[ { "name": "THX 1138", "description": "People in the future live in a totalitarian society. A technician named THX 1138 lives a mundane life between work and taking a controlled consumption of drugs that the government uses to make puppets out of people. As THX is without drugs for the first time he has feelings for a woman and they start a secret relationship.", "release_year": "1971", "runtime_minutes": 86, "poster_url": "https://image.tmdb.org/t/p/w500/pPyEXW7h2SJRjTsHZqrIlXxOgW9.jpg", "trailer_url": "https://www.youtube.com/watch?v=a64IVhSsjdQ", "tmdb_id": 636, "tmdb_rating": 6.4, "tmdb_url": "https://www.themoviedb.org/movie/636", "url": "https://www.stuffsac.com/san-francisco/film/#tmdb-636-thx-1138", "showings": [ { "name": "THX 1138", "description": "Before creating his space opera for the ages, George Lucas crafted a minimalist dystopia straight out of George Orwell's bleakest nightmares. A chilling exploration of a totalitarian future, THX 1138 stars Robert Duvall as a man whose mind and body are controlled by the government. He makes a harrowing attempt to escape from a world where thoughts are controlled, freedom is an impossibility, and love is the ultimate crime.\n\n35mm print courtesy of the Hollywood Film Company\n\nPart of our series Cinema Behind Star Wars, hosted by Lucasfilm's Matt Martin! Find the complete series here.\n\nBefore creating his space opera for the ages, George Lucas crafted a minimalist dystopia straight out of George Orwell's bleakest nightmares.A chilling exploration of a totalitarian future, THX 1138 stars Robert Duvall as a man whose mind and body are controlled by the government. He makes a harrowing attempt to escape from a world where thoughts are controlled, freedom is an impossibility, and love is the ultimate crime.", "auditorium": null, "formats": [ "35mm" ], "quirks": [], "source_url": "https://drafthouse.com/sf/show/weird-wednesday-thx-1138", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/alamo", "name": "Alamo Drafthouse New Mission", "short_name": "Alamo", "color": "#4d7c0f", "source_url": "https://drafthouse.com/sf/theater/new-mission", "url": "https://www.stuffsac.com/san-francisco/alamo/" }, "series": { "sacid": "san-francisco/alamo:weird-wednesday", "name": "Weird Wednesday", "description": "Weird Wednesday is a weekly celebration of genre movies that are too outrageous for prime time. This is a one-way ticket to the fringes of the unknown, where imagination and ambition dance on the graves of logic and reality. From outlaw exploitation classics to inexplicable Hollywood excess, Weird Wednesday showcases mind-blowing genre discoveries that are unlike anything else you’ve ever seen.\n\nSome daring. Some controversial. All weird. WARPED & FADED: Weird Wednesday and the Birth of the American Genre Film Archive, by Lars Nilsen and Friends and Edited by Kier-la Janisse, is available to order now from the Alamo Gift Shop.", "source_url": null, "url": "https://www.stuffsac.com/san-francisco/alamo/series/weird-wednesday/", "film_description": null }, "showtimes": [ { "start_on": "2026-12-02", "start_at": "2026-12-02T21:30:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" } ], "first_seen_at": "2026-10-30T18:28:53", "last_seen_at": "2026-10-31T02:18:31" }, { "name": "THX 1138 (35mm)", "description": "Presented in 35mm in its original theatrical version, George Lucas’s THX 1138 imagines a sterile underground future where citizens are drugged into compliance, emotion is suppressed, and individuality itself is treated as a threat. Robert Duvall stars as THX, a worker who stops taking his state-mandated medication and begins to awaken to desire, fear, and the possibility of escape. Shot throughout the Bay Area, including San Francisco, Oakland, the still-under-construction BART tunnels, and the Caldecott Tunnel, Lucas’s stark debut turns familiar local architecture into an eerily convincing future.", "auditorium": "Big Roxie", "formats": [ "35mm" ], "quirks": [], "source_url": "https://roxie.com/film/thx-1138-35mm/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:the-future-according-to-syd-mead", "name": "The Future According to Syd Mead", "description": "Few artists have shaped how the movies imagine the future as profoundly as Syd Mead. Trained as an industrial designer, Mead brought a rare sense of plausibility to science fiction, creating cities, vehicles, machines, and entire environments that felt not just futuristic, but already lived in. His work on films including Blade Runner, TRON, and Aliens helped define the visual language of cinematic futurism for generations.\n\nTHE FUTURE ACCORDING TO SYD MEAD celebrates the cinematic legacy of a true futurist visionary, timed to Syd Mead: Future Pastime, a major exhibition of his graphic work on view October 8 through December 17, 2026 at San Francisco’s Transamerica Pyramid Annex Gallery. Presenting Mead’s original artwork beyond his cinematic contributions, the exhibition offers another way into the extraordinary imagination behind these films. As curators William Corman and Elon Solo write, Mead created “meticulously rendered visions of the future that balance the extraordinary with the familiar,” imagining lived-in futures that felt tantalizingly within reach.\n\nOur selections move from the neon architecture of Blade Runner and the sleek digital world of TRON to the industrial hardware of Aliens and the cyberpunk world of Johnny Mnemonic. The program also reaches beyond the films Mead directly designed, with THX 1138 and Welcome II the Terrordome expanding the conversation around the futures he helped us imagine and the filmmakers who pushed those visions in radically different directions.", "source_url": "https://roxie.com/series/the-future-according-to-syd-mead/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/the-future-according-to-syd-mead/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-01", "start_at": "2026-11-01T18:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-10", "start_at": "2026-11-10T18:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Club Kid", "description": "A hard-partying New York City club promoter sees his whirlwind lifestyle upended by the arrival of the 10-year-old son he never knew he had.", "release_year": "2026", "runtime_minutes": 126, "poster_url": "https://image.tmdb.org/t/p/w500/o1qMU0ZB5XDX8IXJFFu3AkhOqjh.jpg", "trailer_url": "https://www.youtube.com/watch?v=guKEdb_iRXw", "tmdb_id": 1585239, "tmdb_rating": null, "tmdb_url": "https://www.themoviedb.org/movie/1585239", "url": "https://www.stuffsac.com/san-francisco/film/#tmdb-1585239-club-kid", "showings": [ { "name": "Club Kid", "description": "Club Kid plunges audiences headfirst into the exhilarating, sybaritic universe of New York City nightlife. First-time writer-director Jordan Firstman stars as Peter, a magnetic club promoter whose lifestyle of revelry is upended when he unexpectedly discovers he fathered a young boy. Thrust into parenthood, Peter navigates his newfound responsibilities in fits and starts, relying heavily on his chosen family as he works to establish a philosophy for intimate love. Firstman’s script and performance deftly balance outrageous humor and anarchic energy with an unexpected emotional generosity. Newcomer Reggie Absolom is terrific as Peter’s son, Arlo, holding his own alongside a wonderfully unpredictable ensemble featuring Cara Delevingne, Diego Calva, Kirby Howell-Baptiste, Miss Benny, and Colleen Camp. Presented in 35mm, the film possesses a tactile physicality and vivid sense of place, while killer needle drops perfectly compliment the multitudes of Peter and Arlo’s experiences. Poignant and irreverent, Club Kid offers an insider’s glimpse into a distinctive culture while resonating with anyone who has struggled to find their place in the world. Funny, heartfelt, and singular, Club Kid is an irresistible invitation to experience something you won’t soon forget. —Jessie Fairbanks", "auditorium": null, "formats": [ "35mm" ], "quirks": [], "source_url": "https://thecastro.com/events/club-kid-261102", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/castro", "name": "The Castro Theatre", "short_name": "Castro", "color": "#be123c", "source_url": "https://thecastro.com/", "url": "https://www.stuffsac.com/san-francisco/castro/" }, "series": null, "showtimes": [ { "start_on": "2026-11-02", "start_at": "2026-11-02T19:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:31" } ] }, { "name": "Blade Runner", "description": "In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.", "release_year": "1982", "runtime_minutes": 118, "poster_url": "https://image.tmdb.org/t/p/w500/63N9uy8nd9j7Eog2axPQ8lbr3Wj.jpg", "trailer_url": "https://www.youtube.com/watch?v=eogpIG53Cis", "tmdb_id": 78, "tmdb_rating": 7.9, "tmdb_url": "https://www.themoviedb.org/movie/78", "url": "https://www.stuffsac.com/san-francisco/film/#tmdb-78-blade-runner", "showings": [ { "name": "Blade Runner: The Final Cut (35mm)", "description": "While so many effects-driven visions of the future have faded with time, Blade Runner remains a template for imagining the neon-soaked city to come, as influential in its way as Fritz Lang’s Metropolis. Adapting Philip K. Dick’s novel into the gold standard of sci-fi noir, Ridley Scott shares much of the film’s visual legacy with “visual futurist” Syd Mead, whose design concepts helped define its unforgettable world, and with Vangelis’s atmospheric synth score.", "auditorium": "Big Roxie", "formats": [ "35mm" ], "quirks": [], "source_url": "https://roxie.com/film/blade-runner-the-final-cut/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:the-future-according-to-syd-mead", "name": "The Future According to Syd Mead", "description": "Few artists have shaped how the movies imagine the future as profoundly as Syd Mead. Trained as an industrial designer, Mead brought a rare sense of plausibility to science fiction, creating cities, vehicles, machines, and entire environments that felt not just futuristic, but already lived in. His work on films including Blade Runner, TRON, and Aliens helped define the visual language of cinematic futurism for generations.\n\nTHE FUTURE ACCORDING TO SYD MEAD celebrates the cinematic legacy of a true futurist visionary, timed to Syd Mead: Future Pastime, a major exhibition of his graphic work on view October 8 through December 17, 2026 at San Francisco’s Transamerica Pyramid Annex Gallery. Presenting Mead’s original artwork beyond his cinematic contributions, the exhibition offers another way into the extraordinary imagination behind these films. As curators William Corman and Elon Solo write, Mead created “meticulously rendered visions of the future that balance the extraordinary with the familiar,” imagining lived-in futures that felt tantalizingly within reach.\n\nOur selections move from the neon architecture of Blade Runner and the sleek digital world of TRON to the industrial hardware of Aliens and the cyberpunk world of Johnny Mnemonic. The program also reaches beyond the films Mead directly designed, with THX 1138 and Welcome II the Terrordome expanding the conversation around the futures he helped us imagine and the filmmakers who pushed those visions in radically different directions.", "source_url": "https://roxie.com/series/the-future-according-to-syd-mead/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/the-future-according-to-syd-mead/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-03", "start_at": "2026-11-03T20:40:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Radioactive Dreams", "description": "After an atomic war Phillip Hammer and Marlowe Chandler have spent 15 years on their own in an bunker, stuffed with junk from the 40s and old detective novels. Now, 19 years old, they leave their shelter to find a world full of mutants, freaks and cannibals. They become famous detectives in the struggle for the two keys that could fire the last nuclear weapon.", "release_year": "1986", "runtime_minutes": 94, "poster_url": "https://image.tmdb.org/t/p/w500/8eUEbWEpeE9xQ4ywv3Opos0atQw.jpg", "trailer_url": "https://www.youtube.com/watch?v=aFl-TC2aTLE", "tmdb_id": 47342, "tmdb_rating": 5.4, "tmdb_url": "https://www.themoviedb.org/movie/47342", "url": "https://www.stuffsac.com/san-francisco/film/#tmdb-47342-radioactive-dreams", "showings": [ { "name": "Radioactive Dreams", "description": "Albert Pyun doesn’t blend genres so much as drop an absolute A-Bomb on them in this riotous adventure. Philip and Marlowe emerge from their fallout shelter with dreams of being private eyes, just like they’d read about growing up. But will the wasteland change these wide-eyed pals when they step into a world of mutants, cannibals, red-wigged biker women, foul-mouthed child gangsters, enormous mutated sewer monsters and nuclear MacGuffins? Absolutely crammed with car chases, gun battles, fog machines and goofy Eighties fun, you’ll want the world to end just so you can dance your blues away doing the Post-Nuke Shuffle.\n\n35mm print courtesy of the University of North Carolina School of the Arts\n\nPhilip Chandler and Marlowe Hammer are two lifelong friends bonded over their mutual love of hard-boiled detective novels, swing, and the fact that they both grew up in the same underground nuclear fallout shelter. When The Big One does finally come, they’re two of the only people on Earth who aren’t turned into hideous mutant freaks, and they emerge from their comfortable Eisenhower-inflected isolation to find the world to be much, much different than the one they spent their entire lives reading about. An early classic from genre god Albert Pyun, and January 2023 is the perfect time to revisit its vision of a world gone horribly, atomically mad: Join us for atomic bomb wishes, and RADIOACTIVE DREAMS!!! (Joseph Gibson)", "auditorium": null, "formats": [ "35mm" ], "quirks": [], "source_url": "https://drafthouse.com/sf/show/weird-wednesday-radioactive-dreams", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/alamo", "name": "Alamo Drafthouse New Mission", "short_name": "Alamo", "color": "#4d7c0f", "source_url": "https://drafthouse.com/sf/theater/new-mission", "url": "https://www.stuffsac.com/san-francisco/alamo/" }, "series": { "sacid": "san-francisco/alamo:weird-wednesday", "name": "Weird Wednesday", "description": "Weird Wednesday is a weekly celebration of genre movies that are too outrageous for prime time. This is a one-way ticket to the fringes of the unknown, where imagination and ambition dance on the graves of logic and reality. From outlaw exploitation classics to inexplicable Hollywood excess, Weird Wednesday showcases mind-blowing genre discoveries that are unlike anything else you’ve ever seen.\n\nSome daring. Some controversial. All weird. WARPED & FADED: Weird Wednesday and the Birth of the American Genre Film Archive, by Lars Nilsen and Friends and Edited by Kier-la Janisse, is available to order now from the Alamo Gift Shop.", "source_url": null, "url": "https://www.stuffsac.com/san-francisco/alamo/series/weird-wednesday/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-04", "start_at": "2026-11-04T21:30:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" } ], "first_seen_at": "2026-10-30T18:28:53", "last_seen_at": "2026-10-31T02:18:31" } ] }, { "name": "Rock Ross: Go Like This (16mm)", "description": "Presented by Canyon Cinema\n\nFilmmaker Rock Ross in person for a post-screening audience Q&A!\n\nCanyon at The Roxie is back with a spotlight on local legend Charles Rock Ross! Rock Ross: Go Like This surveys 20 years of the filmmaker’s “frivolous and socially irresponsible films” (The Athens News), bringing together 16mm prints and camera originals from the Academy Film Archive and Canyon Cinema collections.\n\nThe longtime Bay Area independent filmmaker, musician, and organizer has been crafting wryly exuberant, riotous work since the early-1970s. After receiving his BFA and MFA in Filmmaking from the San Francisco Art Institute, Ross worked as Film Inspector and Shipper for the Canyon Cinema Co-op from 1975 to 1978, Editing Facility Manager for Film Arts Foundation from 1982 to 1986, and in 1988, served as Director of the Ann Arbor Film Festival. As a founding member and projectionist of the No Nothing Cinema (1982-1997) and New Nothing Cinema (1997-2017), Ross has screened thousands of independent and experimental films and videos. As a title designer, from 1978 to 2013, Ross designed thousands of titles for independent films, shooting directly on film using his own animation stand. He has also scored a number of films with his band, The Goat Family, which formed in 2003.\n\n“Film as art has no bounds… For me its potential is as exciting as pure white noise.” – Rock Ross\n\nScreening Line-up:\n\nSosueme (Rock Ross, 1988, 6.5 minutes, b&w, sound, 16mm)\n\nTill My Head Caves In (Rock Ross, 1983, 4.5 minutes, b&w and color, 16mm)\n\nBaglight (Rock Ross and Michael Rudnick, 1996, 4.5 minutes, color, sound, 16mm)\n\nAutumnal Diptych (Rock Ross, 1989, 5.5 minutes, color, sound, 16mm)\n\nGo Like This (Rock Ross, 1985, 4 minutes, b&w, sound, 16mm)\n\nVespucciland, the Great and Free (Rock Ross, 1982, 3 minutes, color, sound, 16mm)\n\nCharcoal Narcissus (Rock Ross and Michael Rudnick, 1999, 2.5 minutes, b&w and color, silent, 16mm)\n\nJust Another Girl (Rock Ross, 1982, 4 minutes, b&w and color, sound, 16mm)\n\nThoughtless (Rock Ross and Michael Walsh, 2002, 4 minutes, color, silent, 16mm)\n\nExclaim Her Limitless Wisdom (Rock Ross, 1984, 2 minutes, color, sound, 16mm)\n\nPsycho Porpoise (Rock Ross, 2002, 2.5 minutes, color, sound, 16mm)\n\nStupor Mundi (Rock Ross, 1996, 11 minutes, b&w, sound, 16mm with live piano accompaniment)\n\nWith special thanks to Mark Toscano and the Academy Film Archive. Stupor Mundi still courtesy of Walker Art Center.", "release_year": null, "runtime_minutes": null, "poster_url": "https://roxie.com/wp-content/uploads/2026/10/2-11-e1792604112245.jpg", "trailer_url": null, "tmdb_id": null, "tmdb_rating": null, "tmdb_url": null, "url": "https://www.stuffsac.com/san-francisco/film/#san-francisco/roxie-34053", "showings": [ { "name": "Rock Ross: Go Like This (16mm)", "description": "Presented by Canyon Cinema\n\nFilmmaker Rock Ross in person for a post-screening audience Q&A!\n\nCanyon at The Roxie is back with a spotlight on local legend Charles Rock Ross! Rock Ross: Go Like This surveys 20 years of the filmmaker’s “frivolous and socially irresponsible films” (The Athens News), bringing together 16mm prints and camera originals from the Academy Film Archive and Canyon Cinema collections.\n\nThe longtime Bay Area independent filmmaker, musician, and organizer has been crafting wryly exuberant, riotous work since the early-1970s. After receiving his BFA and MFA in Filmmaking from the San Francisco Art Institute, Ross worked as Film Inspector and Shipper for the Canyon Cinema Co-op from 1975 to 1978, Editing Facility Manager for Film Arts Foundation from 1982 to 1986, and in 1988, served as Director of the Ann Arbor Film Festival. As a founding member and projectionist of the No Nothing Cinema (1982-1997) and New Nothing Cinema (1997-2017), Ross has screened thousands of independent and experimental films and videos. As a title designer, from 1978 to 2013, Ross designed thousands of titles for independent films, shooting directly on film using his own animation stand. He has also scored a number of films with his band, The Goat Family, which formed in 2003.\n\n“Film as art has no bounds… For me its potential is as exciting as pure white noise.” – Rock Ross\n\nScreening Line-up:\n\nSosueme (Rock Ross, 1988, 6.5 minutes, b&w, sound, 16mm)\n\nTill My Head Caves In (Rock Ross, 1983, 4.5 minutes, b&w and color, 16mm)\n\nBaglight (Rock Ross and Michael Rudnick, 1996, 4.5 minutes, color, sound, 16mm)\n\nAutumnal Diptych (Rock Ross, 1989, 5.5 minutes, color, sound, 16mm)\n\nGo Like This (Rock Ross, 1985, 4 minutes, b&w, sound, 16mm)\n\nVespucciland, the Great and Free (Rock Ross, 1982, 3 minutes, color, sound, 16mm)\n\nCharcoal Narcissus (Rock Ross and Michael Rudnick, 1999, 2.5 minutes, b&w and color, silent, 16mm)\n\nJust Another Girl (Rock Ross, 1982, 4 minutes, b&w and color, sound, 16mm)\n\nThoughtless (Rock Ross and Michael Walsh, 2002, 4 minutes, color, silent, 16mm)\n\nExclaim Her Limitless Wisdom (Rock Ross, 1984, 2 minutes, color, sound, 16mm)\n\nPsycho Porpoise (Rock Ross, 2002, 2.5 minutes, color, sound, 16mm)\n\nStupor Mundi (Rock Ross, 1996, 11 minutes, b&w, sound, 16mm with live piano accompaniment)\n\nWith special thanks to Mark Toscano and the Academy Film Archive. Stupor Mundi still courtesy of Walker Art Center.", "auditorium": "Little Roxie", "formats": [ "16mm" ], "quirks": [], "source_url": "https://roxie.com/film/rock-ross-go-like-this-16mm/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": null, "showtimes": [ { "start_on": "2026-11-11", "start_at": "2026-11-11T18:00:00", "formats": [ "16mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "The Exorcist", "description": "When a mysterious entity possesses a young girl, her mother seeks the help of two Catholic priests to save her life.", "release_year": "1973", "runtime_minutes": 122, "poster_url": "https://image.tmdb.org/t/p/w500/5x0CeVHJI8tcDx8tUUwYHQSNILq.jpg", "trailer_url": "https://www.youtube.com/watch?v=jyW5YXDcIGs", "tmdb_id": 9552, "tmdb_rating": 7.7, "tmdb_url": "https://www.themoviedb.org/movie/9552", "url": "https://www.stuffsac.com/san-francisco/film/#tmdb-9552-the-exorcist", "showings": [ { "name": "The Exorcist on 35mm", "description": "Long unavailable to screen in theaters, the original theatrical cut of THE EXORCIST returns to the big screen in 35mm. Positioned by late director William Friedkin as “a realistic film about inexplicable events,” the story follows a young girl named Regan (the iconic Linda Blair) as she’s inhabited by a Satanic entity. THE EXORCIST remains a deeply unsettling and riveting exploration of faith, humanity, and unequivocal terror. No one sleeps tonight.\n\nScreening an archival 35mm print of the original theatrical cut\n\nPrior to becoming a staple of after-school specials (BORN INNOCENT, SARAH T: PORTRAIT OF A TEENAGE ALCOHOLIC) and B-movie box office bombs (SAVAGE STREETS, ROLLER BOOGIE) the pudgy-faced Linda Blair had earned her place in the cinematic pantheon as Regan MacNeil – the possessed little girl who became an inspiration to holy rollers and juvenile delinquents everywhere. Her head could spin. She found obscene uses for religious iconography. She could levitate, vomit green, beat a priest – what a teen! When scientific technology proves useless, her mother (Ellen Burstyn) calls in the big guns, namely retired Exorcist Father Marron (Max Von Sydow) and his bewildered assistant Damien Karras (Jason Miller), who prove no match for the scabby, trucker-mouthed hellcat. See Pazuzu’s pre-teen putti as she was meant to be seen – on the big screen! (writeup freely adapted from Alice Donut song lyrics).", "auditorium": null, "formats": [ "35mm" ], "quirks": [], "source_url": "https://drafthouse.com/sf/show/terror-tuesday-the-exorcist-on-35mm", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/alamo", "name": "Alamo Drafthouse New Mission", "short_name": "Alamo", "color": "#4d7c0f", "source_url": "https://drafthouse.com/sf/theater/new-mission", "url": "https://www.stuffsac.com/san-francisco/alamo/" }, "series": { "sacid": "san-francisco/alamo:terror-tuesday", "name": "Terror Tuesday", "description": "We don't just watch horror movies – we live for them. And at every Terror Tuesday, we join hands to worship at the gore-soaked altar of slash, trash, thrash, and FUN! This eclectic series spans all decades, covering everything from seminal horror treasures to undiscovered DIY monster blasts. Terror Tuesday is the new ground zero for warming your black heart.", "source_url": null, "url": "https://www.stuffsac.com/san-francisco/alamo/series/terror-tuesday/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-17", "start_at": "2026-11-17T21:30:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" } ], "first_seen_at": "2026-10-30T18:28:53", "last_seen_at": "2026-10-31T02:18:31" } ] }, { "name": "Dr. Goldfoot and the Bikini Machine", "description": "Mad scientist Dr. Goldfoot has invented an army of bikini-clad robots programmed to seek out wealthy men and charm them into signing over their assets. Secret agent Craig Gamble and millionaire Todd Armstrong set out to foil his fiendish plot.", "release_year": "1965", "runtime_minutes": 88, "poster_url": "https://image.tmdb.org/t/p/w500/v1NPmkAgQ85fTJAD7cmZ2EcFCvh.jpg", "trailer_url": "https://www.youtube.com/watch?v=e6kC3nNR4Zg", "tmdb_id": 26573, "tmdb_rating": 5.3, "tmdb_url": "https://www.themoviedb.org/movie/26573", "url": "https://www.stuffsac.com/san-francisco/film/#tmdb-26573-dr-goldfoot-and-the-bikini-machine", "showings": [ { "name": "Dr. Goldfoot and the Bikini Machine on 35mm", "description": "Mad scientist Dr. Goldfoot (Vincent Price, in a deliciously camp performance) has invented an army of bikini-clad robots programmed to seek out wealthy men and charm them into signing over their assets. Secret agent Craig Gamble and millionaire Todd Armstrong set out to foil his fiendish plot - AUSTIN POWERS who?\n\n35mm print courtesy of Park Circus.\n\nMad scientist Dr. Goldfoot (Vincent Price, in a deliciously camp performance) has invented an army of bikini-clad robots programmed to seek out wealthy men and charm them into signing over their assets. Secret agent Craig Gamble and millionaire Todd Armstrong set out to foil his fiendish plot - AUSTIN POWERS who?\n\n35mm print courtesy of Park Circus.", "auditorium": null, "formats": [ "35mm" ], "quirks": [], "source_url": "https://drafthouse.com/sf/show/weird-wednesday-dr-goldfoot-and-the-bikini-machine", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/alamo", "name": "Alamo Drafthouse New Mission", "short_name": "Alamo", "color": "#4d7c0f", "source_url": "https://drafthouse.com/sf/theater/new-mission", "url": "https://www.stuffsac.com/san-francisco/alamo/" }, "series": { "sacid": "san-francisco/alamo:weird-wednesday", "name": "Weird Wednesday", "description": "Weird Wednesday is a weekly celebration of genre movies that are too outrageous for prime time. This is a one-way ticket to the fringes of the unknown, where imagination and ambition dance on the graves of logic and reality. From outlaw exploitation classics to inexplicable Hollywood excess, Weird Wednesday showcases mind-blowing genre discoveries that are unlike anything else you’ve ever seen.\n\nSome daring. Some controversial. All weird. WARPED & FADED: Weird Wednesday and the Birth of the American Genre Film Archive, by Lars Nilsen and Friends and Edited by Kier-la Janisse, is available to order now from the Alamo Gift Shop.", "source_url": null, "url": "https://www.stuffsac.com/san-francisco/alamo/series/weird-wednesday/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-18", "start_at": "2026-11-18T21:30:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:31" } ] }, { "name": "Paper Tiger", "description": "Two brothers become entangled in a scheme that turns out to be too good to be true. As they try to navigate their way through the dangerous world of the Russian mafia, family bonds begin to fray with life-altering consequences.", "release_year": "2026", "runtime_minutes": 115, "poster_url": "https://image.tmdb.org/t/p/w500/p6oLmq5KmuWY6uRXBQBL2q30jia.jpg", "trailer_url": "https://www.youtube.com/watch?v=MLwTyQOhBkw", "tmdb_id": 1381273, "tmdb_rating": null, "tmdb_url": "https://www.themoviedb.org/movie/1381273", "url": "https://www.stuffsac.com/san-francisco/film/#tmdb-1381273-paper-tiger", "showings": [ { "name": "Paper Tiger", "description": "In James Gray’s deeply felt and intense crime thriller, set in 1986 New York, a naïve engineer, Irwin (Miles Teller) accepts a seemingly lucrative business proposition from his brother, Gary (Adam Driver), a former cop. But when Irwin witnesses something he wasn’t meant to see at the Gowanus Canal, the brothers find themselves pulled into a dangerous confrontation with the newly emerging Russian mafia. As the threat of violence escalates, Irwin’s wife Hester (Scarlett Johansson) sounds the alarm, Irwin desperately tries to protect his family, and Gary is forced to make an impossible choice to save those he loves.", "auditorium": null, "formats": [ "35mm" ], "quirks": [], "source_url": "https://drafthouse.com/sf/show/paper-tiger", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/alamo", "name": "Alamo Drafthouse New Mission", "short_name": "Alamo", "color": "#4d7c0f", "source_url": "https://drafthouse.com/sf/theater/new-mission", "url": "https://www.stuffsac.com/san-francisco/alamo/" }, "series": null, "showtimes": [ { "start_on": "2026-11-19", "start_at": "2026-11-19T16:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" }, { "start_on": "2026-11-19", "start_at": "2026-11-19T19:15:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" }, { "start_on": "2026-11-20", "start_at": "2026-11-20T15:15:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" }, { "start_on": "2026-11-20", "start_at": "2026-11-20T18:30:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" }, { "start_on": "2026-11-21", "start_at": "2026-11-21T14:45:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" }, { "start_on": "2026-11-21", "start_at": "2026-11-21T18:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" }, { "start_on": "2026-11-22", "start_at": "2026-11-22T14:45:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" }, { "start_on": "2026-11-22", "start_at": "2026-11-22T18:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" }, { "start_on": "2026-11-23", "start_at": "2026-11-23T18:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" } ], "first_seen_at": "2026-10-30T18:28:53", "last_seen_at": "2026-10-31T02:18:31" } ] }, { "name": "The Exorcist III", "description": "On the fifteenth anniversary of the exorcism that claimed Father Damien Karras' life, Police Lieutenant Kinderman's world is once again shattered when a boy is found decapitated and savagely crucified.", "release_year": "1990", "runtime_minutes": 110, "poster_url": "https://image.tmdb.org/t/p/w500/275gw2JA5YCk10o6n84rZdZBycM.jpg", "trailer_url": "https://www.youtube.com/watch?v=BXsj26KH4jk", "tmdb_id": 11587, "tmdb_rating": 6.3, "tmdb_url": "https://www.themoviedb.org/movie/11587", "url": "https://www.stuffsac.com/san-francisco/film/#tmdb-11587-the-exorcist-iii", "showings": [ { "name": "The Exorcist III", "description": "Seventeen years after the events in THE EXORCIST, Lieutenant Kinderman (George C. Scott) investigates Satanic slayings that have all the hallmarks of a killer named The Zodiac Killer—oops!—we mean, The Gemini Killer. Trouble is, Gemini died in an electric chair many years ago. Or did he? After years of development hell, John Carpenter was set to direct this sequel. But he convinced EXORCIST author William Peter Blatty to take the helm, resulting in the secret classic known as THE EXORCIST III. A cracking mix of doom-laden scares and capital “A” ACT-OFFS between George C. Scott and Brad Dourif (CHILD’S PLAY), this criminally overlooked nerve-shredder finds the perfect balance between big-budget sheen and pulpy thrills. Plus, where else can you see Fabio as an Angel of Death?\n\nScreening from a collector's 35mm print.\n\nSeventeen years after the events in THE EXORCIST, Lieutenant Kinderman (George C. Scott) investigates Satanic slayings that have all the hallmarks of a killer named The Zodiac Killer -- oops! -- we mean, The Gemini Killer. Trouble is, Gemini died in an electric chair many years ago. Or did he?! After years of development hell, John Carpenter was set to direct this sequel. But he convinced EXORCIST author William Peter Blatty to take the helm, resulting in the secret classic known as THE EXORCIST III. A cracking mix of doom-laden scares and capital “A” ACT-OFFS between George C. Scott and Brad Dourif (CHILD’S PLAY), this criminally overlooked nerve-shredder finds the perfect balance between big-budget sheen and pulpy thrills. Plus, where else can you see model Fabio and New York Knicks center Patrick Ewing as Angels of Death?\n\nScreening from a collector's 35mm print.", "auditorium": null, "formats": [ "35mm" ], "quirks": [], "source_url": "https://drafthouse.com/sf/show/terror-tuesday-exorcist-iii", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/alamo", "name": "Alamo Drafthouse New Mission", "short_name": "Alamo", "color": "#4d7c0f", "source_url": "https://drafthouse.com/sf/theater/new-mission", "url": "https://www.stuffsac.com/san-francisco/alamo/" }, "series": { "sacid": "san-francisco/alamo:terror-tuesday", "name": "Terror Tuesday", "description": "We don't just watch horror movies – we live for them. And at every Terror Tuesday, we join hands to worship at the gore-soaked altar of slash, trash, thrash, and FUN! This eclectic series spans all decades, covering everything from seminal horror treasures to undiscovered DIY monster blasts. Terror Tuesday is the new ground zero for warming your black heart.", "source_url": null, "url": "https://www.stuffsac.com/san-francisco/alamo/series/terror-tuesday/", "film_description": null }, "showtimes": [ { "start_on": "2026-12-01", "start_at": "2026-12-01T21:30:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" } ], "first_seen_at": "2026-10-30T18:28:53", "last_seen_at": "2026-10-31T02:18:31" } ] }, { "name": "Cameron Winter at Carnegie Hall", "description": "A concert film documenting Cameron Winter's sold-out performance at Carnegie Hall.", "release_year": "2026", "runtime_minutes": 75, "poster_url": "https://image.tmdb.org/t/p/w500/sQt2KQWkpGb79UKlCJNJ2BKobjo.jpg", "trailer_url": "https://www.youtube.com/watch?v=E8olY56RpkU", "tmdb_id": 1597242, "tmdb_rating": null, "tmdb_url": "https://www.themoviedb.org/movie/1597242", "url": "https://www.stuffsac.com/san-francisco/film/#tmdb-1597242-cameron-winter-at-carnegie-hall", "showings": [ { "name": "Cameron Winter at Carnegie Hall", "description": "Cameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie.\n\nDirected and shot on 35mm and 16mm by Oscar-winning filmmaker Paul Thomas Anderson (ONE BATTLE AFTER ANOTHER), the crew includes filmmaker and actor Benny Safdie (THE SMASHING MACHINE) and music producer Ariel Rechtshaid (Grammy winner for albums with Vampire Weekend and Adele).\n\nGQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has \"a glorious, emotive voice with brilliant, blistering words, a racked and wondrous thing.” Winter’s solo album Heavy Metal was named one of the best of the year by Pitchfork, Rolling Stone, Paste, and Mojo, and Geese’s last record Getting Killed was named the best album of 2025 by The New Yorker, NME, and Stereogum.", "auditorium": null, "formats": [ "35mm" ], "quirks": [], "source_url": "https://drafthouse.com/sf/show/cameron-winter-at-carnegie-hall", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/alamo", "name": "Alamo Drafthouse New Mission", "short_name": "Alamo", "color": "#4d7c0f", "source_url": "https://drafthouse.com/sf/theater/new-mission", "url": "https://www.stuffsac.com/san-francisco/alamo/" }, "series": null, "showtimes": [ { "start_on": "2027-01-28", "start_at": "2027-01-28T19:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" }, { "start_on": "2027-01-29", "start_at": "2027-01-29T19:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:53" } ], "first_seen_at": "2026-10-30T18:28:53", "last_seen_at": "2026-10-31T02:18:31" }, { "name": "Cameron Winter at Carnegie Hall", "description": "Cameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie.\n\nDirected and shot on 35mm and 16mm by Oscar-winning filmmaker Paul Thomas Anderson (One Battle After Another), the crew includes filmmaker and actor Benny Safdie (The Smashing Machine) and music producer Ariel Rechtshaid (Grammy winner for albums with Vampire Weekend and Adele).\n\nGQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has a “a glorious, emotive voice with brilliant, blistering words, a racked and wondrous thing.” Winter’s solo album Heavy Metal was named one of the best of the year by Pitchfork, Rolling Stone, Paste and Mojo and Geese’s last record Getting Killed was named the best album of 2025 by The New Yorker, NME, and Stereogum.", "auditorium": null, "formats": [ "35mm" ], "quirks": [], "source_url": "https://thecastro.com/events/cameron-winter-at-carnegie-hall-261202", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/castro", "name": "The Castro Theatre", "short_name": "Castro", "color": "#be123c", "source_url": "https://thecastro.com/", "url": "https://www.stuffsac.com/san-francisco/castro/" }, "series": null, "showtimes": [ { "start_on": "2026-12-02", "start_at": "2026-12-02T19:30:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-12-02", "start_at": "2026-12-02T21:45:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:31" }, { "name": "Cameron Winter at Carnegie Hall (35mm)", "description": "Cameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie.\n\nDirected and shot on 35mm and 16mm by Oscar-winning filmmaker Paul Thomas Anderson (One Battle After Another), the crew includes filmmaker and actor Benny Safdie (The Smashing Machine) and music producer Ariel Rechtshaid (Grammy winner for albums with Vampire Weekend and Adele).\n\nGQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has a “a glorious, emotive voice with brilliant, blistering words, a racked and wondrous thing.” Winter’s solo album Heavy Metal was named one of the best of the year by Pitchfork, Rolling Stone, Paste and Mojo and Geese’s last record Getting Killed was named the best album of 2025 by The New Yorker, NME, and Stereogum.\n\nTickets for Saturday, December 5 at 4 PM available here\n\nTickets for Sunday, December 6 at 1 PM available here", "auditorium": "Big Roxie", "formats": [ "35mm" ], "quirks": [], "source_url": "https://roxie.com/film/cameron-winter-at-carnegie-hall-35mm/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": null, "showtimes": [ { "start_on": "2026-12-05", "start_at": "2026-12-05T16:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:55" }, { "start_on": "2026-12-06", "start_at": "2026-12-06T13:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:55" } ], "first_seen_at": "2026-10-30T18:28:55", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Dune: Part Three", "description": "Nearly two decades after he seized control of the Imperium, Paul Atreides is now a ruthless Emperor, and must face the consequences of his reign as old allies return, terrifying new threats emerge, and betrayal lurks in every shadow. 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