unarius Academy of Science, this is the first theatrical release of THE ARRIVAL, a truly spectacular DIY sci-fi lodestone. In the latter half of the 20th century, the Unariuns were on a radical mission to spread their “interdimensional science of life” and principles of past-life therapy via some of the most wildly inventive public access TV programming ever seen. The culmination of their philosophy is THE ARRIVAL, filmed on a shoestring budget with a time-bending plot, dazzling optical SFX, and a rousing synth score. THE ARRIVAL stands in luminous contrast to the overall darker, conspiratorial air of Eighties culture — and Unariuns claim the film serves as a catalyst to send viewers into transcended states of ecstasy. (AGFA)\n\nScreenings also include a 30-minute mixtape of rarely-seen iconic moments from the Unarius video archive.",
        "auditorium": null,
        "formats": [],
        "quirks": [],
        "source_url": "https://drafthouse.com/sf/show/weird-wednesday-the-arrival-unarius-mixtape",
        "region": {
          "sacid": "san-francisco",
          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
        },
        "theater": {
          "sacid": "san-francisco/alamo",
          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
        },
        "series": {
          "sacid": "san-francisco/alamo:weird-wednesday",
          "name": "Weird Wednesday",
          "description": "Weird Wednesday is a weekly celebration of genre movies that are too outrageous for prime time. This is a one-way ticket to the fringes of the unknown, where imagination and ambition dance on the graves of logic and reality. From outlaw exploitation classics to inexplicable Hollywood excess, Weird Wednesday showcases mind-blowing genre discoveries that are unlike anything else you’ve ever seen.\n\nSome daring. Some controversial. All weird. WARPED & FADED: Weird Wednesday and the Birth of the American Genre Film Archive, by Lars Nilsen and Friends and Edited by Kier-la Janisse, is available to order now from the Alamo Gift Shop.",
          "source_url": null,
          "url": "https://www.stuffsac.com/san-francisco/alamo/series/weird-wednesday/",
          "film_description": null
        },
        "showtimes": [
          {
            "start_on": "2026-12-09",
            "start_at": "2026-12-09T21:00:00",
            "formats": [],
            "quirks": [],
            "first_seen_at": "2026-10-30T18:28:54"
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        "first_seen_at": "2026-10-30T18:28:54",
        "last_seen_at": "2026-10-31T02:18:31"
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    ]
  },
  {
    "name": "Little Women",
    "description": "Four sisters come of age in America in the aftermath of the Civil War.",
    "release_year": "2019",
    "runtime_minutes": 135,
    "poster_url": "https://image.tmdb.org/t/p/w500/yn5ihODtZ7ofn8pDYfxCmxh8AXI.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=AST2-4db4ic",
    "tmdb_id": 331482,
    "tmdb_rating": 7.8,
    "tmdb_url": "https://www.themoviedb.org/movie/331482",
    "url": "https://www.stuffsac.com/san-francisco/alamo/#tmdb-331482-little-women",
    "showings": [
      {
        "name": "Little Women",
        "description": "Little Women is a timeless tale that’s been adapted over and over again, but no one has adapted quite as perfectly as Greta Gerwig. Starring an A-list cast that includes Saoirse Ronan (reunited from LADY BIRD), Florence Pugh (MIDSOMMAR), Emma Watson (HARRY POTTER series), Eliza Scanlen (Sharp Objects), and Timothée Chalamet (CALL ME BY YOUR NAME), Gerwig creates a beautiful story of sisterhood that touches on themes of grief, first loves, and female independence.\n\nThe film follows four sisters growing up in Massachusetts during the Civil War, each of them ambitious in their own ways. Saoirse Ronan plays the lead of the film, Jo March, a cunning young woman who dreams of telling stories for a living when she is older. She is often befuddled by her sister Meg (Watson), who desires to one day be a wife; is annoyed by Amy (Pugh), who trails after her like a little puppy; and is enamored with Beth (Scanlen), who is perhaps the kindest of them all.\n\nGerwig’s LITTLE WOMEN is like a cozy hug on a brisk winter day. A lovely story that brilliantly balances tears with laughs, it’s no wonder it became an instant holiday classic when it was released in theaters seven years ago.\n\nHaving already once revolutionized the coming-of-age story with her debut LADY BIRD, Greta Gerwig has somehow outdone herself with this gorgeous and thoroughly original rendition of the beloved Louisa May Alcott classic. Bringing her effusive humor, authenticity, and irresistible warmth to the otherwise mannered Civil War-era New England, Gerwig's adaptation of LITTLE WOMEN breathes visceral new life into the March sisters – portraying them as unique, complicated, flawed, and astonishingly human. So human that you will leave the theater wanting to text Jo March and, for several reasons, this will not be a possibility.\n\nYou may also find it physically impossible not to chef's kiss at the cast, which is as close to pitch-perfect as it gets. Starring Saoirse Ronan as Jo, Emma Watson as Meg, Florence Pugh as Amy, and Eliza Scanlen as Beth, LITTLE WOMEN also features Laura Dern (!), Meryl Streep (!), Bob Odenkirk (!), and Timothée Chalamet as the dashing but lovelorn Laurie (!!!).\n\nSave for a fireworks show, sky-written ode, or Mount Rushmore-type situation, we cannot recommend this rich, heartrending wonder of a film anymore. Its timeless charm is sure to capture the hearts of little women (and men) everywhere.",
        "auditorium": null,
        "formats": [],
        "quirks": [],
        "source_url": "https://drafthouse.com/sf/show/sad-girl-cinema-club-little-women-2019",
        "region": {
          "sacid": "san-francisco",
          "name": "San Francisco",
          "url": "https://www.stuffsac.com/san-francisco/"
        },
        "theater": {
          "sacid": "san-francisco/alamo",
          "name": "Alamo Drafthouse New Mission",
          "short_name": "Alamo",
          "color": "#4d7c0f",
          "source_url": "https://drafthouse.com/sf/theater/new-mission",
          "url": "https://www.stuffsac.com/san-francisco/alamo/"
        },
        "series": {
          "sacid": "san-francisco/alamo:sad-girl-cinema-club",
          "name": "Sad Girl Cinema Club",
          "description": "Sad Girl Cinema Club is a monthly screening series that’s for the film enthusiast who loves to get lost in their feelings. This series dives into epic romances, melodramatic plot twists, love that is lost, the pains of growing up, but ultimately films that fill you with a well of emotion. These are the kinds of films for the ones who take a “Hot Girl Walk” while listening to the saddest songs ever written, or the ones who burn candles and turn on a melancholy movie or TV series when it’s raining outside.\n\nWork through your feels and pick yourself back up on Sunday before the weekend is over with Sad Girl Cinema Club.",
          "source_url": null,
          "url": "https://www.stuffsac.com/san-francisco/alamo/series/sad-girl-cinema-club/",
          "film_description": null
        },
        "showtimes": [
          {
            "start_on": "2026-12-13",
            "start_at": "2026-12-13T15:30:00",
            "formats": [],
            "quirks": [],
            "first_seen_at": "2026-10-30T18:28:53"
          }
        ],
        "first_seen_at": "2026-10-30T18:28:53",
        "last_seen_at": "2026-10-31T02:18:31"
      }
    ]
  },
  {
    "name": "Eyes Wide Shut",
    "description": "After Dr. Bill Harford's wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings -- and quickly discovers that he is in over his head.",
    "release_year": "1999",
    "runtime_minutes": 159,
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    "release_year": "1960",
    "runtime_minutes": 126,
    "poster_url": "https://image.tmdb.org/t/p/w500/hhSRt1KKfRT0yEhEtRW3qp31JFU.jpg",
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    "runtime_minutes": 144,
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    "release_year": "1989",
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    "release_year": "1996",
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    "poster_url": "https://image.tmdb.org/t/p/w500/m6BxrwE9RL6ly1B7841n7UTSCQE.jpg",
    "trailer_url": "https://www.youtube.com/watch?v=HK6moeA-w5w",
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    "release_year": "2024",
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    "poster_url": "https://image.tmdb.org/t/p/w500/doVWgLdNyK36nEyyZgVsEWFCO1e.jpg",
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]
