[ { "name": "NAZA", "description": "Filmed at night from Tel Aviv rooftops, this investigative documentary examines the civilian casualties of Israel's military operations in Gaza and the systems behind targeted killings of Palestinians.", "release_year": "2026", "runtime_minutes": 77, "poster_url": "https://image.tmdb.org/t/p/w500/cbxiZ1l21KUATu2KKQQ8J8fJhpe.jpg", "trailer_url": "https://www.youtube.com/watch?v=40KW6knYMo4", "tmdb_id": 1755291, "tmdb_rating": 8.1, "tmdb_url": "https://www.themoviedb.org/movie/1755291", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-1755291-naza", "showings": [ { "name": "NAZA", "description": "NAZA is also playing at NEW PEOPLE\n\nIn secret conversations on the rooftops of Tel Aviv at night, the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza are revealed by the people who designed and operated them.\n\nDirectors Note:\n\nWe made this film out of a sense of obligation to use our position as Israeli filmmakers and journalists to examine the systems behind the mass killing of Palestinian civilians for which our country is responsible. While filming members of Israel’s military on rooftops at night in Tel Aviv over the past three years, we found ourselves asking the very questions that were asked by our grandparents’ generation and throughout the 20th century: how does one group of people allow the total dehumanisation of another?\n\nWhat do the inner workings of such a system look like? Many of the revelations in the film were published almost immediately as we learned of them, in the months following the October 7th attacks, by The Guardian (one of NAZA’s producers), in collaboration with reporting partners +972 Magazine and Local Call. The film lets us explore something deeper than we could in our investigative journalism alone: not only the words being said but also those that are not said, the silence. It is up to all of us to break that silence.\n\n– Yuval Abraham and Rachel Szor\n\n“An essential, devastating documentary…there’s no turning away from what’s said, you simply can’t unknow what you have heard” – Nicolas Rapold, Sight and Sound\n\n“NAZA might be the best present-tense documentary of its time since Citizenfour” – Marshall Shaffer, The Playlist", "auditorium": "Big Roxie & Little Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/naza/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:naza", "name": "NAZA", "description": "ONE FILM. TWO ROXIE LOCATIONS.\n\nNAZA screens at NEW PEOPLE CINEMA in Japantown October 9–11 & 18, and at THE ROXIE in the Mission starting October 12.\n\nSelect NEW PEOPLE: NAZA for Japantown showtimes, or NAZA for Roxie showtimes.", "source_url": "https://roxie.com/series/naza/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/naza/", "film_description": null }, "showtimes": [ { "start_on": "2026-10-30", "start_at": "2026-10-30T18:10:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-01", "start_at": "2026-11-01T13:20:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-01", "start_at": "2026-11-01T18:10:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-02", "start_at": "2026-11-02T20:15:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-05", "start_at": "2026-11-05T18:20:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-09", "start_at": "2026-11-09T18:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" }, { "name": "New People: NAZA", "description": "NAZA screenings at NEW PEOPLE start October 9.\n\nAlso screens at The Roxie starting October 12.\n\nIn secret conversations on the rooftops of Tel Aviv at night, the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza are revealed by the people who designed and operated them.\n\nDirectors Note:\n\nWe made this film out of a sense of obligation to use our position as Israeli filmmakers and journalists to examine the systems behind the mass killing of Palestinian civilians for which our country is responsible. While filming members of Israel’s military on rooftops at night in Tel Aviv over the past three years, we found ourselves asking the very questions that were asked by our grandparents’ generation and throughout the 20th century: how does one group of people allow the total dehumanisation of another?\n\nWhat do the inner workings of such a system look like? Many of the revelations in the film were published almost immediately as we learned of them, in the months following the October 7th attacks, by The Guardian (one of NAZA’s producers), in collaboration with reporting partners +972 Magazine and Local Call. The film lets us explore something deeper than we could in our investigative journalism alone: not only the words being said but also those that are not said, the silence. It is up to all of us to break that silence.\n\n– Yuval Abraham and Rachel Szor\n\n“An essential, devastating documentary…there’s no turning away from what’s said, you simply can’t unknow what you have heard” – Nicolas Rapold, Sight and Sound\n\n“NAZA might be the best present-tense documentary of its time since Citizenfour” – Marshall Shaffer, The Playlist", "auditorium": "New People Cinema", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/new-people-naza/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:naza", "name": "NAZA", "description": "ONE FILM. TWO ROXIE LOCATIONS.\n\nNAZA screens at NEW PEOPLE CINEMA in Japantown October 9–11 & 18, and at THE ROXIE in the Mission starting October 12.\n\nSelect NEW PEOPLE: NAZA for Japantown showtimes, or NAZA for Roxie showtimes.", "source_url": "https://roxie.com/series/naza/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/naza/", "film_description": null }, "showtimes": [ { "start_on": "2026-10-31", "start_at": "2026-10-31T14:50:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "The Snake Girl and the Silver-Haired Witch", "description": "Up until this point, young Sayuri Nanjo has had to live most of her life in a nun-run boarding school for orphans and away from her parents. That's all about to change when her real father mysteriously comes to get her and finally bring her home.", "release_year": "1968", "runtime_minutes": 82, "poster_url": "https://image.tmdb.org/t/p/w500/zVdI4C4xZcK4ZA85AqtHiZiTG1b.jpg", "trailer_url": "https://www.youtube.com/watch?v=juaDKFm_ktM", "tmdb_id": 182921, "tmdb_rating": 6.8, "tmdb_url": "https://www.themoviedb.org/movie/182921", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-182921-the-snake-girl-and-the-silver-haired-witch", "showings": [ { "name": "New People: The Snake Girl and the Silver-Haired Witch", "description": "This movie feels like it was dreamed into existence. When a girl named Sayuri is reunited with her family after years in an orphanage, she’s plagued with phantasmagorical visions involving a fanged demon, wild monsters, and murder by snakes. And it only gets weirder from there. Directed by Noriaki Yuasa (the co-creator of the GAMERA series) and adapted from the work of manga pioneer Kazuo Umezu, THE SNAKE GIRL AND THE SILVER-HAIRED WITCH is a stylish, theremin-fueled gothic nightmare that’s easily the most traumatizing movie ever aimed at a kids audience. Salvador Dali would be proud.\n\n“A truly wild spook show of a movie that almost feels proto-De Palma at times.” – Nathaniel Thompson, MONDO DIGITAL", "auditorium": "New People Cinema", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/new-people-the-snake-girl-and-the-silver-haired-witch/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:beautiful-nightmares", "name": "Beautiful Nightmares", "description": "Take a trip into some of the strangest and most beautiful corners of Japanese horror cinema. The series kicks off at The Roxie with the new restoration of Masaki Kobayashi’s haunting Kwaidan, then moves to New People Cinema in Japantown for the candy-colored delirium of Hausu, the new ghost story Never After Dark starring Shōgun’s Moeka Hoshi, the newly restored descent into hell Jigoku, and the delirious teen-gothic shocker The Snake Girl and the Silver-Haired Witch.\n\nThe Roxie returns to New People Cinema this fall for a special season of Japanese cinema, community events, filmmaker appearances, special screenings, and select rentals. More on New People here.", "source_url": "https://roxie.com/series/beautiful-nightmares/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/beautiful-nightmares/", "film_description": null }, "showtimes": [ { "start_on": "2026-10-31", "start_at": "2026-10-31T16:45:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "The Witches", "description": "While staying at a hotel in England with his grandmother, Helga, a young boy named Luke inadvertently spies on a convention of witches. The Grand High Witch reveals a plan to turn all children into mice via a magical formula. When they discover the eavesdropper, the witches test the formula on him. Now, with the help of Helga and hotel manager Mr Stringer, Luke the mouse must fight back against the witches.", "release_year": "1990", "runtime_minutes": 91, "poster_url": "https://image.tmdb.org/t/p/w500/mPYBjVkeHakkPGY7WaKyyNU4RWm.jpg", "trailer_url": "https://www.youtube.com/watch?v=7mmbKELT2VU", "tmdb_id": 10166, "tmdb_rating": 7.0, "tmdb_url": "https://www.themoviedb.org/movie/10166", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-10166-the-witches", "showings": [ { "name": "The Witches", "description": "While staying at a hotel in England with his grandmother, Helga (Mai Zetterling), young Luke (Jasen Fisher) inadvertently spies on a convention of witches. The Grand High Witch (Anjelica Huston) reveals a plan to turn all children into mice through a magical formula. When they find that Luke has overheard, the witches test the formula on him.\n\nNow, with the help of Helga and the hotel manager, Mr. Stringer (Rowan Atkinson), Luke the mouse must fight back against the witches.\n\nRecommended age: 9+ (Common Sense Media)\n\nRoxie Kids Tickets: 17 & under – $5 – SNAP/EBT – $5 – Roxie members – $5", "auditorium": "Little Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/the-witches/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:roxie-kids", "name": "Roxie Kids", "description": "A year-round series of films for audiences of all ages to experience the joy of cinema together.\n\nRoxie Kids Matinee Tickets: 17 & under – $5 – SNAP/EBT – $5 – Roxie members – $5", "source_url": "https://roxie.com/series/roxie-kids/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/roxie-kids/", "film_description": null }, "showtimes": [ { "start_on": "2026-10-31", "start_at": "2026-10-31T15:30:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Wild at Heart", "description": "Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.", "release_year": "1990", "runtime_minutes": 125, "poster_url": "https://image.tmdb.org/t/p/w500/uLUFI5sJIfWrBUWB2Y1dEuyvvVy.jpg", "trailer_url": "https://www.youtube.com/watch?v=dQIdBfrF0Ik", "tmdb_id": 483, "tmdb_rating": 7.0, "tmdb_url": "https://www.themoviedb.org/movie/483", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-483-wild-at-heart", "showings": [ { "name": "Wild at Heart (4K Restoration)", "description": "Come dressed as your favorite character from the film on Halloween and score FREE POPCORN. Snakeskin jackets, red lipstick, and Lynchian weirdness encouraged!\n\n“This is a snakeskin jacket. And for me it’s a symbol of my individuality and my belief in personal freedom.”\n\nAdapted from Barry Gifford’s novel, David Lynch’s Palme d’Or-winning Wild at Heart sends Sailor and Lula—Nicolas Cage and Laura Dern—tearing across the American South in a delirious lovers-on-the-run romance fueled by Elvis, The Wizard of Oz, sex, violence, and pure outlaw conviction.\n\nTheir escape from Lula’s violently possessive mother (Diane Ladd) leads through a landscape of hit men, roadside grotesques, heavy metal, seedy motels, and sudden bursts of nightmare. Along the way they cross paths with Harry Dean Stanton, Isabella Rossellini, and Willem Dafoe as the unforgettable Bobby Peru.\n\nAt once tender, lurid, funny, and unhinged, Wild at Heart is one of the clearest cinematic expressions of Gifford’s world: doomed lovers, dangerous drifters, criminal underworlds, and a distinctly American dream curdling at the edges.", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/wild-at-heart/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:barry-gifford-wild-lives-lost-highways", "name": "Barry Gifford: Wild Lives, Lost Highways", "description": "On October 18, Barry Gifford turns 80. To celebrate, we’re spending a few nights in his unmistakable world of lovers, drifters, criminals, dreamers, roadside danger, black humor, and American noir.\n\nLOST HIGHWAY, written by Gifford and Lynch together; ROY’S WORLD: BARRY GIFFORD’S CHICAGO, drawn from Gifford’s autobiographical Roy stories and his own memories of the world that shaped him; PERDITA DURANGO, directed by Álex de la Iglesia, co-scripted by Gifford and adapted from his novel; and WILD AT HEART, David Lynch’s Palme d’Or-winning adaptation of his novel, in a new 4K restoration.\n\nJoin us for a ride through Barry Gifford’s wild, dark, unmistakably cinematic world.", "source_url": "https://roxie.com/series/barry-gifford-wild-lives-lost-highways/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/barry-gifford-wild-lives-lost-highways/", "film_description": null }, "showtimes": [ { "start_on": "2026-10-31", "start_at": "2026-10-31T21:15:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-03", "start_at": "2026-11-03T18:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-04", "start_at": "2026-11-04T21:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Alien", "description": "During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.", "release_year": "1979", "runtime_minutes": 117, "poster_url": "https://image.tmdb.org/t/p/w500/vfrQk5IPloGg1v9Rzbh2Eg3VGyM.jpg", "trailer_url": "https://www.youtube.com/watch?v=L2VWfWC-wI4", "tmdb_id": 348, "tmdb_rating": 8.2, "tmdb_url": "https://www.themoviedb.org/movie/348", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-348-alien", "showings": [ { "name": "Alien", "description": "The crew of the commercial towing ship Nostromo is heading home with 20 million tons of mineral ore when a mysterious transmission pulls them off course. What begins as another job quickly becomes a fight for survival after an unknown organism makes its way aboard. Ridley Scott’s landmark sci-fi horror turns deep space into a grim industrial workplace, where contracts, corporate orders, and an expendable crew prove nearly as threatening as the creature stalking the corridors.\n\nAt its center is Sigourney Weaver’s Ripley, a worker who keeps following procedure long after everyone around her has stopped listening.", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/alien/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:her-work-is-never-done", "name": "Her Work is Never Done", "description": "Punch in, keep smiling, and try not to lose your mind. Join us for Cindy Sherman’s macabre workplace satire, OFFICE KILLER; Aki Kaurismäki’s deadpan tale of factory drudgery and revenge, THE MATCH FACTORY GIRL; Hiroshi Teshigahara’s existential vision of endless labor and entrapment, WOMAN IN THE DUNES; and Ridley Scott’s blue-collar space nightmare, ALIEN. HER WORK IS NEVER DONE looks at the labor expected of women in all its exhausting, absurd, and occasionally horrifying forms, and at the systems that depend on it.", "source_url": "https://roxie.com/series/her-work-is-never-done/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/her-work-is-never-done/", "film_description": null }, "showtimes": [ { "start_on": "2026-10-30", "start_at": "2026-10-30T21:05:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-01", "start_at": "2026-11-01T15:20:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-05", "start_at": "2026-11-05T21:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Marie Antoinette", "description": "A retelling of the story of France’s iconic but ill-fated queen, Marie Antoinette - from her betrothal and marriage to Louis XVI at fifteen to her reign as queen at nineteen and ultimately the fall of Versailles.", "release_year": "2006", "runtime_minutes": 123, "poster_url": "https://image.tmdb.org/t/p/w500/cybXGmv8Rjd5Os8Xml6YxMBQ0Zt.jpg", "trailer_url": "https://www.youtube.com/watch?v=yBWyKRoh98U", "tmdb_id": 1887, "tmdb_rating": 6.7, "tmdb_url": "https://www.themoviedb.org/movie/1887", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-1887-marie-antoinette", "showings": [ { "name": "Marie Antoinette (4K Restoration)", "description": "The third feature film from Oscar-winning writer-director Sofia Coppola (Lost in Translation, 2003) transposes her fascination with the inner lives of young women to 18th century Versailles with this semi-biographical story of Marie Antoinette, Queen of France from 1774 to 1793. Inspired by her favorite period dramas and biopics, including Ken Russell’s Lisztomania (1975) and Milos Forman’s Amadeus (1984), Coppola gained extraordinary access to shoot at the Palace at Versailles, and her attention to production design and costuming details cushion her characters in lavish, insulated surroundings—and garnered the film’s costume designer Milena Canonero her third Oscar win.\n\nPunctuated with anachronistic postpunk and new wave music, Coppola’s refreshing take on a centuries-old history brings the woes of the past into… sharp comparison with present-day concerns of girls, teens, and young women for a deeply felt and beautifully rendered cinematic achievement.\n\nEleanor Coppola’s Making Marie Antoinette screens at the Roxie on Saturday, October 24, Wednesday, October 28, & Thursday, October 29.\n\nMarie Antoinette was restored in 4K by Sony Pictures Entertainment in collaboration with American Zoetrope.", "auditorium": "Little Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/marie-antoinette-4k-restoration/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:making-marie-antoinette", "name": "(Making) Marie Antoinette", "description": "Featuring two films from mother & daughter powerhouse Eleanor and Sofia Coppola, (Making) Marie Antoinette is a limited film series offering two distinct perspectives of the same feature film.\n\nMarie Antoinette (4k Remaster):\n\nThe third feature film from Oscar-winning writer-director Sofia Coppola (Lost in Translation, 2003) transposes her fascination with the inner lives of young women to 18th century Versailles with this semi-biographical story of Marie Antoinette, Queen of France from 1774 to 1793.\n\nPunctuated with anachronistic postpunk and new wave music, Coppola’s refreshing take on a centuries-old history brings the woes of the past into… sharp comparison with present-day concerns of girls, teens, and young women for a deeply felt and beautifully rendered cinematic achievement.\n\nMaking Marie Antoinette:\n\nFollows filmmaker Eleanor Coppola’s behind-the-scenes documentation of her daughter Sofia Coppola directing the 2006 film Marie Antoinette, capturing the craftsmanship and challenges of being a young female director. French Revolution is on full display in this diary shot by her mother, filmmaker Eleanor Coppola, on the film’s set in Versailles in 2005.\n\nFrom almost 80 hours of video, Eleanor began to assemble the footage during the pandemic lockdown, and Sofia helped finish editing it after Eleanor’s death in 2024. Narrated by Diane Lane, reciting Eleanor’s journals from the time, this is a rare behind-the-scenes glimpse that is both process-oriented and touchingly personal", "source_url": "https://roxie.com/series/making-marie-antoinette/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/making-marie-antoinette/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-01", "start_at": "2026-11-01T20:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "THX 1138", "description": "People in the future live in a totalitarian society. A technician named THX 1138 lives a mundane life between work and taking a controlled consumption of drugs that the government uses to make puppets out of people. As THX is without drugs for the first time he has feelings for a woman and they start a secret relationship.", "release_year": "1971", "runtime_minutes": 86, "poster_url": "https://image.tmdb.org/t/p/w500/pPyEXW7h2SJRjTsHZqrIlXxOgW9.jpg", "trailer_url": "https://www.youtube.com/watch?v=a64IVhSsjdQ", "tmdb_id": 636, "tmdb_rating": 6.4, "tmdb_url": "https://www.themoviedb.org/movie/636", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-636-thx-1138", "showings": [ { "name": "THX 1138 (35mm)", "description": "Presented in 35mm in its original theatrical version, George Lucas’s THX 1138 imagines a sterile underground future where citizens are drugged into compliance, emotion is suppressed, and individuality itself is treated as a threat. Robert Duvall stars as THX, a worker who stops taking his state-mandated medication and begins to awaken to desire, fear, and the possibility of escape. Shot throughout the Bay Area, including San Francisco, Oakland, the still-under-construction BART tunnels, and the Caldecott Tunnel, Lucas’s stark debut turns familiar local architecture into an eerily convincing future.", "auditorium": "Big Roxie", "formats": [ "35mm" ], "quirks": [], "source_url": "https://roxie.com/film/thx-1138-35mm/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:the-future-according-to-syd-mead", "name": "The Future According to Syd Mead", "description": "Few artists have shaped how the movies imagine the future as profoundly as Syd Mead. Trained as an industrial designer, Mead brought a rare sense of plausibility to science fiction, creating cities, vehicles, machines, and entire environments that felt not just futuristic, but already lived in. His work on films including Blade Runner, TRON, and Aliens helped define the visual language of cinematic futurism for generations.\n\nTHE FUTURE ACCORDING TO SYD MEAD celebrates the cinematic legacy of a true futurist visionary, timed to Syd Mead: Future Pastime, a major exhibition of his graphic work on view October 8 through December 17, 2026 at San Francisco’s Transamerica Pyramid Annex Gallery. Presenting Mead’s original artwork beyond his cinematic contributions, the exhibition offers another way into the extraordinary imagination behind these films. As curators William Corman and Elon Solo write, Mead created “meticulously rendered visions of the future that balance the extraordinary with the familiar,” imagining lived-in futures that felt tantalizingly within reach.\n\nOur selections move from the neon architecture of Blade Runner and the sleek digital world of TRON to the industrial hardware of Aliens and the cyberpunk world of Johnny Mnemonic. The program also reaches beyond the films Mead directly designed, with THX 1138 and Welcome II the Terrordome expanding the conversation around the futures he helped us imagine and the filmmakers who pushed those visions in radically different directions.", "source_url": "https://roxie.com/series/the-future-according-to-syd-mead/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/the-future-according-to-syd-mead/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-01", "start_at": "2026-11-01T18:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-10", "start_at": "2026-11-10T18:00:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Blade Runner", "description": "In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.", "release_year": "1982", "runtime_minutes": 118, "poster_url": "https://image.tmdb.org/t/p/w500/63N9uy8nd9j7Eog2axPQ8lbr3Wj.jpg", "trailer_url": "https://www.youtube.com/watch?v=eogpIG53Cis", "tmdb_id": 78, "tmdb_rating": 7.9, "tmdb_url": "https://www.themoviedb.org/movie/78", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-78-blade-runner", "showings": [ { "name": "Blade Runner: The Final Cut (35mm)", "description": "While so many effects-driven visions of the future have faded with time, Blade Runner remains a template for imagining the neon-soaked city to come, as influential in its way as Fritz Lang’s Metropolis. Adapting Philip K. Dick’s novel into the gold standard of sci-fi noir, Ridley Scott shares much of the film’s visual legacy with “visual futurist” Syd Mead, whose design concepts helped define its unforgettable world, and with Vangelis’s atmospheric synth score.", "auditorium": "Big Roxie", "formats": [ "35mm" ], "quirks": [], "source_url": "https://roxie.com/film/blade-runner-the-final-cut/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:the-future-according-to-syd-mead", "name": "The Future According to Syd Mead", "description": "Few artists have shaped how the movies imagine the future as profoundly as Syd Mead. Trained as an industrial designer, Mead brought a rare sense of plausibility to science fiction, creating cities, vehicles, machines, and entire environments that felt not just futuristic, but already lived in. His work on films including Blade Runner, TRON, and Aliens helped define the visual language of cinematic futurism for generations.\n\nTHE FUTURE ACCORDING TO SYD MEAD celebrates the cinematic legacy of a true futurist visionary, timed to Syd Mead: Future Pastime, a major exhibition of his graphic work on view October 8 through December 17, 2026 at San Francisco’s Transamerica Pyramid Annex Gallery. Presenting Mead’s original artwork beyond his cinematic contributions, the exhibition offers another way into the extraordinary imagination behind these films. As curators William Corman and Elon Solo write, Mead created “meticulously rendered visions of the future that balance the extraordinary with the familiar,” imagining lived-in futures that felt tantalizingly within reach.\n\nOur selections move from the neon architecture of Blade Runner and the sleek digital world of TRON to the industrial hardware of Aliens and the cyberpunk world of Johnny Mnemonic. The program also reaches beyond the films Mead directly designed, with THX 1138 and Welcome II the Terrordome expanding the conversation around the futures he helped us imagine and the filmmakers who pushed those visions in radically different directions.", "source_url": "https://roxie.com/series/the-future-according-to-syd-mead/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/the-future-according-to-syd-mead/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-03", "start_at": "2026-11-03T20:40:00", "formats": [ "35mm" ], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "I Saw the TV Glow", "description": "In late-90s suburbia, a lonely teenager meets a girl at school who introduces him to a mysterious late-night T.V. show — a vision of a supernatural world pulsing beneath their own. As time goes on, however, questions begin to arise about why the show sometimes seems more real than their own lives. In the pale glow of the television, their view of reality begins to crack.", "release_year": "2024", "runtime_minutes": 100, "poster_url": "https://image.tmdb.org/t/p/w500/hS4GYkYpN1rfl4GIxyc02sCyfAj.jpg", "trailer_url": "https://www.youtube.com/watch?v=kymDzCgPwj0", "tmdb_id": 858017, "tmdb_rating": 6.2, "tmdb_url": "https://www.themoviedb.org/movie/858017", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-858017-i-saw-the-tv-glow", "showings": [ { "name": "An Evening with Jane Schoenbrun: Public Access Afterworld + I Saw the TV Glow", "description": "THIS SCREENING IS AT RUSH!\n\nCo-presented by Book Passage.\n\nJoin us for a special evening with acclaimed filmmaker and writer Jane Schoenbrun, celebrating the release of their debut novel, Public Access Afterworld.\n\nSchoenbrun will join us for a moderated conversation with filmmaker Jenni Olson about the book and their work, followed by a screening of their acclaimed film I Saw the TV Glow.\n\nA mesmerizing mash-up of speculative fiction, horror, and conspiracy, Public Access Afterworld spans decades and realities, following an unforgettable ensemble of outsiders drawn into the mystery of a strange pirate television network broadcasting from somewhere beyond the static.\n\nTicket includes a pre-signed copy of Public Access Afterworld. Additional books will be available for purchase at the event.\n\nAbout Public Access Afterworld\n\n“Beautiful, funny, and scathing… I stayed up all night binge-reading.” – SenLinYu\n\n“Psychedelic horror of the first order.” – Grady Hendrix\n\n“Heart-wrenching, hilarious, visionary, and so damned smart, this novel is a major work by a major writer.” -Paul Tremblay\n\n“Dazzling and politically acute, Schoenbrun’s debut announces a major literary voice.” – Kirkus Reviews (starred review)\n\nOne of Publishers Weekly’s 10 Most Anticipated Books. One of the Most Anticipated Books of the Year: Lit Hub, The Chicago Review of Books, The Bookseller, Reactor, Library Journal, and Debutiful.\n\nFind the receiver. Make it real.\n\nAt 5:35 p.m. on September 3, 1988. Dallas weatherman Ray “Can You Say Sunshine” Davino makes passing reference to Public Access Afterworld during a rambling monologue, right before he puts a gun to his head on live television and pulls the trigger.\n\nOn June 12, 2009. David Sawyer and Erin Morrison, two lonely, TV-obsessed suburban teens who might be falling in love, gather in Erin’s basement to watch TV’s analog-to-digital transition. But in the static that follows, Erin witnesses surreal broadcasts from a pirate TV network called Public Access Afterworld, and their lives are changed forever.\n\nSeventeen years later, Bethany Peters toils through the night shift at megacorp GlobalVill’s bleak Austin campus. A trans content moderator, she spends her evenings reviewing an endless stream of horrific videos. But then a young streamer begins to crop up in her feed calling out to Public Access Afterworld.\n\nBut what is Public Access Afterworld?\n\nSpanning decades and realities, with an unforgettable ensemble of outcasts and nerds-especially the messy but wholly relatable Bethany, who must overcome paranoia and self-doubt to transform into a hero of our times-Public Access Afterworld will have you reading through the night and rooting for its characters to survive. A mesmerizing mash-up of speculative fiction, horror, and conspiracy, it marks the arrival of a major new force in contemporary fiction by a groundbreaking filmmaker who’s been compared to David Lynch and Paul Thomas Anderson.\n\nAbout I Saw the TV Glow\n\nTeenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show—a vision of a supernatural world beneath their own. As the two become increasingly consumed by the show, Owen’s sense of reality and identity begins to crack.\n\nWritten and directed by Jane Schoenbrun, I Saw the TV Glow is a haunting coming-of-age story about identity, isolation, fandom, and the strange power of the media that shapes us. Blending psychological horror with the hazy nostalgia of late-night television, the film explores the porous boundaries between the worlds we watch and the lives we inhabit.", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/an-evening-with-jane-schoenbrun-public-access-afterworld-i-saw-the-tv-glow/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:outlook", "name": "OUTlook", "description": "OUTlook is the Roxie’s year-round programming initiative to highlight LGBTQIA+ voices in cinema. For decades, we’ve been committed to showcasing movies that reflect the full spectrum of identities both in our San Francisco community and the wider world. Through a mix of new and mainstream releases, classic repertory, and the avant-garde fringe, we’ve continually sought to show something for everybody at the Roxie.", "source_url": "https://roxie.com/series/outlook/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/outlook/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-04", "start_at": "2026-11-04T18:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Runa Simi", "description": "Single father and Cusco radio host Fernando shares a modest yet endearing hobby with his son: dubbing classic animated clips into Quechua, an Indigenous language spoken by a relatively small population. When one of their dubs unexpectedly goes viral, a private passion transforms into something far more ambitious and meaningful.", "release_year": "2025", "runtime_minutes": 81, "poster_url": "https://image.tmdb.org/t/p/w500/io0FwtFOjjZtEf2H2OKTdnzE4Aq.jpg", "trailer_url": null, "tmdb_id": 1465974, "tmdb_rating": null, "tmdb_url": "https://www.themoviedb.org/movie/1465974", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-1465974-runa-simi", "showings": [ { "name": "Runa Simi", "description": "Q&A with Director Augusto Zegarra, Protagonist Fernando Valencia, and Producer Paloma Iturriaga after the screening!\n\n“The film is a love letter to a language, and to the culture woven into and defined by that language.” – Daniel Alarcón, The New Yorker\n\nFernando Valencia, a 29-year-old voice artist from Cusco, Peru, is an Indigenous activist, painter, and devoted single father. Known for his uncanny ability to voice multiple characters, he launched Quechua Clips—a viral project that reimagines iconic animated scenes in Quechua, the ancestral language of the Incas, also known as Runa Simi. The response was overwhelming: millions of Quechua speakers hungry for stories in their own language.\n\nFueled by this groundswell of support, Fernando sets his sights on an ambitious and quixotic dream—to dub Disney’s 1994 classic The Lion King into Quechua, with the help of his spirited eight-year-old son, Dylan. Armed with a homemade studio and relentless resolve, Fernando navigates countless ups and downs, facing rejection, setbacks, and self-doubt. Yet through it all, his determination never wavers, turning his personal mission into a powerful call for language justice and cultural reclamation.", "auditorium": "Little Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/runa-simi/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:roxcine", "name": "RoxCine", "description": "RoxCine is the Roxie’s year-round program of Spanish-language and US Latinx film. It features new releases, repertory programming, and special series and retrospectives, with an exciting mix of films – from winners at major film festivals with US distribution, to special features not seen on any other screen.\n\nRoxCine es el programa de cine en español y US Latino del Roxie. La programación de RoxCine contará a lo largo del año con nuevos estrenos, clásicos de repertorio y culto, así como ciclos especiales y retrospectivas, con una mezcla de películas – desde ganadoras en los principales festivales de cine y con distribución en Estados Unidos, a películas que no se ven en ninguna otra sala o medio.", "source_url": "https://roxie.com/series/roxcine/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/roxcine/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-04", "start_at": "2026-11-04T18:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Being Heumann", "description": "Scrappy, defiant, and done being treated like a burden, Judy Heumann turns her outrage into a revolution. In 1977, she and more than 100 disability rights protestors send a very loud message: The system is broken—not us.", "release_year": "2026", "runtime_minutes": 127, "poster_url": "https://image.tmdb.org/t/p/w500/ouGH1PS0xjDyfTQOhppn7QzJqQZ.jpg", "trailer_url": "https://www.youtube.com/watch?v=CQp2pUXLvJk", "tmdb_id": 1050981, "tmdb_rating": null, "tmdb_url": "https://www.themoviedb.org/movie/1050981", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-1050981-being-heumann", "showings": [ { "name": "Being Heumann", "description": "Being Heumann opens at NEW PEOPLE on November 6!\n\nThey wouldn’t take Judy Heumann’s phone calls, so she took their building. In 1977, a young disabled woman (Ruth Madeley) and a scrappy coalition of outsiders decide they’ve had enough. What begins as one impulsive act becomes the longest occupation of a federal building in American history, as hundreds spontaneously seize government offices and refuse to leave until the bureaucrat in their way (Mark Ruffalo) takes action. Bringing rebellion in all its forms to the hallowed halls, a movement’s accidental leaders struggle to find their path forward where none has ever been paved for them. Directed by Academy Award winner Siân Heder (“CODA”) and based on true events, “Being Heumann” is the revolutionary, irreverent and deeply human story of the least likely people trying to pull off the impossible and change the lives of millions.\n\nAll screenings will be open-captioned", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/being-heumann/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:being-heumann", "name": "Being Heumann", "description": "ONE FILM. TWO ROXIE LOCATIONS.\n\nBeing Heumann screens at NEW PEOPLE CINEMA in Japantown starting November 6, and at THE ROXIE in the Mission starting November 10\n\nSelect NEW PEOPLE: Being Heumann for Japantown showtimes, or Being Heumann for Roxie showtimes.", "source_url": "https://roxie.com/series/being-heumann/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/being-heumann/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-10", "start_at": "2026-11-10T15:20:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" }, { "name": "New People: Being Heumann", "description": "All screenings will be open caption!\n\nIn-person Q&A with Crip Camp Co-Director and Activist Jim Lebrecht plus special guests on 11/8 with ASL interpretation!\n\nThey wouldn’t take Judy Heumann’s phone calls, so she took their building. In 1977, a young disabled woman (Ruth Madeley) and a scrappy coalition of outsiders decide they’ve had enough. What begins as one impulsive act becomes the longest occupation of a federal building in American history, as hundreds spontaneously seize government offices and refuse to leave until the bureaucrat in their way (Mark Ruffalo) takes action. Bringing rebellion in all its forms to the hallowed halls, a movement’s accidental leaders struggle to find their path forward where none has ever been paved for them. Directed by Academy Award winner Siân Heder (“CODA”) and based on true events, “Being Heumann” is the revolutionary, irreverent and deeply human story of the least likely people trying to pull off the impossible and change the lives of millions.\n\nBeing Heumann also plays at the Roxie on November 10", "auditorium": "New People Cinema", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/new-people-being-heumann/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:being-heumann", "name": "Being Heumann", "description": "ONE FILM. TWO ROXIE LOCATIONS.\n\nBeing Heumann screens at NEW PEOPLE CINEMA in Japantown starting November 6, and at THE ROXIE in the Mission starting November 10\n\nSelect NEW PEOPLE: Being Heumann for Japantown showtimes, or Being Heumann for Roxie showtimes.", "source_url": "https://roxie.com/series/being-heumann/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/being-heumann/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-06", "start_at": "2026-11-06T18:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-07", "start_at": "2026-11-07T18:20:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-08", "start_at": "2026-11-08T13:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Fatherland", "description": "In 1949, German writer Thomas Mann and his daughter Erika embark on a road trip across a Germany in ruins, from US-dominated Frankfurt to Soviet-controlled Weimar.", "release_year": "2026", "runtime_minutes": 82, "poster_url": "https://image.tmdb.org/t/p/w500/oNejN1l69nBF8LdQwy5FkAQZT44.jpg", "trailer_url": "https://www.youtube.com/watch?v=4pGI64qP0Bw", "tmdb_id": 1437696, "tmdb_rating": 7.3, "tmdb_url": "https://www.themoviedb.org/movie/1437696", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-1437696-fatherland", "showings": [ { "name": "Fatherland", "description": "FATHERLAND centres on the relationship between the Nobel Prize-winning writer Thomas Mann (Hanns Zischler) and his daughter Erika (Sandra Hüller) – actress, writer and rally driver. In the summer of 1949, at the height of the Cold War, father and daughter embark on a challenging and emotional road trip in a black Buick taking them across a Germany in ruins – from US dominated Frankfurt to Soviet controlled Weimar. Returning home after sixteen years of exile in the US, Thomas Mann has to face not only a divided fatherland, but also a deep fracture within his own family.\n\nWith FATHERLAND, director Paweł Pawlikowski picks up where he left off with his award-winning IDA and COLD WAR, exploring – in his elliptic, distilled style – the themes of identity, family, love and guilt amid the turmoil and confusion of post-war Europe.\n\n“Another expansive, enriching work from a modern master” – Time Out\n\n“A rich and moving journey through post-World War II Germany” – TheWrap", "auditorium": "Big Roxie & Little Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/fatherland/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:open-caption-screenings", "name": "Open Caption Screenings", "description": "At least one open caption screening has been scheduled for the following films.\n\nTo see if there is an upcoming open caption screening, scroll down the showtimes section of the film you want to see with open captions and look for the Open Caption symbol under the date of a screening and next to the showtime. That symbol indicates the screening that will be presented with caption on screen. If no open caption symbol is present that will mean the open caption screening has already passed.\n\nFor questions, please email [email protected]", "source_url": "https://roxie.com/series/open-caption-screenings/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/open-caption-screenings/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-06", "start_at": "2026-11-06T18:20:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-07", "start_at": "2026-11-07T18:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-09", "start_at": "2026-11-09T18:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-10", "start_at": "2026-11-10T20:10:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Once Upon a Time in Harlem", "description": "A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance.", "release_year": "2026", "runtime_minutes": 100, "poster_url": "https://image.tmdb.org/t/p/w500/9eukk5gby8NZCwraiC7mloZmasP.jpg", "trailer_url": "https://www.youtube.com/watch?v=zIjmgj5rbOY", "tmdb_id": 1596300, "tmdb_rating": null, "tmdb_url": "https://www.themoviedb.org/movie/1596300", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-1596300-once-upon-a-time-in-harlem", "showings": [ { "name": "Once Upon a Time in Harlem", "description": "A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance. For four hours, this extraordinary group – many of whom had not seen each other in fifty years – reminisced, critiqued, argued, laughed and drank while wrestling with their place in a rapidly shifting cultural landscape.\n\nShot on 16mm film, newly restored and now directed by Greaves’ son David, this landmark film is at once a self-exploration and an inquiry into the heart of the critical mass of energy called the Harlem Renaissance. William Greaves’ intent was not only to document these artists and intellectuals as they spoke about their lives and work but also to plumb the meaning of the extraordinary creative period in which they lived to help us better understand how culture has been passed on from one generation to another and the role that the artist plays in keeping it alive.\n\n“The film is rich with inspiring sections, from its discussion of the importance of women to the Renaissance…to moments when you feel the valiant souls of those we’re watching.” – John Powers, NPR", "auditorium": "Little Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/once-upon-a-time-in-harlem/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:open-caption-screenings", "name": "Open Caption Screenings", "description": "At least one open caption screening has been scheduled for the following films.\n\nTo see if there is an upcoming open caption screening, scroll down the showtimes section of the film you want to see with open captions and look for the Open Caption symbol under the date of a screening and next to the showtime. That symbol indicates the screening that will be presented with caption on screen. If no open caption symbol is present that will mean the open caption screening has already passed.\n\nFor questions, please email [email protected]", "source_url": "https://roxie.com/series/open-caption-screenings/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/open-caption-screenings/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-06", "start_at": "2026-11-06T18:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-07", "start_at": "2026-11-07T15:05:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-08", "start_at": "2026-11-08T17:30:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-10", "start_at": "2026-11-10T18:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Pacific Heights", "description": "A couple works hard to renovate their dream house and become landlords to pay for it. Unfortunately one of their tenants has plans of his own.", "release_year": "1990", "runtime_minutes": 102, "poster_url": "https://image.tmdb.org/t/p/w500/9iHD6xIrGSuuMEFWhwSVGXSddY2.jpg", "trailer_url": "https://www.youtube.com/watch?v=qdg-XGFBS9E", "tmdb_id": 2990, "tmdb_rating": 6.3, "tmdb_url": "https://www.themoviedb.org/movie/2990", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-2990-pacific-heights", "showings": [ { "name": "Floating Features: Pacific Heights", "description": "Drake and Patty purchase a San Francisco Victorian hoping to fund their future through rental income. Their stability collapses when Carter Hayes occupies the studio, weaponizing tenant law to drain their finances and sanity.", "auditorium": "Red and White Fleet", "formats": [], "quirks": [ "Outdoors", "On A Boat" ], "source_url": "https://roxie.com/film/floating-features-pacific-heights/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:floating-features", "name": "Floating Features", "description": "The World’s Only Sailing Movie Theater is on the San Francisco Bay!\n\nSan Francisco Legacy Businesses Red and White Fleet and The Roxie are partnering to turn the hybrid electric vessel Enhydra into a sailing cinema for a monthly series of nighttime movie cruises on the Bay. Join us for a 2-hour twilight cruise and a feature film handpicked by The Roxie. Our electric vessel means no engine noise and a totally unique al fresco movie experience.\n\nRoxie Members get $10 off tickets – email [email protected] for the discount code!\n\nThere’s drinks, snacks, and beautiful views of the Bay – all aboard!", "source_url": "https://roxie.com/series/floating-features/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/floating-features/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-06", "start_at": "2026-11-06T19:00:00", "formats": [], "quirks": [ "On A Boat", "Outdoors" ], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Las almas ni los ojos", "description": "After fleeing violence at age 15, Pacho spends four decades away from Anserma. Now a photograph sparks a desire to return, and on his journey home —imagined as an interstellar voyage— he searches for what he left behind. The lingering traces of death intertwine with a landscape of rural expressionism, memory, and history", "release_year": "2026", "runtime_minutes": 75, "poster_url": "https://image.tmdb.org/t/p/w500/1qEi6ZaKPyVOEilZYdRdMK4MVJj.jpg", "trailer_url": null, "tmdb_id": 1665538, "tmdb_rating": null, "tmdb_url": "https://www.themoviedb.org/movie/1665538", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-1665538-las-almas-ni-los-ojos", "showings": [ { "name": "Las Almas ni los Ojos (Neither Souls nor Eyes)", "description": "Presented by CiNEOLA and co-presented by RoxCine.\n\nHaunted by an iconic photograph from Colombia’s violent past, a man displaced from his hometown embarks on an imagined return where memory, ghosts, and cinema itself become tools to confront collective trauma.\n\nNeither Souls nor Eyes reinterprets one of the most iconic images of Colombia’s violent history: a single photograph that inaugurated a vast repertory of disturbingly violent images, painfully tattooed and stitched to the subconscious of millions of Colombians. Through imagined dialogues, Pacho breathes new life to this image as he confronts the gaze of the ghosts of his past. In his imaginary return to his hometown, the photograph transforms into a living territory, where imagination itself becomes an act of resistance and healing against the collective trauma of a country whose history of violence has been imprinted, time and again, onto a single picture.\n\nPacho vive lejos de su pueblo de infancia, del que se vio obligado a huir hace medio siglo. Una mañana, encuentra una vieja fotografía que lo arrastra a un viaje imaginario de regreso a su tierra natal. A través de la memoria, el grano fílmico y universos llenos de estrellas, Pacho inicia un retorno interior, en el que deambula por las calles desiertas de su pueblo. Allí, rostros del pasado emergen de las sombras para confrontarlo con la violencia que marcó su vida.\n\n“Las almas ni los ojos” reimagina una de las primeras fotografías de la violencia moderna en Colombia, transformándola en un territorio vivo donde la imaginación se convierte en un acto de resistencia, sanación y confrontación con el trauma colectivo.", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/las-almas-ni-los-ojos-neither-souls-nor-eyes/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:colombia-on-film-bajo-el-velo-de-la-ficci-n-under-the-veil-of-fiction", "name": "Colombia On Film: bajo el velo de la ficción (under the veil of fiction)", "description": "Presented by CiNEOLA and co-presented by RoxCine.\n\nJoin us for the 4th edition of COLOMBIA ON FILM on Saturday, November 7 through Sunday, November 8 at the Roxie Theater.\n\nThis year’s edition explores themes of imaginative remembrance and spatial reenactment within Colombian non-fiction narratives. Each program reimagines reality through the cinematic sensibility of horror and dream-like musicals. The result is a generation of both established and emerging filmmakers pushing the boundaries of filmmaking, who, under the veil of fiction (bajo el velo de la ficción), seek to imagine and understand their country’s violent history, religious abuse, and immigrant experience.\n\nFilms by Camilo Restrepo, Canela Reyes, César Alejandro Jaimes, Carolina Gonzalez.\n\nCiNEOLA is a platform for Latin American documentary, bringing diverse representations of the region, its history and its cultures to audiences in the Bay Area and beyond through screenings, online distribution and original content.\n\nPresentado por CiNEOLA con el apoyo de RoxCine, la cuarta edición anual de COLOMBIA ON FILM regresa al Roxie Theater este 7 y 8 de noviembre.\n\nCiNEOLA es una plataforma para documentales latinoamericanos que acerca diversas representaciones de la región, su historia y sus culturas a audiencias en el Área de la Bahía y más allá a través de proyecciones, distribución en línea y contenido original.", "source_url": "https://roxie.com/series/colombia-on-film-bajo-el-velo-de-la-ficcion-under-the-veil-of-fiction/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/colombia-on-film-bajo-el-velo-de-la-ficci-n-under-the-veil-of-fiction/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-07", "start_at": "2026-11-07T13:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Everything for Sale", "description": "Wajda's homage to Zbigniew Cybulski, the \"Polish James Dean\" who starred in the director's ASHES AND DIAMONDS and died young. The movie follows the tribulations of a director attempting to make a movie with a Cybulski-like star who never shows up.", "release_year": "1969", "runtime_minutes": 105, "poster_url": "https://image.tmdb.org/t/p/w500/oPTIKRNJ2rexJS93AjIdBbr2lcA.jpg", "trailer_url": null, "tmdb_id": 94527, "tmdb_rating": 6.1, "tmdb_url": "https://www.themoviedb.org/movie/94527", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-94527-everything-for-sale", "showings": [ { "name": "Everything For Sale", "description": "The lead protagonist of a film disappears mid production, and his family and crew search for him before tragic news reaches them. Wajda’s first film where he received sole screenwriting credit, this deeply personal homage to his beloved actor Zbigniew Cybulski, the star of Ashes and Diamonds, is also a scathing portrait of the film industry.\n\nThe film-within-a-film mirrors the real life tragedy, with actors channeling their real life experiences into their performances. Weaving together autobiography and fiction, Wajda questions what it means to be an artist and how we mourn by creating legends as a way to interpret the past. A deeply personal homage that mirrors the tragic death of iconic actor Zbigniew Cybulski, the “Polish James Dean.”", "auditorium": "Little Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/everything-for-sale/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:wajda-at-100", "name": "Wajda at 100", "description": "Marking the 100th anniversary of his birth and the 10th anniversary of his death, Poland declared 2026 the year of Andrzej Wajda. One of the great European directors of the 20th century, whose work and political engagement played a decisive role in bringing Polish film to international audiences, Wajda’s films have long been unavailable and difficult to view in the United States.\n\nScreenings of Andrzej Wajda’s films in the USA in 2026 are part of the ‘Wajda 100 Tour – North America’ project, organized by DI Factory with the financial support of the Polish Film Institute.\n\nBorn in 1926 into a home that honored fine art (with a literary schoolteacher mother and his aide-de-camp father an amateur painter), Andrzej Wajda studied sculpture and oil painting before enlisting in the anti-fascist, and anti-communist, Home Army at the age of sixteen. Following the devastation of WWII, Wajda emerged from the rubble as a commanding force in film, launching a career that continually envisioned, and reenvisioned, a Polish national cinema and identity. An educator, aesthete, dissident, community builder, and cinematic experimenter, Wajda remains an influential and monumental figure in world cinema.\n\nFor Wajda at 100, we’re diving into the range and restless energy of a filmmaker who never stopped reinventing himself: the claustrophobic wartime nightmare of Kanal, the cool postwar disillusionment of Ashes and Diamonds, the sharp comedy of Hunting Flies and Roly Poly, the self-questioning Everything for Sale, the feverish ambition of The Promised Land, and the political charge of Man of Marble. Kanal, Ashes and Diamonds, and Man of Marble screen in new 4K restorations.", "source_url": "https://roxie.com/series/wajda-at-100/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/wajda-at-100/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-08", "start_at": "2026-11-08T15:10:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "How to Clean a House in Ten Easy Steps", "description": "A mother and daughter create a shared fantasy to explore their intertwined experiences of immigration, labor, and womanhood.", "release_year": "2026", "runtime_minutes": 80, "poster_url": "https://image.tmdb.org/t/p/w500/iqITesgyV7pib50rQRrIfm4GrDV.jpg", "trailer_url": null, "tmdb_id": 1631825, "tmdb_rating": null, "tmdb_url": "https://www.themoviedb.org/movie/1631825", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-1631825-how-to-clean-a-house-in-ten-easy-steps", "showings": [ { "name": "How to Clean a House in 10 Easy Steps", "description": "Presented by CiNEOLA and co-presented by RoxCine with community partner BAVC Media\n\nBeatriz Valencia, a domestic worker in the U.S. and Carolina, her daughter-filmmaker, collaborate to create the fictional character of a writer. Together, mother and daughter capture the slippage between truth and fantasy, in a hybrid documentary that tells a story about immigration, labor, dreams and the power of fiction to spark emancipation.\n\nBeatriz Valencia (una trabajadora doméstica en Estados Unidos) y su hija Carolina (cineasta) colaboran para crear el personaje ficticio de una escritora. Juntas, madre e hija capturan la delgada línea entre la realidad y la fantasía en un documental híbrido que narra una historia sobre inmigración, labor, sueños y el poder de la ficción como herramienta de liberación.\n\nWinner of the Kirby Walker Documentary Award – San Francisco International Film Festival", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/how-to-clean-a-house-in-10-easy-steps/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:colombia-on-film-bajo-el-velo-de-la-ficci-n-under-the-veil-of-fiction", "name": "Colombia On Film: bajo el velo de la ficción (under the veil of fiction)", "description": "Presented by CiNEOLA and co-presented by RoxCine.\n\nJoin us for the 4th edition of COLOMBIA ON FILM on Saturday, November 7 through Sunday, November 8 at the Roxie Theater.\n\nThis year’s edition explores themes of imaginative remembrance and spatial reenactment within Colombian non-fiction narratives. Each program reimagines reality through the cinematic sensibility of horror and dream-like musicals. The result is a generation of both established and emerging filmmakers pushing the boundaries of filmmaking, who, under the veil of fiction (bajo el velo de la ficción), seek to imagine and understand their country’s violent history, religious abuse, and immigrant experience.\n\nFilms by Camilo Restrepo, Canela Reyes, César Alejandro Jaimes, Carolina Gonzalez.\n\nCiNEOLA is a platform for Latin American documentary, bringing diverse representations of the region, its history and its cultures to audiences in the Bay Area and beyond through screenings, online distribution and original content.\n\nPresentado por CiNEOLA con el apoyo de RoxCine, la cuarta edición anual de COLOMBIA ON FILM regresa al Roxie Theater este 7 y 8 de noviembre.\n\nCiNEOLA es una plataforma para documentales latinoamericanos que acerca diversas representaciones de la región, su historia y sus culturas a audiencias en el Área de la Bahía y más allá a través de proyecciones, distribución en línea y contenido original.", "source_url": "https://roxie.com/series/colombia-on-film-bajo-el-velo-de-la-ficcion-under-the-veil-of-fiction/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/colombia-on-film-bajo-el-velo-de-la-ficci-n-under-the-veil-of-fiction/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-08", "start_at": "2026-11-08T15:10:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Los Conductos", "description": "Pinky is on the run. At night the empty streets smell of the apocalypse and the city seems to be on fire. Narcotics swirl through the veins and the air. Having freed himself from the clutches of a sect led by a certain “padre” and determined to take his fate into his own hands, he is now holed up in an illegal T-shirt factory, surrounded by paints, slogans and heat presses. Pinky is looking for the light at the end of the tunnel, but ghosts are breathing down his neck. He is running for his life, and Colombia is on fire. But Colombia is alive.", "release_year": "2020", "runtime_minutes": 70, "poster_url": "https://image.tmdb.org/t/p/w500/6SvyVHvcTsO0XXIynghi9JRr6KL.jpg", "trailer_url": null, "tmdb_id": 664572, "tmdb_rating": 6.1, "tmdb_url": "https://www.themoviedb.org/movie/664572", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-664572-los-conductos", "showings": [ { "name": "Los Conductos", "description": "Presented by CiNEOLA and co-presented by RoxCine.\n\nFreely inspired by a true story. Medellin, Colombia. Pinky is on the run. He has just freed himself from the grip of a religious sect. He finds a place to squat and a job in a t-shirt factory. Misled by his own faith, he questions everything. But as he tries to put back together the pieces of his broken life, violent memories return to haunt him and ask for Revenge.\n\nLibremente inspirada de una historia real. Medellín, Colombia. Pinky huye. Acaba de liberarse del yugo de una secta religiosa. Encuentra refugio improvisado y trabaja en un taller de camisetas. Engañado por su propia fe, todo lo cuestiona. Pero mientras intenta reconstruir su vida, recuerdos violentos le atormentan y claman por Desquite.\n\nWinner of the Best First Feature – 2020 Berlin Film Festival", "auditorium": "Little Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/los-conductos/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:colombia-on-film-bajo-el-velo-de-la-ficci-n-under-the-veil-of-fiction", "name": "Colombia On Film: bajo el velo de la ficción (under the veil of fiction)", "description": "Presented by CiNEOLA and co-presented by RoxCine.\n\nJoin us for the 4th edition of COLOMBIA ON FILM on Saturday, November 7 through Sunday, November 8 at the Roxie Theater.\n\nThis year’s edition explores themes of imaginative remembrance and spatial reenactment within Colombian non-fiction narratives. Each program reimagines reality through the cinematic sensibility of horror and dream-like musicals. The result is a generation of both established and emerging filmmakers pushing the boundaries of filmmaking, who, under the veil of fiction (bajo el velo de la ficción), seek to imagine and understand their country’s violent history, religious abuse, and immigrant experience.\n\nFilms by Camilo Restrepo, Canela Reyes, César Alejandro Jaimes, Carolina Gonzalez.\n\nCiNEOLA is a platform for Latin American documentary, bringing diverse representations of the region, its history and its cultures to audiences in the Bay Area and beyond through screenings, online distribution and original content.\n\nPresentado por CiNEOLA con el apoyo de RoxCine, la cuarta edición anual de COLOMBIA ON FILM regresa al Roxie Theater este 7 y 8 de noviembre.\n\nCiNEOLA es una plataforma para documentales latinoamericanos que acerca diversas representaciones de la región, su historia y sus culturas a audiencias en el Área de la Bahía y más allá a través de proyecciones, distribución en línea y contenido original.", "source_url": "https://roxie.com/series/colombia-on-film-bajo-el-velo-de-la-ficcion-under-the-veil-of-fiction/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/colombia-on-film-bajo-el-velo-de-la-ficci-n-under-the-veil-of-fiction/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-08", "start_at": "2026-11-08T13:20:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "SFTFF 2026 – COMEDY", "description": "The 2026 San Francisco Transgender Film Festival opens with COMEDY, a shorts block featuring four outstanding and hilarious films.\n\nCockroach (23min)Justice Singleton, USA, 2025\n\nA bold, genre-blending short film exploring themes of sex, survival, connection, and identity through an unflinching, darkly funny lens. The film stars John Cameron Mitchell (Hedwig & The Angry Inch, Shortbus) and is written, directed by, and starring Justice Singleton.\n\nRoad to Roswell – A Welcome To Roswell Short (11:02min)StormMiguel Florez, USA, 2025\n\nA trans documentarian heads to Roswell, New Mexico with a small film crew to come out to his family and get it all on camera. On the road to Roswell where an infamous UFO crash allegedly happened in 1947, the crew listens to a sci-fi podcast which piques the camera operator’s curiosity about the town’s history and ignites her obsession with UFOs and Aliens.\n\nWhile the director tries to keep the crew focused his coming out story, the stars may have something else in store for this production.\n\nRoad to Roswell is a short concept film based on StormMiguel Florez’s feature mockumentary, “Welcome To Roswell” which is currently in development.\n\nSam Wants Her Sweater Back (15min)Whitney Chitwood, USA, 2026\n\nAndi and Max’s best friend Sam was dumped months ago. But Sam’s ex, Poppy, still hasn’t returned her sweater. THE Sweater, cream colored, thick knit with the perfect hint of fraying. Andi, recently dumped herself (but why even bring that up?), won’t stand for it! So, in Andi’s mind the world becomes a gritty, neon laced action-thriller as they infiltrate Poppy’s house party in search of The Sweater. As the night unfolds and multiple plans unravel it becomes clear Andi’s vehemence has little to do with her friend’s knitwear and all to do with hiding from her own heartbreak.\n\nA delightful romp from denial to acceptance after being broken up with, Sam Wants Her Sweater Back is ultimately about recovery from heartbreak through the love of friends.\n\nFlash Sale (13:15min)Autumn Boxley, USA, 2025\n\nTwo trans guys take an unconventional route to raise money for top surgery.\n\nApproximate running time: 63 minutes", "release_year": "2026", "runtime_minutes": null, "poster_url": "https://roxie.com/wp-content/uploads/2026/10/4-6-e1792608113129.jpg", "trailer_url": null, "tmdb_id": null, "tmdb_rating": null, "tmdb_url": null, "url": "https://www.stuffsac.com/san-francisco/roxie/series/#san-francisco/roxie-34033", "showings": [ { "name": "SFTFF 2026 – COMEDY", "description": "The 2026 San Francisco Transgender Film Festival opens with COMEDY, a shorts block featuring four outstanding and hilarious films.\n\nCockroach (23min)Justice Singleton, USA, 2025\n\nA bold, genre-blending short film exploring themes of sex, survival, connection, and identity through an unflinching, darkly funny lens. The film stars John Cameron Mitchell (Hedwig & The Angry Inch, Shortbus) and is written, directed by, and starring Justice Singleton.\n\nRoad to Roswell – A Welcome To Roswell Short (11:02min)StormMiguel Florez, USA, 2025\n\nA trans documentarian heads to Roswell, New Mexico with a small film crew to come out to his family and get it all on camera. On the road to Roswell where an infamous UFO crash allegedly happened in 1947, the crew listens to a sci-fi podcast which piques the camera operator’s curiosity about the town’s history and ignites her obsession with UFOs and Aliens.\n\nWhile the director tries to keep the crew focused his coming out story, the stars may have something else in store for this production.\n\nRoad to Roswell is a short concept film based on StormMiguel Florez’s feature mockumentary, “Welcome To Roswell” which is currently in development.\n\nSam Wants Her Sweater Back (15min)Whitney Chitwood, USA, 2026\n\nAndi and Max’s best friend Sam was dumped months ago. But Sam’s ex, Poppy, still hasn’t returned her sweater. THE Sweater, cream colored, thick knit with the perfect hint of fraying. Andi, recently dumped herself (but why even bring that up?), won’t stand for it! So, in Andi’s mind the world becomes a gritty, neon laced action-thriller as they infiltrate Poppy’s house party in search of The Sweater. As the night unfolds and multiple plans unravel it becomes clear Andi’s vehemence has little to do with her friend’s knitwear and all to do with hiding from her own heartbreak.\n\nA delightful romp from denial to acceptance after being broken up with, Sam Wants Her Sweater Back is ultimately about recovery from heartbreak through the love of friends.\n\nFlash Sale (13:15min)Autumn Boxley, USA, 2025\n\nTwo trans guys take an unconventional route to raise money for top surgery.\n\nApproximate running time: 63 minutes", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/sftff-2026-comedy/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:2026-san-francisco-transgender-film-festival", "name": "2026 San Francisco Transgender Film Festival", "description": "The San Francisco Transgender Film Festival (SFTFF) screens films that promote the visibility of transgender and gender variant people and challenge the mainstream media’s negative stereotypes of our communities. We provide opportunities for transgender and gender variant media artists, build community through our film and performance events, and engage our audiences in cross-community dialogue.\n\nACCESS:\n\nCOVID SAFETY PROTOCOLS FOR THIS EVENT:", "source_url": "https://roxie.com/series/2026-san-francisco-transgender-film-festival/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/2026-san-francisco-transgender-film-festival/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-12", "start_at": "2026-11-12T19:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "SFTFF 2026 – DOCUMENTARY", "description": "The 2026 San Francisco Transgender Film Festival continues with DOCUMENTARY, a shorts block featuring four poignant and explorative films.\n\n3 Hearts of Iron (13:25min)Ariel del Sol, Costa Rica, 2026\n\nSchuyler Bailar, Chella Man, and Cal Calamia come together through friendship and solidarity to take on an Ironman, claiming, (and fully enjoying) their place in a world of sport where trans bodies are increasingly questioned, politicized, and pushed out.\n\nAt a time when public visibility can make trans people both targets and symbols, simply showing up becomes a statement. But 3 Hearts of Iron is not a story about proving their humanity through suffering. Surrounded by a fierce and loving community, Schuyler, Chella, and Cal move through the race with joy, interdependence, determination, and extraordinary athleticism.\n\nTogether, they offer a different image of trans life in sport: not one defined by debate or exclusion, but by friendship, excellence, and belonging. In doing so, they show that trans people do more than belong in sports: they have the power to transform and expand what sports can be.\n\nHustleween (20min)Samara Perez Santiago, Puerto Rico, 2026\n\nOn November 2, 2024, a trans and queer squad celebrates the 5th anniversary of “Hustleween“. A magical, unapologetic, Black, Trans, Queer event that raises funds for Trans Masc people. Honoring Trans euphoria as our right,\n\n¡puñeta!\n\nReef (Arrecife) (14min)Samara Perez Santiago, Spain, 2025\n\nÁngel es una persona trangénero en transición a punto de operarse de mastectomía. Vive en casa de su abuela de 89 años donde se respira amor, comprensión y apoyo. Se ayudan mutuamente todos los días, tanto Ángeles con la recuperación tras la operación como Ángel en los quehaceres diarios de la casa y las curas a su abuela.\n\nÁngel cuenta en primera persona sobre su proceso, cómo su abuela es un pilar fundamental, sobre cómo el mar es un lugar terapéutico para él y le reconecta con su infancia, la estereotipación del colectivo trans, la disforia, el tiempo y, lo más importante, la reconciliación con el cuerpo, con su casa.\n\nÁngel is a transgender person in transition about to undergo top surgery. He lives in his 89-year-old grandmother’s house where he breathes love, understanding and support. They help each other every day, both Ángeles with the recovery after the top surgery and Ángel with the daily housework and the cures to his grandmother.\n\nÁngel tells in first person about his process, how his grandmother is a fundamental pillar, how the sea is a therapeutic place for him and reconnects him with his childhood, the stereotyping of the trans community, dysphoria, time and, most importantly, reconciliation with the body, with its home.\n\nOne Of The Girls (11min)Alexandra Chandra, United States, 2026\n\nOne of the Girls is a short documentary following Mary, a Japanese American immigrant, single mother, and electrologist whose gender-affirming care has made her a trusted figure in the lives of transgender women. Moving between her home and office, the film captures the intimate rhythms of her daily practice through client sessions, conversations, and moments of quiet routine. Weaving together present-day observation with archival materials from transgender history and the AIDS epidemic, the film reveals how Mary’s work extends beyond allyship into a lifelong practice of care, trust, and accomplice-ship.\n\nApproximate running time: 59 minutes", "release_year": "2026", "runtime_minutes": null, "poster_url": "https://roxie.com/wp-content/uploads/2026/10/4-7.jpg", "trailer_url": null, "tmdb_id": null, "tmdb_rating": null, "tmdb_url": null, "url": "https://www.stuffsac.com/san-francisco/roxie/series/#san-francisco/roxie-34034", "showings": [ { "name": "SFTFF 2026 – DOCUMENTARY", "description": "The 2026 San Francisco Transgender Film Festival continues with DOCUMENTARY, a shorts block featuring four poignant and explorative films.\n\n3 Hearts of Iron (13:25min)Ariel del Sol, Costa Rica, 2026\n\nSchuyler Bailar, Chella Man, and Cal Calamia come together through friendship and solidarity to take on an Ironman, claiming, (and fully enjoying) their place in a world of sport where trans bodies are increasingly questioned, politicized, and pushed out.\n\nAt a time when public visibility can make trans people both targets and symbols, simply showing up becomes a statement. But 3 Hearts of Iron is not a story about proving their humanity through suffering. Surrounded by a fierce and loving community, Schuyler, Chella, and Cal move through the race with joy, interdependence, determination, and extraordinary athleticism.\n\nTogether, they offer a different image of trans life in sport: not one defined by debate or exclusion, but by friendship, excellence, and belonging. In doing so, they show that trans people do more than belong in sports: they have the power to transform and expand what sports can be.\n\nHustleween (20min)Samara Perez Santiago, Puerto Rico, 2026\n\nOn November 2, 2024, a trans and queer squad celebrates the 5th anniversary of “Hustleween“. A magical, unapologetic, Black, Trans, Queer event that raises funds for Trans Masc people. Honoring Trans euphoria as our right,\n\n¡puñeta!\n\nReef (Arrecife) (14min)Samara Perez Santiago, Spain, 2025\n\nÁngel es una persona trangénero en transición a punto de operarse de mastectomía. Vive en casa de su abuela de 89 años donde se respira amor, comprensión y apoyo. Se ayudan mutuamente todos los días, tanto Ángeles con la recuperación tras la operación como Ángel en los quehaceres diarios de la casa y las curas a su abuela.\n\nÁngel cuenta en primera persona sobre su proceso, cómo su abuela es un pilar fundamental, sobre cómo el mar es un lugar terapéutico para él y le reconecta con su infancia, la estereotipación del colectivo trans, la disforia, el tiempo y, lo más importante, la reconciliación con el cuerpo, con su casa.\n\nÁngel is a transgender person in transition about to undergo top surgery. He lives in his 89-year-old grandmother’s house where he breathes love, understanding and support. They help each other every day, both Ángeles with the recovery after the top surgery and Ángel with the daily housework and the cures to his grandmother.\n\nÁngel tells in first person about his process, how his grandmother is a fundamental pillar, how the sea is a therapeutic place for him and reconnects him with his childhood, the stereotyping of the trans community, dysphoria, time and, most importantly, reconciliation with the body, with its home.\n\nOne Of The Girls (11min)Alexandra Chandra, United States, 2026\n\nOne of the Girls is a short documentary following Mary, a Japanese American immigrant, single mother, and electrologist whose gender-affirming care has made her a trusted figure in the lives of transgender women. Moving between her home and office, the film captures the intimate rhythms of her daily practice through client sessions, conversations, and moments of quiet routine. Weaving together present-day observation with archival materials from transgender history and the AIDS epidemic, the film reveals how Mary’s work extends beyond allyship into a lifelong practice of care, trust, and accomplice-ship.\n\nApproximate running time: 59 minutes", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/sftff-2026-documentary/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:2026-san-francisco-transgender-film-festival", "name": "2026 San Francisco Transgender Film Festival", "description": "The San Francisco Transgender Film Festival (SFTFF) screens films that promote the visibility of transgender and gender variant people and challenge the mainstream media’s negative stereotypes of our communities. We provide opportunities for transgender and gender variant media artists, build community through our film and performance events, and engage our audiences in cross-community dialogue.\n\nACCESS:\n\nCOVID SAFETY PROTOCOLS FOR THIS EVENT:", "source_url": "https://roxie.com/series/2026-san-francisco-transgender-film-festival/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/2026-san-francisco-transgender-film-festival/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-12", "start_at": "2026-11-12T21:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Friday the 13th", "description": "Camp counselors are stalked and murdered by an unknown assailant while trying to reopen a summer camp that was the site of a child's drowning.", "release_year": "1980", "runtime_minutes": 95, "poster_url": "https://image.tmdb.org/t/p/w500/uGGpnWHOmWTARVN9wbC1nPxNgps.jpg", "trailer_url": "https://www.youtube.com/watch?v=sAzkW7HFh5U", "tmdb_id": 4488, "tmdb_rating": 6.4, "tmdb_url": "https://www.themoviedb.org/movie/4488", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-4488-friday-the-13th", "showings": [ { "name": "Floating Features: Friday the 13th", "description": "A group of camp counselors are stalked and murdered by an unknown assailant while trying to reopen a summer camp which, years before, was the site of a child’s drowning.", "auditorium": "Red and White Fleet", "formats": [], "quirks": [ "Outdoors", "On A Boat" ], "source_url": "https://roxie.com/film/floating-features-friday-the-13th/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:floating-features", "name": "Floating Features", "description": "The World’s Only Sailing Movie Theater is on the San Francisco Bay!\n\nSan Francisco Legacy Businesses Red and White Fleet and The Roxie are partnering to turn the hybrid electric vessel Enhydra into a sailing cinema for a monthly series of nighttime movie cruises on the Bay. Join us for a 2-hour twilight cruise and a feature film handpicked by The Roxie. Our electric vessel means no engine noise and a totally unique al fresco movie experience.\n\nRoxie Members get $10 off tickets – email [email protected] for the discount code!\n\nThere’s drinks, snacks, and beautiful views of the Bay – all aboard!", "source_url": "https://roxie.com/series/floating-features/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/floating-features/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-13", "start_at": "2026-11-13T19:00:00", "formats": [], "quirks": [ "On A Boat", "Outdoors" ], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "LA BOLA NEGRA", "description": "The intertwined lives of three men in three different eras, three lives intimately linked by sexuality and desire, pain, and legacy.", "release_year": "2026", "runtime_minutes": 159, "poster_url": "https://image.tmdb.org/t/p/w500/jT5SR5qc9KvVg7HUEmjMWEUYMce.jpg", "trailer_url": "https://www.youtube.com/watch?v=lBVxKt0gKDY", "tmdb_id": 1422041, "tmdb_rating": 8.0, "tmdb_url": "https://www.themoviedb.org/movie/1422041", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-1422041-la-bola-negra", "showings": [ { "name": "La Bola Negra", "description": "From Cannes-winning directors Javier Calvo and Javier Ambrossi—popularly known as Los Javis—La Bola Negra follows three generations of men across pivotal moments in Spanish history, bound by pain, desire, and love. Carlos (Milo Quifes) longs to belong in a fractured Spain. Sebastián (Guitarricadelafuente) finds connection across enemy lines. And Alberto (Carlos González) uncovers a long-buried family secret—one that finally gives voice to truths the past tried to erase.\n\nSpain’s official submission for Best International Feature Film at the 99th Academy Awards (2027)", "auditorium": "Little Roxie & Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/la-bola-negra/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:roxcine", "name": "RoxCine", "description": "RoxCine is the Roxie’s year-round program of Spanish-language and US Latinx film. It features new releases, repertory programming, and special series and retrospectives, with an exciting mix of films – from winners at major film festivals with US distribution, to special features not seen on any other screen.\n\nRoxCine es el programa de cine en español y US Latino del Roxie. La programación de RoxCine contará a lo largo del año con nuevos estrenos, clásicos de repertorio y culto, así como ciclos especiales y retrospectivas, con una mezcla de películas – desde ganadoras en los principales festivales de cine y con distribución en Estados Unidos, a películas que no se ven en ninguna otra sala o medio.", "source_url": "https://roxie.com/series/roxcine/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/roxcine/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-13", "start_at": "2026-11-13T20:20:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-14", "start_at": "2026-11-14T15:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" }, { "start_on": "2026-11-15", "start_at": "2026-11-15T19:30:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "SFTFF 2026 – GRAB BAG", "description": "The 2026 San Francisco Transgender Film Festival continues with GRAB BAG, a shorts block of films featuring nine films with a variety of genre and tone.\n\nCowboy (4:18min)Ryan Thompson, United States, 2026\n\n“COWBOY” is a music video by Jack Boaz and Ryan Thompson, featuring Boaz’s original song of the same name.\n\nJack, a transmasc cowboy-curious protagonist, is introduced to Western cowboy culture through Susi, an elder butch cowboy. Susi take him to the Gay Rodeo. Line dancing ensues.\n\n“COWBOY” was executive produced and creative directed by Jack Boaz, in collaboration with on-location filming at the New Mexico Gay Rodeo (Santa Fe, NM), and with The Outlaws, a group of queer line dancers from Albuquerque, NM, who created an original line dance choreography for the video by 7 of their trans/nonbinary choreographers. The video was a DIY and community effort, self-funded with 25 dance volunteers, and no indie or major label support.\n\nSwoletarian (2:10min)Kim Bince Villagante, Canada, 2026\n\nSwoletarian is a gay anthem for queer and trans people to blast while working out. Salute the pride flag and get swole to this queer, Marxist weight lifting song.\n\nSunKissed Sapphics (8:16min)Kim Bince Villagante, United States, 2026\n\nThree transgender women, represented as different endangered species, happen to meet in a shoreside resort in New Jersey. The trio embark on a psychedelic and passionate journey across the boardwalk.\n\nthe door is open (3:00min)Sarah Hill, United States, 2026\n\nIn this political moment, when creating feels futile, I choose instead to craft a spell.Four tracks make up my film: two you can see and hear, and two that remain invisible and inaudible, yet are fully present.The Door Is Open is a spell by and for trans and non-binary people. It is an offering—crafted with intention, grief, joy, and magic. This short film is not meant for consumption or voyeuristic curiosity.The Door Is Open is an act of care: a portal, a whisper, a protection spell woven in light and shadow.If you are trans and or non-binary, this film is for you.You are invited.You are necessary.You are seen.The spell waits patiently for you.\n\nMemories of Redwoods (8:14min)Eliza Zhang, United States, 2026\n\nWhen Anna struggles to navigate life as a young trans woman, she meets Chloe and finds in her the community and support she has been missing. After many memorable hikes together, Anna is devastated to learn that Chloe is moving away. As they go on one last hike among the redwoods, Anna can’t bear to say goodbye. Set against a backdrop of rising anti-trans legislation across the country, Memories of Redwoods is a quiet, emotionally intimate story about trans friendship, chosen family, and hope for the future.\n\nPeter (12:00min)David Anderson, United States, 2026\n\nPeter, an intoxicated trans man, leaves the bar late at night. On his way to meet a love interest, he gets followed by a mysterious man. Peter questions whether this man is just a pedestrian or if he has sinister intentions, specifically a hate crime.\n\nToday & Tmrw (11:00min)Mariales Diaz, United States, 2026\n\nTwo best friends, Mariah and Kimberly, navigate their after-school routine in New York City. What starts as an ordinary day takes an unexpected turn as unspoken feelings between them come to light.\n\nBeso Celestial (4:54min)Héctor Jaime, United States, 2026\n\nXochipilli Dance Company presents a choreographic composition starring an otherworldly charmer and a scarlet harlot. This short film originally premiered at Dance Thrillfest (IV) in 2024.\n\nNot Exactly Strangers (15:00min)Ryan Rox, United States, 2025\n\nReed, a trans woman healing post-op, invites Jonah, a tattoo-scribbling, emotionally clumsy skater, into her bedroom after matching on Tinder. Their flirtation is messy and charged, complicated by a shared past from before Reed’s transition. As physical intimacy collides with emotional vulnerability, miscommunications pile up. Jonah surprises her with sweetness, ignorance, and impulsive gestures; including a thigh tattoo of her name. A raw, awkward, tender look at sex, identity, and what it means to be truly seen.\n\nApproximate running time: 69 minutes", "release_year": "2026", "runtime_minutes": null, "poster_url": "https://roxie.com/wp-content/uploads/2026/10/3-13.jpg", "trailer_url": null, "tmdb_id": null, "tmdb_rating": null, "tmdb_url": null, "url": "https://www.stuffsac.com/san-francisco/roxie/series/#san-francisco/roxie-34036", "showings": [ { "name": "SFTFF 2026 – GRAB BAG", "description": "The 2026 San Francisco Transgender Film Festival continues with GRAB BAG, a shorts block of films featuring nine films with a variety of genre and tone.\n\nCowboy (4:18min)Ryan Thompson, United States, 2026\n\n“COWBOY” is a music video by Jack Boaz and Ryan Thompson, featuring Boaz’s original song of the same name.\n\nJack, a transmasc cowboy-curious protagonist, is introduced to Western cowboy culture through Susi, an elder butch cowboy. Susi take him to the Gay Rodeo. Line dancing ensues.\n\n“COWBOY” was executive produced and creative directed by Jack Boaz, in collaboration with on-location filming at the New Mexico Gay Rodeo (Santa Fe, NM), and with The Outlaws, a group of queer line dancers from Albuquerque, NM, who created an original line dance choreography for the video by 7 of their trans/nonbinary choreographers. The video was a DIY and community effort, self-funded with 25 dance volunteers, and no indie or major label support.\n\nSwoletarian (2:10min)Kim Bince Villagante, Canada, 2026\n\nSwoletarian is a gay anthem for queer and trans people to blast while working out. Salute the pride flag and get swole to this queer, Marxist weight lifting song.\n\nSunKissed Sapphics (8:16min)Kim Bince Villagante, United States, 2026\n\nThree transgender women, represented as different endangered species, happen to meet in a shoreside resort in New Jersey. The trio embark on a psychedelic and passionate journey across the boardwalk.\n\nthe door is open (3:00min)Sarah Hill, United States, 2026\n\nIn this political moment, when creating feels futile, I choose instead to craft a spell.Four tracks make up my film: two you can see and hear, and two that remain invisible and inaudible, yet are fully present.The Door Is Open is a spell by and for trans and non-binary people. It is an offering—crafted with intention, grief, joy, and magic. This short film is not meant for consumption or voyeuristic curiosity.The Door Is Open is an act of care: a portal, a whisper, a protection spell woven in light and shadow.If you are trans and or non-binary, this film is for you.You are invited.You are necessary.You are seen.The spell waits patiently for you.\n\nMemories of Redwoods (8:14min)Eliza Zhang, United States, 2026\n\nWhen Anna struggles to navigate life as a young trans woman, she meets Chloe and finds in her the community and support she has been missing. After many memorable hikes together, Anna is devastated to learn that Chloe is moving away. As they go on one last hike among the redwoods, Anna can’t bear to say goodbye. Set against a backdrop of rising anti-trans legislation across the country, Memories of Redwoods is a quiet, emotionally intimate story about trans friendship, chosen family, and hope for the future.\n\nPeter (12:00min)David Anderson, United States, 2026\n\nPeter, an intoxicated trans man, leaves the bar late at night. On his way to meet a love interest, he gets followed by a mysterious man. Peter questions whether this man is just a pedestrian or if he has sinister intentions, specifically a hate crime.\n\nToday & Tmrw (11:00min)Mariales Diaz, United States, 2026\n\nTwo best friends, Mariah and Kimberly, navigate their after-school routine in New York City. What starts as an ordinary day takes an unexpected turn as unspoken feelings between them come to light.\n\nBeso Celestial (4:54min)Héctor Jaime, United States, 2026\n\nXochipilli Dance Company presents a choreographic composition starring an otherworldly charmer and a scarlet harlot. This short film originally premiered at Dance Thrillfest (IV) in 2024.\n\nNot Exactly Strangers (15:00min)Ryan Rox, United States, 2025\n\nReed, a trans woman healing post-op, invites Jonah, a tattoo-scribbling, emotionally clumsy skater, into her bedroom after matching on Tinder. Their flirtation is messy and charged, complicated by a shared past from before Reed’s transition. As physical intimacy collides with emotional vulnerability, miscommunications pile up. Jonah surprises her with sweetness, ignorance, and impulsive gestures; including a thigh tattoo of her name. A raw, awkward, tender look at sex, identity, and what it means to be truly seen.\n\nApproximate running time: 69 minutes", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/sftff-2026-grab-bag/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:2026-san-francisco-transgender-film-festival", "name": "2026 San Francisco Transgender Film Festival", "description": "The San Francisco Transgender Film Festival (SFTFF) screens films that promote the visibility of transgender and gender variant people and challenge the mainstream media’s negative stereotypes of our communities. We provide opportunities for transgender and gender variant media artists, build community through our film and performance events, and engage our audiences in cross-community dialogue.\n\nACCESS:\n\nCOVID SAFETY PROTOCOLS FOR THIS EVENT:", "source_url": "https://roxie.com/series/2026-san-francisco-transgender-film-festival/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/2026-san-francisco-transgender-film-festival/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-13", "start_at": "2026-11-13T21:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "SFTFF 2026 – HORROR", "description": "The 2026 San Francisco Transgender Film Festival continues with HORROR, a shorts block featuring five terrifying and shocking films.\n\nMascott (13:31min)Marilyne Lamontagne, Canada, 2025\n\nScott, a transgender actor seeking to break out, unexpectedly accepts the lead role as Barry the Bear on a children’s television show. Initially an opportunity for growth, the role soon becomes a suffocating burden as the pressures of fame and hyper-masculine expectations weigh heavily on Scott. As their life becomes consumed by the persona of Barry, Scott reaches a breaking point, culminating in a cathartic release as they tear off the costume—only to find remnants of the bear still clinging, symbolizing the complexities of identity, societal expectations, and authenticity.\n\nVamped (12:41min)Eli Valencia, United States, 2026\n\nAfter attending a vampire-themed party with her best friend, Joaquin, Mina is bitten by a mysterious stranger (Keiran). She begins undergoing unsettling changes. As her senses sharpen and her confidence grows, she starts to realize that the life she feared losing may have been holding her back all along.\n\nDread (10min)Gabe Gabriel & Loren Loubser, South Africa, 2026\n\nSoft-spoken transmasc driver Toni is used to navigating an array of colourful passengers through the economically divided streets of Cape Town in their late father’s vintage Daimler. But when Claudia, a digital nomad with blonde dreadlocks, unloads a traumatic story on a short ride across town, something unseen takes root in the backseat and refuses to leave.\n\nToni quickly becomes convinced that the car is possessed by Claudia’s invisible trauma demon. Their grounded, supportive girlfriend Amanda suggests a calming night drive for ice cream and for a moment, the Daimler seems like its old self again…\n\nUntil they pass Claudia’s drop-off point. Without warning, the car wrenches itself off course and barrels down a dark, tree-lined road. Panic grips the couple who brace for impact as the vehicle collides with something human-sized and screeches to a deadly halt. Turns out karmic justice has a driver of its own.\n\nThe Dysphoria (13min)Kylie Aoibheann, Australia, 2026\n\nThe Dysphoria is an award-winning Australian supernatural horror short film by trans writer-director Kylie Aoibheann. Within the mould of a classic demonic, the film explores the very-real sacrifices that trans people must make in order to be who they are.\n\nAlive (5:30min)Beverly Bradley, United States, 2026\n\nBaby, baby. Now wait and stay. I’m gonna make you scream and pay. Why you look so scared? I thought you wanted a ride? Is it not the right kind of ride? Not the right kind of vibe?\n\nApproximate running time: 55 minutes", "release_year": "2026", "runtime_minutes": null, "poster_url": "https://roxie.com/wp-content/uploads/2026/10/1-16.jpg", "trailer_url": null, "tmdb_id": null, "tmdb_rating": null, "tmdb_url": null, "url": "https://www.stuffsac.com/san-francisco/roxie/series/#san-francisco/roxie-34035", "showings": [ { "name": "SFTFF 2026 – HORROR", "description": "The 2026 San Francisco Transgender Film Festival continues with HORROR, a shorts block featuring five terrifying and shocking films.\n\nMascott (13:31min)Marilyne Lamontagne, Canada, 2025\n\nScott, a transgender actor seeking to break out, unexpectedly accepts the lead role as Barry the Bear on a children’s television show. Initially an opportunity for growth, the role soon becomes a suffocating burden as the pressures of fame and hyper-masculine expectations weigh heavily on Scott. As their life becomes consumed by the persona of Barry, Scott reaches a breaking point, culminating in a cathartic release as they tear off the costume—only to find remnants of the bear still clinging, symbolizing the complexities of identity, societal expectations, and authenticity.\n\nVamped (12:41min)Eli Valencia, United States, 2026\n\nAfter attending a vampire-themed party with her best friend, Joaquin, Mina is bitten by a mysterious stranger (Keiran). She begins undergoing unsettling changes. As her senses sharpen and her confidence grows, she starts to realize that the life she feared losing may have been holding her back all along.\n\nDread (10min)Gabe Gabriel & Loren Loubser, South Africa, 2026\n\nSoft-spoken transmasc driver Toni is used to navigating an array of colourful passengers through the economically divided streets of Cape Town in their late father’s vintage Daimler. But when Claudia, a digital nomad with blonde dreadlocks, unloads a traumatic story on a short ride across town, something unseen takes root in the backseat and refuses to leave.\n\nToni quickly becomes convinced that the car is possessed by Claudia’s invisible trauma demon. Their grounded, supportive girlfriend Amanda suggests a calming night drive for ice cream and for a moment, the Daimler seems like its old self again…\n\nUntil they pass Claudia’s drop-off point. Without warning, the car wrenches itself off course and barrels down a dark, tree-lined road. Panic grips the couple who brace for impact as the vehicle collides with something human-sized and screeches to a deadly halt. Turns out karmic justice has a driver of its own.\n\nThe Dysphoria (13min)Kylie Aoibheann, Australia, 2026\n\nThe Dysphoria is an award-winning Australian supernatural horror short film by trans writer-director Kylie Aoibheann. Within the mould of a classic demonic, the film explores the very-real sacrifices that trans people must make in order to be who they are.\n\nAlive (5:30min)Beverly Bradley, United States, 2026\n\nBaby, baby. Now wait and stay. I’m gonna make you scream and pay. Why you look so scared? I thought you wanted a ride? Is it not the right kind of ride? Not the right kind of vibe?\n\nApproximate running time: 55 minutes", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/sftff-2026-horror/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:2026-san-francisco-transgender-film-festival", "name": "2026 San Francisco Transgender Film Festival", "description": "The San Francisco Transgender Film Festival (SFTFF) screens films that promote the visibility of transgender and gender variant people and challenge the mainstream media’s negative stereotypes of our communities. We provide opportunities for transgender and gender variant media artists, build community through our film and performance events, and engage our audiences in cross-community dialogue.\n\nACCESS:\n\nCOVID SAFETY PROTOCOLS FOR THIS EVENT:", "source_url": "https://roxie.com/series/2026-san-francisco-transgender-film-festival/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/2026-san-francisco-transgender-film-festival/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-13", "start_at": "2026-11-13T19:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "SFTFF 2026 – ADULT (18+)", "description": "The 2026 San Francisco Transgender Film Festival continues with ADULT(18+), a shorts block featuring five intimate and definitively adult films.\n\nMommy (8:40min)Evie Snax, Manon Praline, United States & Germany, 2024\n\nSix years after her bottom surgery, Manon Praline shares a moving testimony of the challenges and joys she encountered on that journey. Her story is complemented with beautiful imagery shot by artist Eva Wu in the dramatic landscape of the North American Southwest, and scored by Pride Month Barbie’s musical sensation Josephine Shetty. This experimental documentary short is a sequel to the trio’s debut film Baby (2018) which has been shown at almost 40 film festivals throughout Europe and North America and received many praises.\n\nLike honey on the tongue of a sweet tooth, Mommy pours pure honesty and vulnerability into the viewer’s eyes, ears, and hearts.\n\nPossessions of the Spooky Kind (13:00min)Iris Glitzer, Officer Flower, Germany, 2025\n\nDuring a walk in the woods, two shy flatmates discover an abandoned clinic and get lost in it. A ghost encounter makes their inhibitions disappear. Sometimes all it takes is some paranormal activity to get closer to your crush.\n\nCrashPad Series: J London and Johnny Castro (11:54min)Ava LaPrima, United States, 2025\n\n“Johnny Castro falls for London’s tower!“\n\nSlick studs Johnny Castro and J London get kinky in the CrashPad. Blindfolded, J can only focus on the pleasure of getting his ass eaten, cock sucked, and holes fucked. Johnny slurps up lots of J’s juices, but the thirst YOU’LL feel may be unquenchable!\n\nMating Season (8:40min)Juan Saez, Chile & Germany, 2025\n\nWhen an ancient tide awakens a primal urge inside them, nothing would stop Cayenne Santanaon their journey to ensure their offspring.\n\nAgave Dreams (8:05min)Oran Julius, United States, 2023\n\nIn this T4T porn, we get to voyeur two beautiful Black porn stars as they come together to make a dreamy queer sex scene. Zuri Love (they/she) indulges in a relaxing bubble bath, exploring their wet curves and fantasizing about sweet (and sticky) morning sex with their lover, LT Hawk (they/them). Zuri’s sexual fantasy centers Black femme pleasure, throwing gender expectations out the window, and reminds us how hot safe sex can be. Get inside Zuri’s head in their [wet] dream that starts with a bubble bath and ends with something sticky…\n\nApproximate running time: 51 minutes", "release_year": "2025", "runtime_minutes": null, "poster_url": "https://roxie.com/wp-content/uploads/2026/10/1-19.jpg", "trailer_url": null, "tmdb_id": null, "tmdb_rating": null, "tmdb_url": null, "url": "https://www.stuffsac.com/san-francisco/roxie/series/#san-francisco/roxie-34038", "showings": [ { "name": "SFTFF 2026 – ADULT (18+)", "description": "The 2026 San Francisco Transgender Film Festival continues with ADULT(18+), a shorts block featuring five intimate and definitively adult films.\n\nMommy (8:40min)Evie Snax, Manon Praline, United States & Germany, 2024\n\nSix years after her bottom surgery, Manon Praline shares a moving testimony of the challenges and joys she encountered on that journey. Her story is complemented with beautiful imagery shot by artist Eva Wu in the dramatic landscape of the North American Southwest, and scored by Pride Month Barbie’s musical sensation Josephine Shetty. This experimental documentary short is a sequel to the trio’s debut film Baby (2018) which has been shown at almost 40 film festivals throughout Europe and North America and received many praises.\n\nLike honey on the tongue of a sweet tooth, Mommy pours pure honesty and vulnerability into the viewer’s eyes, ears, and hearts.\n\nPossessions of the Spooky Kind (13:00min)Iris Glitzer, Officer Flower, Germany, 2025\n\nDuring a walk in the woods, two shy flatmates discover an abandoned clinic and get lost in it. A ghost encounter makes their inhibitions disappear. Sometimes all it takes is some paranormal activity to get closer to your crush.\n\nCrashPad Series: J London and Johnny Castro (11:54min)Ava LaPrima, United States, 2025\n\n“Johnny Castro falls for London’s tower!“\n\nSlick studs Johnny Castro and J London get kinky in the CrashPad. Blindfolded, J can only focus on the pleasure of getting his ass eaten, cock sucked, and holes fucked. Johnny slurps up lots of J’s juices, but the thirst YOU’LL feel may be unquenchable!\n\nMating Season (8:40min)Juan Saez, Chile & Germany, 2025\n\nWhen an ancient tide awakens a primal urge inside them, nothing would stop Cayenne Santanaon their journey to ensure their offspring.\n\nAgave Dreams (8:05min)Oran Julius, United States, 2023\n\nIn this T4T porn, we get to voyeur two beautiful Black porn stars as they come together to make a dreamy queer sex scene. Zuri Love (they/she) indulges in a relaxing bubble bath, exploring their wet curves and fantasizing about sweet (and sticky) morning sex with their lover, LT Hawk (they/them). Zuri’s sexual fantasy centers Black femme pleasure, throwing gender expectations out the window, and reminds us how hot safe sex can be. Get inside Zuri’s head in their [wet] dream that starts with a bubble bath and ends with something sticky…\n\nApproximate running time: 51 minutes", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/sftff-2026-adult-18/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:2026-san-francisco-transgender-film-festival", "name": "2026 San Francisco Transgender Film Festival", "description": "The San Francisco Transgender Film Festival (SFTFF) screens films that promote the visibility of transgender and gender variant people and challenge the mainstream media’s negative stereotypes of our communities. We provide opportunities for transgender and gender variant media artists, build community through our film and performance events, and engage our audiences in cross-community dialogue.\n\nACCESS:\n\nCOVID SAFETY PROTOCOLS FOR THIS EVENT:", "source_url": "https://roxie.com/series/2026-san-francisco-transgender-film-festival/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/2026-san-francisco-transgender-film-festival/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-14", "start_at": "2026-11-14T21:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "SFTFF 2026 – SPECULATIVE FICTION", "description": "The 2026 San Francisco Transgender Film Festival continues with SPECULATIVE FICTION, a shorts block featuring six out of this world films.\n\nLas Cosas Que Brillan (11:09min)Kristal Sotomayor, United States, 2025\n\nA curious trans mermaid defies her mother’s warnings to venture up to the surface, only to discover the world above is not what she dreamt. Las Cosas Que Brillan explores the impacts of environmental destruction, and the danger of being desired in a postcolonial world.\n\nMotherhood (12:22min)Ava Corder, United States, 2025\n\nNicki is one of the first trans women to carry a baby to term as part of a groundbreaking uterine transplant trial. Just hours before her scheduled C-section, her water breaks—something the doctors said couldn’t happen. Her physician urges her to stick to protocol, warning that the outcome of her birth could impact access for future trans patients. Her husband, Benny, and her father, Al, beg her to comply. But Nicki chooses to follow her instinct and pursue a natural birth at home. She’ll give birth on her terms.\n\nLong Away (16:32min)Tilly Bridges & Susan Bridges, United States, 2025\n\nSet twenty-five years into the future, Long Away is a sci-fi story about Victoria and the father who died when she was very young. As a trans woman who transitioned as an adult, Victoria’s father never got to know her truth. She uses a one-round-trip-only time travel device to jump back to our present and meet the man she can barely remember… and try to find out if he’d love her for who she really is.\n\nShelter (AMPARO) (6:32min)Tilly Bridges & Susan Bridges, Brazil, 2025\n\n“Amparo” is a film about rupture—about someone who defies the system and takes back her own life. The narrative portrays the everyday oppression of late capitalism, exploring the emotional and physical exhaustion of Alana, who finds in Carol, her girlfriend, both refuge and the courage to change.\n\nHumans Are Shapes (Trailer) (1:26min)Sepi Mashiahof, United States, 2025\n\nAfter having possessed the bodies of two trans sisters, two aliens make a fatal choice in order to obey human codes against taboo, all in pursuit of love and security.\n\nThey Bend Stars (11:00min)Diego Migliorini, United Kingdom, 2025\n\nA genderless alien tortured in an underground facility learns that the key to return to their purple planet lies within. They must escape their captor and find their way back to their distant home.\n\nApproximate running time: 60 minutes", "release_year": "2025", "runtime_minutes": null, "poster_url": "https://roxie.com/wp-content/uploads/2026/10/2-16.jpg", "trailer_url": null, "tmdb_id": null, "tmdb_rating": null, "tmdb_url": null, "url": "https://www.stuffsac.com/san-francisco/roxie/series/#san-francisco/roxie-34037", "showings": [ { "name": "SFTFF 2026 – SPECULATIVE FICTION", "description": "The 2026 San Francisco Transgender Film Festival continues with SPECULATIVE FICTION, a shorts block featuring six out of this world films.\n\nLas Cosas Que Brillan (11:09min)Kristal Sotomayor, United States, 2025\n\nA curious trans mermaid defies her mother’s warnings to venture up to the surface, only to discover the world above is not what she dreamt. Las Cosas Que Brillan explores the impacts of environmental destruction, and the danger of being desired in a postcolonial world.\n\nMotherhood (12:22min)Ava Corder, United States, 2025\n\nNicki is one of the first trans women to carry a baby to term as part of a groundbreaking uterine transplant trial. Just hours before her scheduled C-section, her water breaks—something the doctors said couldn’t happen. Her physician urges her to stick to protocol, warning that the outcome of her birth could impact access for future trans patients. Her husband, Benny, and her father, Al, beg her to comply. But Nicki chooses to follow her instinct and pursue a natural birth at home. She’ll give birth on her terms.\n\nLong Away (16:32min)Tilly Bridges & Susan Bridges, United States, 2025\n\nSet twenty-five years into the future, Long Away is a sci-fi story about Victoria and the father who died when she was very young. As a trans woman who transitioned as an adult, Victoria’s father never got to know her truth. She uses a one-round-trip-only time travel device to jump back to our present and meet the man she can barely remember… and try to find out if he’d love her for who she really is.\n\nShelter (AMPARO) (6:32min)Tilly Bridges & Susan Bridges, Brazil, 2025\n\n“Amparo” is a film about rupture—about someone who defies the system and takes back her own life. The narrative portrays the everyday oppression of late capitalism, exploring the emotional and physical exhaustion of Alana, who finds in Carol, her girlfriend, both refuge and the courage to change.\n\nHumans Are Shapes (Trailer) (1:26min)Sepi Mashiahof, United States, 2025\n\nAfter having possessed the bodies of two trans sisters, two aliens make a fatal choice in order to obey human codes against taboo, all in pursuit of love and security.\n\nThey Bend Stars (11:00min)Diego Migliorini, United Kingdom, 2025\n\nA genderless alien tortured in an underground facility learns that the key to return to their purple planet lies within. They must escape their captor and find their way back to their distant home.\n\nApproximate running time: 60 minutes", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/sftff-2026-speculative-fiction/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:2026-san-francisco-transgender-film-festival", "name": "2026 San Francisco Transgender Film Festival", "description": "The San Francisco Transgender Film Festival (SFTFF) screens films that promote the visibility of transgender and gender variant people and challenge the mainstream media’s negative stereotypes of our communities. We provide opportunities for transgender and gender variant media artists, build community through our film and performance events, and engage our audiences in cross-community dialogue.\n\nACCESS:\n\nCOVID SAFETY PROTOCOLS FOR THIS EVENT:", "source_url": "https://roxie.com/series/2026-san-francisco-transgender-film-festival/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/2026-san-francisco-transgender-film-festival/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-14", "start_at": "2026-11-14T19:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Hunting Flies + Roly Poly", "description": "Presented together, Hunting Flies and Roly Poly are two distinct satirical comedy films by celebrated Director Andrzej Wajda.\n\nHunting Flies will be preceded by the short film Roly Poly.\n\nRoly Poly – Runtime: 35 minutes\n\nThe story of a racing car driver who undergoes so many transplants that it can no longer be determined which people have contributed to his make-up.\n\nRally driver Richard Fox keeps getting involved in terrible accidents but always manages to survive thanks to organs transplanted from people who died in crashes he caused. The situation complicates when he starts acquiring his donors’ personality traits along with their organs.\n\nHunting Flies – Runtime: 104 minutes\n\nWlodek is a shy man who’s afraid of his mother as well as his wife. However, upon meeting Irena, his life takes a new turn.\n\nOne of the key films of the Polish film renaissance, this satiric comedy explores the seeming world of emancipated women and emasculated men in Communist Poland. A librarian shares his life and home with his domineering wife. He has an affair with a beautiful intellectual, who wears fly-shaped glasses. She tries to become the woman behind the great artist. It’s a film dedicated to the women of Poland, even as it critiques the relations between the sexes.", "release_year": "1969", "runtime_minutes": null, "poster_url": "https://roxie.com/wp-content/uploads/2026/10/Untitled-design-5.jpg", "trailer_url": null, "tmdb_id": null, "tmdb_rating": null, "tmdb_url": null, "url": "https://www.stuffsac.com/san-francisco/roxie/series/#san-francisco/roxie-33670", "showings": [ { "name": "Hunting Flies + Roly Poly", "description": "Presented together, Hunting Flies and Roly Poly are two distinct satirical comedy films by celebrated Director Andrzej Wajda.\n\nHunting Flies will be preceded by the short film Roly Poly.\n\nRoly Poly – Runtime: 35 minutes\n\nThe story of a racing car driver who undergoes so many transplants that it can no longer be determined which people have contributed to his make-up.\n\nRally driver Richard Fox keeps getting involved in terrible accidents but always manages to survive thanks to organs transplanted from people who died in crashes he caused. The situation complicates when he starts acquiring his donors’ personality traits along with their organs.\n\nHunting Flies – Runtime: 104 minutes\n\nWlodek is a shy man who’s afraid of his mother as well as his wife. However, upon meeting Irena, his life takes a new turn.\n\nOne of the key films of the Polish film renaissance, this satiric comedy explores the seeming world of emancipated women and emasculated men in Communist Poland. A librarian shares his life and home with his domineering wife. He has an affair with a beautiful intellectual, who wears fly-shaped glasses. She tries to become the woman behind the great artist. It’s a film dedicated to the women of Poland, even as it critiques the relations between the sexes.", "auditorium": "Little Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/hunting-flies-roly-poly/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:wajda-at-100", "name": "Wajda at 100", "description": "Marking the 100th anniversary of his birth and the 10th anniversary of his death, Poland declared 2026 the year of Andrzej Wajda. One of the great European directors of the 20th century, whose work and political engagement played a decisive role in bringing Polish film to international audiences, Wajda’s films have long been unavailable and difficult to view in the United States.\n\nScreenings of Andrzej Wajda’s films in the USA in 2026 are part of the ‘Wajda 100 Tour – North America’ project, organized by DI Factory with the financial support of the Polish Film Institute.\n\nBorn in 1926 into a home that honored fine art (with a literary schoolteacher mother and his aide-de-camp father an amateur painter), Andrzej Wajda studied sculpture and oil painting before enlisting in the anti-fascist, and anti-communist, Home Army at the age of sixteen. Following the devastation of WWII, Wajda emerged from the rubble as a commanding force in film, launching a career that continually envisioned, and reenvisioned, a Polish national cinema and identity. An educator, aesthete, dissident, community builder, and cinematic experimenter, Wajda remains an influential and monumental figure in world cinema.\n\nFor Wajda at 100, we’re diving into the range and restless energy of a filmmaker who never stopped reinventing himself: the claustrophobic wartime nightmare of Kanal, the cool postwar disillusionment of Ashes and Diamonds, the sharp comedy of Hunting Flies and Roly Poly, the self-questioning Everything for Sale, the feverish ambition of The Promised Land, and the political charge of Man of Marble. Kanal, Ashes and Diamonds, and Man of Marble screen in new 4K restorations.", "source_url": "https://roxie.com/series/wajda-at-100/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/wajda-at-100/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-15", "start_at": "2026-11-15T15:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Counsellor at Law", "description": "A successful lawyer struggles to deal with his wife's unfaithfulness and his own hidden past.", "release_year": "1933", "runtime_minutes": 82, "poster_url": "https://image.tmdb.org/t/p/w500/6mQ9jFo5qpNGptSe5AJMYAcrnSs.jpg", "trailer_url": null, "tmdb_id": 53792, "tmdb_rating": 6.5, "tmdb_url": "https://www.themoviedb.org/movie/53792", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-53792-counsellor-at-law", "showings": [ { "name": "Counsellor at Law", "description": "Directed by the illustrious William Wyler (The Good Fairy, The Big Country, Ben-Hur), the briskly paced Counsellor at Law is often cited as the best film to ever tackle the intricacies and pitfalls of the legal profession. George Simon (Hollywood legend John Barrymore, Dr. Jekyll and Mr. Hyde) is a successful attorney, climbing from a Jewish ghetto to elegant Art Deco offices in the Empire State Building. After allowing one of his former clients to commit perjury to win a case, George realizes he could be disbarred. Flavored with social commentary and wry humor, and featuring a luminous performance by the great Bebe Daniels as George’s secretary Regina, Counsellor at Law is an exceptional example of the hard-boiled dramas that defined the Pre-Code cinema of the early 1930s.", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/counsellor-at-law/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:silver-screen-club", "name": "Silver Screen Club", "description": "Welcome to the Roxie Silver Screen Club! The Silver Screen Club is a way to connect and form a community with our members, and an opportunity for fellow cinephiles to meet and discuss film. The Silver Screen Club is an ongoing series of film screenings followed by a facilitated Q&A by the Roxie membership team over at 518 Valencia. Members only! For more information on being a member click here.", "source_url": "https://roxie.com/series/silver-screen-club/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/silver-screen-club/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-17", "start_at": "2026-11-17T18:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Chicago", "description": "Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.", "release_year": "2002", "runtime_minutes": 113, "poster_url": "https://image.tmdb.org/t/p/w500/3ED8cWCXY9zkx77Sd0N5qMbsdDP.jpg", "trailer_url": "https://www.youtube.com/watch?v=9EpaMmF9WVU", "tmdb_id": 1574, "tmdb_rating": 7.1, "tmdb_url": "https://www.themoviedb.org/movie/1574", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-1574-chicago", "showings": [ { "name": "Staff Pick: Chicago", "description": "Zann’s Staff Pick!\n\nWhen vaudeville star Velma Kelly (Catherine Zeta-Jones) is arrested for the murder of her two-timing husband, she enlists a smooth-talking attorney (Richard Gere) to grease the wheels of her public image and avoid a death sentence. Meanwhile, up and comer Roxie Hart (Renée Zellweger) has arrived on Murderess’ Row and will use every trick in the book to keep the spotlight on her own predicament. This jazz-age tale of jealousy, deceit, and fame earned six Academy Awards, including Best Picture, and remains a musical favorite decades after its release.", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/staff-pick-chicago/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:staff-picks", "name": "Staff Picks", "description": null, "source_url": "https://roxie.com/series/staff-picks/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/staff-picks/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-18", "start_at": "2026-11-18T20:20:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Aliens Special Edition", "description": "After drifting through space in hypersleep for 57 years, Lieutenant Ellen Ripley is rescued, only to discover that the moon where her crew first encountered the deadly Xenomorphs has now been colonized by terraformers. When communication with the colony, Hadley's Hope, is suddenly lost, a deeply traumatized Ripley is persuaded by Weyland-Yutani representative Carter Burke to return to the planet as an advisor. Accompanied by a squad of elite Colonial Marines, they embark on a heavily armed rescue mission—only to find themselves completely outmatched by a massive infestation of relentless alien predators.", "release_year": null, "runtime_minutes": 154, "poster_url": "https://roxie.com/wp-content/uploads/2026/10/Untitled-design.jpg", "trailer_url": null, "tmdb_id": 1808412, "tmdb_rating": null, "tmdb_url": "https://www.themoviedb.org/movie/1808412", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-1808412-aliens-special-edition", "showings": [ { "name": "Aliens (Special Edition)", "description": "Where its predecessor was a slow-burn suspenser, Cameron’s ALIENS is a bombastic, no-holds-barred exosuit fight to the finish, an express elevator to hell, goin’ down! Lone survivor Ripley (Sigourney Weaver) goes back for a rematch with the creatures who slaughtered the crew of the Nostromo, this time bringing along a squad of hard-boiled space marines whose number includes the great Bill Paxton, Jenette Goldstein, and Lance Henriksen’s mumblety-peg-playing android Bishop. Rounding out the superb supporting players are the aliens themselves, pinnacles of pre-CGI visual effects that just keep coming, and coming, and coming, and coming… while Mead’s contributions can mostly be seen in the blade-like military vessel Sulaco and the unforgettable “Power Loader” donned by Ripley for the main event grudge match.\n\nScreening in Cameron’s preferred cut, which adds nearly 20 minutes of material not seen in the theatrical version, including glimpses of life at the ill-fated Hadley’s Hope colony and some “kickass” motion-activated turret guns.\n\n“Hot off of the immediate successes of Blade Runner and TRON, Syd Mead was enlisted by Cameron to build out the world of ALIENS, his muscular, action-oriented second chapter to Ridley Scott’s now-iconic 1979 masterpiece. The centerpiece of Mead’s designs is the U.S.S. Sulaco, the military spaceship that transports the Colonial Marines, infusing the vessel with a functional and industrial aesthetic that enhanced the film’s gritty realism.” —Future Pastime exhibition curators William Corman and Elon Solo", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/aliens-special-edition/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:the-future-according-to-syd-mead", "name": "The Future According to Syd Mead", "description": "Few artists have shaped how the movies imagine the future as profoundly as Syd Mead. Trained as an industrial designer, Mead brought a rare sense of plausibility to science fiction, creating cities, vehicles, machines, and entire environments that felt not just futuristic, but already lived in. His work on films including Blade Runner, TRON, and Aliens helped define the visual language of cinematic futurism for generations.\n\nTHE FUTURE ACCORDING TO SYD MEAD celebrates the cinematic legacy of a true futurist visionary, timed to Syd Mead: Future Pastime, a major exhibition of his graphic work on view October 8 through December 17, 2026 at San Francisco’s Transamerica Pyramid Annex Gallery. Presenting Mead’s original artwork beyond his cinematic contributions, the exhibition offers another way into the extraordinary imagination behind these films. As curators William Corman and Elon Solo write, Mead created “meticulously rendered visions of the future that balance the extraordinary with the familiar,” imagining lived-in futures that felt tantalizingly within reach.\n\nOur selections move from the neon architecture of Blade Runner and the sleek digital world of TRON to the industrial hardware of Aliens and the cyberpunk world of Johnny Mnemonic. The program also reaches beyond the films Mead directly designed, with THX 1138 and Welcome II the Terrordome expanding the conversation around the futures he helped us imagine and the filmmakers who pushed those visions in radically different directions.", "source_url": "https://roxie.com/series/the-future-according-to-syd-mead/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/the-future-according-to-syd-mead/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-20", "start_at": "2026-11-20T20:45:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:54" } ], "first_seen_at": "2026-10-30T18:28:54", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Johnny Mnemonic", "description": "In a dystopian 2021, Johnny is a data trafficker who has an implant that allows him to securely store data too sensitive for regular computer networks. On one delivery run, he accepts a package that not only exceeds the implant's safety limits—and will kill him if the data is not removed in time—but also contains information far more important and valuable than he had ever imagined. On a race against time, he must avoid the assassins sent to kill him and remove the data before it, too, ends his life.", "release_year": "1995", "runtime_minutes": 97, "poster_url": "https://image.tmdb.org/t/p/w500/iH8Jgi8qvb7pnBfI8fVGaUbyRna.jpg", "trailer_url": "https://www.youtube.com/watch?v=PDzjBr1c4qs", "tmdb_id": 9886, "tmdb_rating": 5.8, "tmdb_url": "https://www.themoviedb.org/movie/9886", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-9886-johnny-mnemonic", "showings": [ { "name": "Johnny Mnemonic: In Black and White", "description": "Robert Longo’s JOHNNY MNEMONIC: IN BLACK & WHITE strips the cyberpunk thriller down to its starkest elements, turning its corporate dystopia, overloaded data networks, and street-level futurism into something even more graphic and uncanny. Keanu Reeves stars as a data courier carrying information directly in his brain, racing to deliver a dangerous payload before it kills him. Syd Mead contributed concept designs to the film, bringing his industrial, lived-in vision of the future to a world of megacorporations, obsolete technology, and information overload.", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/johnny-mnemonic-in-black-and-white/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:the-future-according-to-syd-mead", "name": "The Future According to Syd Mead", "description": "Few artists have shaped how the movies imagine the future as profoundly as Syd Mead. Trained as an industrial designer, Mead brought a rare sense of plausibility to science fiction, creating cities, vehicles, machines, and entire environments that felt not just futuristic, but already lived in. His work on films including Blade Runner, TRON, and Aliens helped define the visual language of cinematic futurism for generations.\n\nTHE FUTURE ACCORDING TO SYD MEAD celebrates the cinematic legacy of a true futurist visionary, timed to Syd Mead: Future Pastime, a major exhibition of his graphic work on view October 8 through December 17, 2026 at San Francisco’s Transamerica Pyramid Annex Gallery. Presenting Mead’s original artwork beyond his cinematic contributions, the exhibition offers another way into the extraordinary imagination behind these films. As curators William Corman and Elon Solo write, Mead created “meticulously rendered visions of the future that balance the extraordinary with the familiar,” imagining lived-in futures that felt tantalizingly within reach.\n\nOur selections move from the neon architecture of Blade Runner and the sleek digital world of TRON to the industrial hardware of Aliens and the cyberpunk world of Johnny Mnemonic. The program also reaches beyond the films Mead directly designed, with THX 1138 and Welcome II the Terrordome expanding the conversation around the futures he helped us imagine and the filmmakers who pushed those visions in radically different directions.", "source_url": "https://roxie.com/series/the-future-according-to-syd-mead/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/the-future-according-to-syd-mead/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-27", "start_at": "2026-11-27T20:40:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:55" } ], "first_seen_at": "2026-10-30T18:28:55", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Ashes and Diamonds", "description": "A young academy soldier, Maciek Chelmicki, is ordered to shoot the secretary of the KW PPR. A coincidence causes him to kill someone else. Meeting face to face with his victim, he gets a shock. He faces the necessity of repeating the assassination. He meets Krystyna, a girl working as a barmaid in the restaurant of the \"Monopol\" hotel. His affection for her makes him even more aware of the senselessness of killing at the end of the war. Loyalty to the oath he took, and thus the obligation to obey the order, tips the scales.", "release_year": "1958", "runtime_minutes": 103, "poster_url": "https://image.tmdb.org/t/p/w500/nE8aqRvVnRQEqskiarnFhdJdk8g.jpg", "trailer_url": "https://www.youtube.com/watch?v=O6kcDS5QM6I", "tmdb_id": 5055, "tmdb_rating": 7.4, "tmdb_url": "https://www.themoviedb.org/movie/5055", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-5055-ashes-and-diamonds", "showings": [ { "name": "Ashes and Diamonds (4K Restoration)", "description": "On the last day of World War II in a small town somewhere in Poland, Polish exiles of war and the occupying Soviet forces confront the beginning of a new day and a new Poland. In this incendiary environment we find Home Army soldier Maciek Chelmicki, who has been ordered to assassinate an incoming commissar. But a mistake stalls his progress and leads him to Krystyna, a beautiful barmaid who gives him a glimpse of what his life could be.\n\nGorgeously photographed and brilliantly performed, Ashes and Diamonds masterfully interweaves the fate of a nation with that of one man, resulting in one of the most important Polish films of all time.", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/ashes-and-diamonds-4k-restoration/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:wajda-at-100", "name": "Wajda at 100", "description": "Marking the 100th anniversary of his birth and the 10th anniversary of his death, Poland declared 2026 the year of Andrzej Wajda. One of the great European directors of the 20th century, whose work and political engagement played a decisive role in bringing Polish film to international audiences, Wajda’s films have long been unavailable and difficult to view in the United States.\n\nScreenings of Andrzej Wajda’s films in the USA in 2026 are part of the ‘Wajda 100 Tour – North America’ project, organized by DI Factory with the financial support of the Polish Film Institute.\n\nBorn in 1926 into a home that honored fine art (with a literary schoolteacher mother and his aide-de-camp father an amateur painter), Andrzej Wajda studied sculpture and oil painting before enlisting in the anti-fascist, and anti-communist, Home Army at the age of sixteen. Following the devastation of WWII, Wajda emerged from the rubble as a commanding force in film, launching a career that continually envisioned, and reenvisioned, a Polish national cinema and identity. An educator, aesthete, dissident, community builder, and cinematic experimenter, Wajda remains an influential and monumental figure in world cinema.\n\nFor Wajda at 100, we’re diving into the range and restless energy of a filmmaker who never stopped reinventing himself: the claustrophobic wartime nightmare of Kanal, the cool postwar disillusionment of Ashes and Diamonds, the sharp comedy of Hunting Flies and Roly Poly, the self-questioning Everything for Sale, the feverish ambition of The Promised Land, and the political charge of Man of Marble. Kanal, Ashes and Diamonds, and Man of Marble screen in new 4K restorations.", "source_url": "https://roxie.com/series/wajda-at-100/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/wajda-at-100/", "film_description": null }, "showtimes": [ { "start_on": "2026-11-29", "start_at": "2026-11-29T15:30:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:55" } ], "first_seen_at": "2026-10-30T18:28:55", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "American Pachuco: The Legend of Luis Valdez", "description": "Against political resistance and industry skepticism, Luis Valdez pushes Chicano storytelling from the fields to the film screen with Zoot Suit and La Bamba, crafting iconic works that challenge, celebrate, and expand America’s story.", "release_year": "2026", "runtime_minutes": 92, "poster_url": "https://image.tmdb.org/t/p/w500/rh7FjvBcvdOTEFMArZvFmeWEiJv.jpg", "trailer_url": "https://www.youtube.com/watch?v=MXESsS8Uskc", "tmdb_id": 1596330, "tmdb_rating": null, "tmdb_url": "https://www.themoviedb.org/movie/1596330", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-1596330-american-pachuco-the-legend-of-luis-valdez", "showings": [ { "name": "American Pachuco: The Legend of Luis Valdez", "description": "Director David Alvarado in person for Q&A!\n\nAgainst political resistance and industry skepticism, Luis Valdez pushes Chicano storytelling from the fields to the film screen with Zoot Suit and La Bamba, crafting iconic works that challenge, celebrate, and expand America’s story.\n\nAcclaimed playwright and director Luis Valdez recognized early on the profound impact of seeing one’s own humanity reflected onstage and on screen. He used theater to ignite change while working alongside farmworkers and Cesar Chavez, and he made films that amplified Chicano experiences. His work expanded audiences, bringing in people who had rarely seen their stories told before. Now, director David Alvarado reveals the fuel behind his legendary career.\n\nAlvarado brings us close to Valdez, charting his career milestones and enduring cultural influence. He employs vibrant stylistic choices, using split screens, remarkable archival footage rescued from decay, and a pachuco narrator who tells it like it is by interjecting candid commentary throughout. Alvarado ensures Luis Valdez’s contributions are unmistakable and that his message — “America is Chicano” — resonates proudly, which feels especially vital for today.", "auditorium": "Little Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/american-pachuco-the-legend-of-luis-valdez/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:roxcine", "name": "RoxCine", "description": "RoxCine is the Roxie’s year-round program of Spanish-language and US Latinx film. It features new releases, repertory programming, and special series and retrospectives, with an exciting mix of films – from winners at major film festivals with US distribution, to special features not seen on any other screen.\n\nRoxCine es el programa de cine en español y US Latino del Roxie. La programación de RoxCine contará a lo largo del año con nuevos estrenos, clásicos de repertorio y culto, así como ciclos especiales y retrospectivas, con una mezcla de películas – desde ganadoras en los principales festivales de cine y con distribución en Estados Unidos, a películas que no se ven en ninguna otra sala o medio.", "source_url": "https://roxie.com/series/roxcine/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/roxcine/", "film_description": null }, "showtimes": [ { "start_on": "2026-12-05", "start_at": "2026-12-05T15:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:55" } ], "first_seen_at": "2026-10-30T18:28:55", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Welcome II the Terrordome", "description": "In a near future, black people have been forced to live in the drug-infested Terrordome, a ghetto where they are continually subjected to the racist actions of the police. When a black boy is killed, it sets off an explosion of further violence.", "release_year": "1995", "runtime_minutes": 94, "poster_url": "https://image.tmdb.org/t/p/w500/zNuhvBA8c3UhOQjYFDzI3R0ykmc.jpg", "trailer_url": "https://www.youtube.com/watch?v=gGpYD2BIZo0", "tmdb_id": 274710, "tmdb_rating": 5.9, "tmdb_url": "https://www.themoviedb.org/movie/274710", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-274710-welcome-ii-the-terrordome", "showings": [ { "name": "Welcome II the Terrordome (4K Restoration)", "description": "Ngozi Onwurah’s radically ahead-of-its-time Afrofuturist vision WELCOME II THE TERRORDOME made history as the first theatrically distributed British feature directed by a Black woman. Nevertheless, it was largely dismissed upon its release by critics unable to see the urgency in its evocation of a gritty dystopia in which Black people have been relegated to living in a slum called the Terrordome, where simmering racial tension threatens to boil over in the wake of a young boy’s death.\n\nOver thirty years later, Onwurah’s fusion of political commentary and genre spectacle looks positively prescient, and her ability to build an entire cosmology that connects the history of slavery to present-day police brutality is nothing less than visionary.", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/welcome-ii-the-terrordome-4k-restoration/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:the-future-according-to-syd-mead", "name": "The Future According to Syd Mead", "description": "Few artists have shaped how the movies imagine the future as profoundly as Syd Mead. Trained as an industrial designer, Mead brought a rare sense of plausibility to science fiction, creating cities, vehicles, machines, and entire environments that felt not just futuristic, but already lived in. His work on films including Blade Runner, TRON, and Aliens helped define the visual language of cinematic futurism for generations.\n\nTHE FUTURE ACCORDING TO SYD MEAD celebrates the cinematic legacy of a true futurist visionary, timed to Syd Mead: Future Pastime, a major exhibition of his graphic work on view October 8 through December 17, 2026 at San Francisco’s Transamerica Pyramid Annex Gallery. Presenting Mead’s original artwork beyond his cinematic contributions, the exhibition offers another way into the extraordinary imagination behind these films. As curators William Corman and Elon Solo write, Mead created “meticulously rendered visions of the future that balance the extraordinary with the familiar,” imagining lived-in futures that felt tantalizingly within reach.\n\nOur selections move from the neon architecture of Blade Runner and the sleek digital world of TRON to the industrial hardware of Aliens and the cyberpunk world of Johnny Mnemonic. The program also reaches beyond the films Mead directly designed, with THX 1138 and Welcome II the Terrordome expanding the conversation around the futures he helped us imagine and the filmmakers who pushed those visions in radically different directions.", "source_url": "https://roxie.com/series/the-future-according-to-syd-mead/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/the-future-according-to-syd-mead/", "film_description": null }, "showtimes": [ { "start_on": "2026-12-06", "start_at": "2026-12-06T15:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:55" } ], "first_seen_at": "2026-10-30T18:28:55", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Tron", "description": "When brilliant video game maker Flynn hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world and becomes part of the very game he is designing. In his mission through cyberspace, Flynn matches wits with a maniacal Master Control Program and teams up with Tron, a security measure created to bring balance to the digital environment.", "release_year": "1982", "runtime_minutes": 96, "poster_url": "https://image.tmdb.org/t/p/w500/jigY9B6TKz4qlfikZcd18qtzTK4.jpg", "trailer_url": "https://www.youtube.com/watch?v=EtyHX7z8fi8", "tmdb_id": 97, "tmdb_rating": 6.6, "tmdb_url": "https://www.themoviedb.org/movie/97", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-97-tron", "showings": [ { "name": "TRON (4K Restoration)", "description": "Steven Lisberger’s TRON plunges Jeff Bridges into a glowing digital universe of programs, gladiatorial games, and machine logic, creating one of the most distinctive visions of cyberspace ever put on screen. Syd Mead’s concept work helped shape the film’s sleek vehicles and futuristic environments, bringing his precision and industrial imagination to a world that felt radically new in 1982. Decades later, TRON still looks like the future as dreamed by a graphic designer with the circuitry exposed.", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/tron-4k-restoration/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:the-future-according-to-syd-mead", "name": "The Future According to Syd Mead", "description": "Few artists have shaped how the movies imagine the future as profoundly as Syd Mead. Trained as an industrial designer, Mead brought a rare sense of plausibility to science fiction, creating cities, vehicles, machines, and entire environments that felt not just futuristic, but already lived in. His work on films including Blade Runner, TRON, and Aliens helped define the visual language of cinematic futurism for generations.\n\nTHE FUTURE ACCORDING TO SYD MEAD celebrates the cinematic legacy of a true futurist visionary, timed to Syd Mead: Future Pastime, a major exhibition of his graphic work on view October 8 through December 17, 2026 at San Francisco’s Transamerica Pyramid Annex Gallery. Presenting Mead’s original artwork beyond his cinematic contributions, the exhibition offers another way into the extraordinary imagination behind these films. As curators William Corman and Elon Solo write, Mead created “meticulously rendered visions of the future that balance the extraordinary with the familiar,” imagining lived-in futures that felt tantalizingly within reach.\n\nOur selections move from the neon architecture of Blade Runner and the sleek digital world of TRON to the industrial hardware of Aliens and the cyberpunk world of Johnny Mnemonic. The program also reaches beyond the films Mead directly designed, with THX 1138 and Welcome II the Terrordome expanding the conversation around the futures he helped us imagine and the filmmakers who pushed those visions in radically different directions.", "source_url": "https://roxie.com/series/the-future-according-to-syd-mead/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/the-future-according-to-syd-mead/", "film_description": null }, "showtimes": [ { "start_on": "2026-12-11", "start_at": "2026-12-11T20:40:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:55" } ], "first_seen_at": "2026-10-30T18:28:55", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Floating Features: National Lampoon’s Christmas Vacation", "description": "The Griswolds have planned all year for a great summer vacation. From their suburban Chicago home, across America, to the wonders of Wally World fun park in California, every step of the way has been carefully plotted. Except a few hundred hysterical exceptions. There’s never been a family vacation like it. Except maybe yours. And that helps explain why National Lampoon’s Vacation remains so popular…and so very funny.", "release_year": "1983", "runtime_minutes": null, "poster_url": "https://roxie.com/wp-content/uploads/2025/12/Untitled-design-1.jpg", "trailer_url": null, "tmdb_id": null, "tmdb_rating": null, "tmdb_url": null, "url": "https://www.stuffsac.com/san-francisco/roxie/series/#san-francisco/roxie-27137", "showings": [ { "name": "Floating Features: National Lampoon’s Christmas Vacation", "description": "The Griswolds have planned all year for a great summer vacation. From their suburban Chicago home, across America, to the wonders of Wally World fun park in California, every step of the way has been carefully plotted. Except a few hundred hysterical exceptions. There’s never been a family vacation like it. Except maybe yours. And that helps explain why National Lampoon’s Vacation remains so popular…and so very funny.", "auditorium": "Red and White Fleet", "formats": [], "quirks": [ "Outdoors", "On A Boat" ], "source_url": "https://roxie.com/film/floating-features-national-lampoons-christmas-vacation/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:floating-features", "name": "Floating Features", "description": "The World’s Only Sailing Movie Theater is on the San Francisco Bay!\n\nSan Francisco Legacy Businesses Red and White Fleet and The Roxie are partnering to turn the hybrid electric vessel Enhydra into a sailing cinema for a monthly series of nighttime movie cruises on the Bay. Join us for a 2-hour twilight cruise and a feature film handpicked by The Roxie. Our electric vessel means no engine noise and a totally unique al fresco movie experience.\n\nRoxie Members get $10 off tickets – email [email protected] for the discount code!\n\nThere’s drinks, snacks, and beautiful views of the Bay – all aboard!", "source_url": "https://roxie.com/series/floating-features/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/floating-features/", "film_description": null }, "showtimes": [ { "start_on": "2026-12-12", "start_at": "2026-12-12T18:30:00", "formats": [], "quirks": [ "On A Boat", "Outdoors" ], "first_seen_at": "2026-10-30T18:28:55" } ], "first_seen_at": "2026-10-30T18:28:55", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Man of Marble", "description": "A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.", "release_year": "1977", "runtime_minutes": 153, "poster_url": "https://image.tmdb.org/t/p/w500/dQWfBHQmdQbcUAeyr0VS1j19uto.jpg", "trailer_url": "https://www.youtube.com/watch?v=yVKdrnbmQlU", "tmdb_id": 224, "tmdb_rating": 7.1, "tmdb_url": "https://www.themoviedb.org/movie/224", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-224-man-of-marble", "showings": [ { "name": "Man of Marble (4K Restoration)", "description": "In 1976, a young woman in Krakow is making her diploma film, looking behind the scenes at the life of a 1950s bricklayer, Birkut, who was briefly a proletariat hero, at how that heroism was created, and what became of him.\n\nOften called the Polish Citizen Kane, Man of Marble reflects director Wajda’s emerging hostility to the Stalinist cultural establishment and its oppressive restrictions on artistic expression.", "auditorium": "Little Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/new-people-man-of-marble-4k-restoration/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:wajda-at-100", "name": "Wajda at 100", "description": "Marking the 100th anniversary of his birth and the 10th anniversary of his death, Poland declared 2026 the year of Andrzej Wajda. One of the great European directors of the 20th century, whose work and political engagement played a decisive role in bringing Polish film to international audiences, Wajda’s films have long been unavailable and difficult to view in the United States.\n\nScreenings of Andrzej Wajda’s films in the USA in 2026 are part of the ‘Wajda 100 Tour – North America’ project, organized by DI Factory with the financial support of the Polish Film Institute.\n\nBorn in 1926 into a home that honored fine art (with a literary schoolteacher mother and his aide-de-camp father an amateur painter), Andrzej Wajda studied sculpture and oil painting before enlisting in the anti-fascist, and anti-communist, Home Army at the age of sixteen. Following the devastation of WWII, Wajda emerged from the rubble as a commanding force in film, launching a career that continually envisioned, and reenvisioned, a Polish national cinema and identity. An educator, aesthete, dissident, community builder, and cinematic experimenter, Wajda remains an influential and monumental figure in world cinema.\n\nFor Wajda at 100, we’re diving into the range and restless energy of a filmmaker who never stopped reinventing himself: the claustrophobic wartime nightmare of Kanal, the cool postwar disillusionment of Ashes and Diamonds, the sharp comedy of Hunting Flies and Roly Poly, the self-questioning Everything for Sale, the feverish ambition of The Promised Land, and the political charge of Man of Marble. Kanal, Ashes and Diamonds, and Man of Marble screen in new 4K restorations.", "source_url": "https://roxie.com/series/wajda-at-100/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/wajda-at-100/", "film_description": null }, "showtimes": [ { "start_on": "2026-12-13", "start_at": "2026-12-13T15:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:55" } ], "first_seen_at": "2026-10-30T18:28:55", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "A Christmas Story", "description": "The comic mishaps and adventures of a young boy named Ralph, trying to convince his parents, teachers, and Santa that a Red Ryder B.B. gun really is the perfect Christmas gift for the 1940s.", "release_year": "1983", "runtime_minutes": 93, "poster_url": "https://image.tmdb.org/t/p/w500/34nSHYqmb7222tiqiuKqKJmZiQa.jpg", "trailer_url": "https://www.youtube.com/watch?v=k85XdUXcOGw", "tmdb_id": 850, "tmdb_rating": 7.2, "tmdb_url": "https://www.themoviedb.org/movie/850", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-850-a-christmas-story", "showings": [ { "name": "Floating Features: A Christmas Story", "description": "Based on the humorous writings of author Jean Shepherd, this beloved holiday movie follows the wintry exploits of youngster Ralphie Parker (Peter Billingsley), who spends most of his time dodging a bully (Zack Ward) and dreaming of his ideal Christmas gift, a “Red Ryder air rifle.” Frequently at odds with his cranky dad (Darren McGavin) but comforted by his doting mother (Melinda Dillon), Ralphie struggles to make it to Christmas Day with his glasses and his hopes intact.", "auditorium": "Red and White Fleet", "formats": [], "quirks": [ "Outdoors", "On A Boat" ], "source_url": "https://roxie.com/film/floating-features-a-christmas-story-1983/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:floating-features", "name": "Floating Features", "description": "The World’s Only Sailing Movie Theater is on the San Francisco Bay!\n\nSan Francisco Legacy Businesses Red and White Fleet and The Roxie are partnering to turn the hybrid electric vessel Enhydra into a sailing cinema for a monthly series of nighttime movie cruises on the Bay. Join us for a 2-hour twilight cruise and a feature film handpicked by The Roxie. Our electric vessel means no engine noise and a totally unique al fresco movie experience.\n\nRoxie Members get $10 off tickets – email [email protected] for the discount code!\n\nThere’s drinks, snacks, and beautiful views of the Bay – all aboard!", "source_url": "https://roxie.com/series/floating-features/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/floating-features/", "film_description": null }, "showtimes": [ { "start_on": "2026-12-19", "start_at": "2026-12-19T18:30:00", "formats": [], "quirks": [ "On A Boat", "Outdoors" ], "first_seen_at": "2026-10-30T18:28:55" } ], "first_seen_at": "2026-10-30T18:28:55", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "The Promised Land", "description": "At the turn of the century, Lodz, Poland, was a quick-paced manufacturing center for textiles, replete with cutthroat industrialists and unsafe working conditions. Three young friends, a Pole, a Jew, and a German, pool their money together to build a factory.", "release_year": "1975", "runtime_minutes": 179, "poster_url": "https://image.tmdb.org/t/p/w500/pjk8K5MpQJX0XczTC2KOVWNj0lC.jpg", "trailer_url": "https://www.youtube.com/watch?v=UGosYBfbRBc", "tmdb_id": 511, "tmdb_rating": 7.4, "tmdb_url": "https://www.themoviedb.org/movie/511", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-511-the-promised-land", "showings": [ { "name": "New People: The Promised Land", "description": "In turn-of-the-century Łódź, three ambitious young men set out to build a textile empire, chasing wealth through a city transformed by industry, greed, and ruthless competition. Wajda turns Władysław Reymont’s Nobel Prize-winning novel into a feverish, visually striking portrait of capitalism in overdrive, where success comes at a brutal human cost.", "auditorium": "New People Cinema", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/new-people-the-promised-land/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:wajda-at-100", "name": "Wajda at 100", "description": "Marking the 100th anniversary of his birth and the 10th anniversary of his death, Poland declared 2026 the year of Andrzej Wajda. One of the great European directors of the 20th century, whose work and political engagement played a decisive role in bringing Polish film to international audiences, Wajda’s films have long been unavailable and difficult to view in the United States.\n\nScreenings of Andrzej Wajda’s films in the USA in 2026 are part of the ‘Wajda 100 Tour – North America’ project, organized by DI Factory with the financial support of the Polish Film Institute.\n\nBorn in 1926 into a home that honored fine art (with a literary schoolteacher mother and his aide-de-camp father an amateur painter), Andrzej Wajda studied sculpture and oil painting before enlisting in the anti-fascist, and anti-communist, Home Army at the age of sixteen. Following the devastation of WWII, Wajda emerged from the rubble as a commanding force in film, launching a career that continually envisioned, and reenvisioned, a Polish national cinema and identity. An educator, aesthete, dissident, community builder, and cinematic experimenter, Wajda remains an influential and monumental figure in world cinema.\n\nFor Wajda at 100, we’re diving into the range and restless energy of a filmmaker who never stopped reinventing himself: the claustrophobic wartime nightmare of Kanal, the cool postwar disillusionment of Ashes and Diamonds, the sharp comedy of Hunting Flies and Roly Poly, the self-questioning Everything for Sale, the feverish ambition of The Promised Land, and the political charge of Man of Marble. Kanal, Ashes and Diamonds, and Man of Marble screen in new 4K restorations.", "source_url": "https://roxie.com/series/wajda-at-100/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/wajda-at-100/", "film_description": null }, "showtimes": [ { "start_on": "2026-12-19", "start_at": "2026-12-19T15:30:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:55" } ], "first_seen_at": "2026-10-30T18:28:55", "last_seen_at": "2026-10-31T02:18:32" } ] }, { "name": "Carol", "description": "In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.", "release_year": "2015", "runtime_minutes": 118, "poster_url": "https://image.tmdb.org/t/p/w500/cJeled7EyPdur6TnCA5GYg0UVna.jpg", "trailer_url": "https://www.youtube.com/watch?v=Y6ekAV16RIs", "tmdb_id": 258480, "tmdb_rating": 7.5, "tmdb_url": "https://www.themoviedb.org/movie/258480", "url": "https://www.stuffsac.com/san-francisco/roxie/series/#tmdb-258480-carol", "showings": [ { "name": "Carol", "description": "Presented by OUTlook and Frameline\n\nDubbed “SF’s hottest new holiday tradition” by the San Francisco Chronicle, Frameline’s fourth annual Carol Day returns to its home at the Roxie Theater. Shake up your martinis, don your gloves (and gay apparel) for a costume contest, and get ready to be flung out of space — again.\n\nSet during Christmastime in 1950s New York, Todd Haynes’ adaptation of Patricia Highsmith’s The Price of Salt centers on shy, aspiring photographer Therese Belivet (Rooney Mara), whose world changes when she meets the elegant Carol Aird (Cate Blanchett). As Carol struggles to maintain custody of her daughter amid a heated divorce, she and Therese develop a secret-yet-passionate romance that changes them both irrevocably.\n\nFeaturing a stunning screenplay from Phyllis Nagy; memorable supporting turns from Sarah Paulson, Kyle Chandler, and Jake Lacy; and wholly transportive production design and costuming, Carol remains one of queer cinema’s most exquisite films.", "auditorium": "Big Roxie", "formats": [], "quirks": [], "source_url": "https://roxie.com/film/carol/", "region": { "sacid": "san-francisco", "name": "San Francisco", "url": "https://www.stuffsac.com/san-francisco/" }, "theater": { "sacid": "san-francisco/roxie", "name": "Roxie Theater", "short_name": "Roxie", "color": "#1d4ed8", "source_url": "https://roxie.com/", "url": "https://www.stuffsac.com/san-francisco/roxie/" }, "series": { "sacid": "san-francisco/roxie:outlook", "name": "OUTlook", "description": "OUTlook is the Roxie’s year-round programming initiative to highlight LGBTQIA+ voices in cinema. For decades, we’ve been committed to showcasing movies that reflect the full spectrum of identities both in our San Francisco community and the wider world. Through a mix of new and mainstream releases, classic repertory, and the avant-garde fringe, we’ve continually sought to show something for everybody at the Roxie.", "source_url": "https://roxie.com/series/outlook/", "url": "https://www.stuffsac.com/san-francisco/roxie/series/outlook/", "film_description": null }, "showtimes": [ { "start_on": "2026-12-21", "start_at": "2026-12-21T18:00:00", "formats": [], "quirks": [], "first_seen_at": "2026-10-30T18:28:55" } ], "first_seen_at": "2026-10-30T18:28:55", "last_seen_at": "2026-10-31T02:18:32" } ] } ]